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105 stories by "Frey Kwa Hawking"

Screwdriver review at Lyric Hammersmith, London " 'lively new writing' by Frey Kwa Hawking

Screws are prison officers, whose function is to operate doors. You're only good as a screw if you have respect, which Nicole

SOURCE: The Stage Registration at 11:33am on February 14, 2020[SHARE]

The Importance of Being Earnest " Played by Immigrants review at Tower Theatre, London " 'crowded and confusing' by Frey Kwa Hawking

Though it begins with a quotation of Hamlet's "To be or not to be" soliloquy, this production of The Importance of Being

SOURCE: The Stage Registration at 12:45pm on January 9, 2020[SHARE]

Robin Hood review at Queen's Theatre, Hornchurch " 'an entertaining, energetic pantomime' by Frey Kwa Hawking

Artistic director Douglas Rintoul's first panto for Queen's Theatre is a traditional, energetic production. Phil Adèle's Robin Hood and Barbara Hockaday's Maid

SOURCE: The Stage Registration at 5:30am on December 2, 2019[SHARE]

Gaslight review at Playground Theatre, London " 'takes few risks' by Frey Kwa Hawking

In Imy Wyatt Corner's production of the 1938 Patrick Hamilton play that gave rise to the now much-used term 'gaslighting', she delivers

SOURCE: The Stage Registration at 12:33pm on October 25, 2019[SHARE]

The Girl Who Fell review Trafalgar Studios, London " 'well acted and sensitively written' by Frey Kwa Hawking

Sarah Rutherford's exploration of the aftermath of a teenage suicide boasts impressively nimble dialogue. The death of 15-year-old Sam leaves doubt and

SOURCE: The Stage Registration at 8:36am on October 21, 2019[SHARE]

Youthquake review at Stratford Circus, London " 'confidently presented' by Frey Kwa Hawking

Two years after Oxford Dictionaries chose "youthquake" as its word of the year, Zest Theatre presents a manifesto for the term in

SOURCE: The Stage Registration at 11:42am on October 17, 2019[SHARE]

Lunatic 19s review at Finborough Theatre, London " 'a timely two-hander' by Frey Kwa Hawking

A Latino immigration enforcement officer escorts Gracie, a young, undocumented Chicana girl towards detainment and deportation, and away from Kentucky " away

SOURCE: The Stage Registration at 11:54am on July 12, 2019[SHARE]

The Mob Reformers review at Lyric Hammersmith " 'full of surprises' by Frey Kwa Hawking

Working with the Lyric Hammersmith's director of young people Nicholai La Barrie and the Lyric's artistic associates, this is the second production

SOURCE: The Stage Registration at 5:56am on June 24, 2019[SHARE]

Bromley Bedlam Bethlehem review at Old Red Lion, London " 'sensitive exploration of depression' by Frey Kwa Hawking

It runs in the family. Sarah's estranged father recently killed himself. Her son is also beginning to struggle with his mental health.

SOURCE: The Stage Registration at 7:22am on May 13, 2019[SHARE]

Review: The Ridiculous Darkness at the Gate by Frey Kwa Hawking

Incredibly close: Frey Kwa Hawking writes on Anthony Simpson-Pike and Nina Segal's 'irreverent and feral' adaptation of Wolfram Lotz's radio play about colonialism. The post Review: The Rid…

SOURCE: exeuntmagazine.com at 8:17am on March 8, 2019[SHARE]

Review: Kourtney Kardashian at BAC by Frey Kwa Hawking

'Rich people acting out their little dramas': Frey Kwa Hawking writes on Sleepwalk Collective's final show in their Kardashian trilogy, a deconstructed, live-art opera. The post Review: Kou…

SOURCE: exeuntmagazine.com at 6:48am on March 2, 2019[SHARE]

Review: Superhoe at Royal Court by Frey Kwa Hawking

"A long, slow slide into horror after horror" " Frey Kwa Hawking writes on Nicôle Lecky's narrative of a young woman suffocated by anxieties. The post Review: Superhoe at Royal Court app…

SOURCE: exeuntmagazine.com at 5:11am on February 6, 2019[SHARE]

Call It a Day review at the Yard Theatre, London " 'a dreamy, playful meditation' by Frey Kwa Hawking

What do we share with each other? Even those who are as radically different from us as we can imagine? In this

SOURCE: The Stage Registration at 6:04am on January 31, 2019[SHARE]

Review: Welcome to the UK at The Bunker by Frey Kwa Hawking

'Theatre that refuses to form an orderly queue': Frey Kwa Hawking reviews Borderline's playful satire of the UK's labyrinthine immigration system. The post Review: Welcome to the UK at The …

SOURCE: exeuntmagazine.com at 5:09am on January 28, 2019[SHARE]

Review: Stop and Search at Arcola Theatre by Frey Kwa Hawking

'Moments of compassion and trust": Frey Kwa Hawking writes on Gabriel Gbadamosi's wide-ranging, but opaque new play. The post Review: Stop and Search at Arcola Theatre appeared first on Exeu…

SOURCE: exeuntmagazine.com at 2:18am on January 16, 2019[SHARE]

Review: Coming Clean at Trafalgar Studios by Frey Kwa Hawking

Fun on the side: Frey Kwa Hawking writes on Kevin Elyot's debut play about nonmonogamy, as it transfers to Trafalgar Studios. The post Review: Coming Clean at Trafalgar Studios appeared firs…

SOURCE: exeuntmagazine.com at 4:54am on January 14, 2019[SHARE]

Review: Bottom at Soho Theatre by Frey Kwa Hawking

Willy Hudson's solo show explores 'the arbitrariness of what we expect young gay people to have instantly figured out, before they even come out', writes Frey Kwa Hawking The post Review: Bo…

SOURCE: exeuntmagazine.com at 9:04am on December 22, 2018[SHARE]

Dialektikon, Park Theatre, London " 'moments of beauty' by Frey Kwa Hawking

Miranda's world is dark. Beyond early hints at an abusive dad, and a nan who endured hardship as an immigrant and is

SOURCE: The Stage Registration at 12:43pm on December 13, 2018[SHARE]

Review: Return to Elm House at Battersea Arts Centre by Frey Kwa Hawking

A magical immersion in the history of Battersea: Frey Kwa Hawking writes on Sarah Golding's 'gentle and very different Christmas show' The post Review: Return to Elm House at Battersea Arts …

SOURCE: exeuntmagazine.com at 6:26pm on December 10, 2018[SHARE]

Queer Migrant Takeover by Frey Kwa Hawking

As Brexit looms, a series of live art parties are creating space to explore multicultural LGBT+ experiences. The post Queer Migrant Takeover appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:24am on December 10, 2018[SHARE]

Review: The Band at Theatre Royal Haymarket by Frey Kwa Hawking

A bewildering tribute: Frey Kwa Hawking writes on Gary Barlow's Take That! musical. The post Review: The Band at Theatre Royal Haymarket appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 1:01pm on December 6, 2018[SHARE]

Jack and the Beanstalk review at Queen's Theatre, Hornchurch " 'plays it safe' by Frey Kwa Hawking

Penned by Andrew Pollard, Martin Berry's panto for Queen's Theatre Hornchurch is a rather by-the-numbers affair. Though the fairground setting allows for

SOURCE: The Stage Registration at 5:15am on December 5, 2018[SHARE]

Review: Love-Lies-Bleeding at Print Room by Frey Kwa Hawking

'Quiet and considered': Frey Kwa Hawking reviews Jack McNamara's production of Don DeLillo's play about a man in a vegetative state The post Review: Love-Lies-Bleeding at Print Room appeared…

SOURCE: exeuntmagazine.com at 5:15am on November 21, 2018[SHARE]

Cuckoo review at Soho Theatre, London " 'snappy dialogue' by Frey Kwa Hawking

Lisa Carroll's play Cuckoo is a witty study of the mess and complexity of adolescent friendship. When word gets out that a

SOURCE: The Stage Registration at 6:48am on November 20, 2018[SHARE]

Review: Super Duper Close Up at The Yard by Frey Kwa Hawking

'a bit like being occasionally struck by lightning': Frey Kwa Hawking writes on Made in China's fast-talking new show. The post Review: Super Duper Close Up at The Yard appeared first on Exe…

SOURCE: exeuntmagazine.com at 3:35am on November 16, 2018[SHARE]
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