1,623 stories from exeuntmagazine.com
'Freed from traditional confines': Tracey Sinclair, self-proclaimed 'dance ignoramus', reviews a double bill from BalletBoyz.
The post Review: BalletBoyz: Them & Us at Northern Stage app…
Ringing hollow: Louise Jones writes on the subtleties lost in adaptation in Out of Joint and Royal and Derngate's co-production of Kazuo Ishiguro's novel.
The post Review: The Remains of the…
'Alan Bennett with funkier hair': Tracey Sinclair reviews a one-man show about political factionalism and punk music at Live Theatre's Elevator Festival.
The post Review: It'll Be Alt-Right …
Last year's model: Christine Irvine writes on attitudes towards technology in National Theatre of Scotland's trilogy of tech-inflected dystopian shorts.
The post Review: Interference at City…
'Pulled out of the gut, steaming and red and alive': Ava Wong Davies writes a response to Rachel De-Lahay and Milli Bhatia's festival of letters, which engages with racial tensions and white…
'Pulled out of the gut, steaming and red and alive': Ava Wong Davies writes a response to Rachel De-Lahay and Milli Bhatia's festival of letters, which engages with racial tensions and white…
Alice Saville writes on what 'The Color Purple' casting controversy says about theatre producers' attitudes towards queer actors, and queer audiences.
The post The Color Purple; who gets t…
"So how do we talk about the flying body, this body in space?": Francesca Peschier interviews two female circus artists about objectification, challenging beauty norms, and soaring through t…
Brighton's Marlborough Theatre is taking queer live art on tour across the UK - and they've made a new documentary about the project. Watch it here.
The post New Queers on the Road appeared …
Finding their voices: Annegret Märten writes on BAC Beatbox Academy's joyful reimagining of Mary Shelley's novel.
The post Review: Frankenstein at Battersea Arts Centre appeared first on E…
Taking it seriously: Tracey Sinclair reviews David Edwards' demystifying verbatim show about the realities of living with OCD.
The post Review: Bizarre Love Triangle at Northern Stage appear…
"Not a cosy play, this" - Ava Wong Davies writes on Pinter's study of adultery, staged with icy persuasiveness by Jamie Lloyd.
The post Review: Betrayal at Harold Pinter Theatre appeared fir…
The world of the play 'spins off its axis and crashes into ours': Nabilah Said writes to her penpal about Matthew Xia's production of Athol Fugard's anti-apartheid play.
The post Review: Bl…
Not that innocent: Emily Davis reviews The Famous Lauren Barri Holstein's piece devised with young people, exploring 'the risky parameter between appropriate and explicit'.
The post Review:…
A tear-stained rundown of all the ways in which the UK's theatre scene will mark Britain's (probable) parting of ways with the EU.
The post Theatre's Plans for Brexit Weekend appeared first …
'Constructed in layers before our eyes': Andrew Edwards reviews imitating the dog's ambitious, cinematic re-working of Joseph Conrad's novel.
The post Review: Heart of Darkness at Tron Theat…
"THIS pie was SO perfect!" - Alice Saville responds to the hit musical, using real TripAdvisor reviews of American diners.
The post Review: Waitress " The Musical at Adelphi Theatre appeare…
"I never really got Yerma": Rosemary Waugh writes on finding echoes of Simon Stone's earlier work in his searing version of Medea.
The post Simon Stone's Medea (and Yerma) appeared first on…
The sum of its parts: Ben Kulvichit reviews Headlong's touring production, starring Tom Mothersdale on fine villainous form.
The post Review: Richard III at Bristol Old Vic appeared first on…
'Grainy portraits': Brendan MacDonald reviews Tom Ratcliffe's new play, which explores the 'struggle to find long-lasting love' as a gay man.
The post Review: Circa at Old Red Lion appeared…
Simon Gwynn reviews Janet Suzman's claustrophobic revival of Athol Fugard's 1978 play, which explores 'the personal toll of political events'.
The post Review: A Lesson From Aloes appeared …
'What kind of nation have we created?': Amy Borsuk reviews Adjoa Andoh and Lynette Linton's 'landmark' production of Shakespeare's history play.
The post Review: Richard II at Sam Wanamaker…
Incredibly close: Frey Kwa Hawking writes on Anthony Simpson-Pike and Nina Segal's 'irreverent and feral' adaptation of Wolfram Lotz's radio play about colonialism.
The post Review: The Rid…
Polar opposites: Hailey Bachrach writes on Tatty Hennessy's narrative of arctic exploration, and the weight of female role models.
The post Review: A Hundred Words for Snow at Trafalgar Stud…
A muted experiment: Arjun Sajip writes on Nicholas Hytner's staging of a bestselling thriller.
The post Review: Alys, Always at Bridge Theatre appeared first on Exeunt Magazine.
