Blood Wedding review at Salisbury Playhouse " 'elegiac tribute to unseen lives'
Barney Norris, Wiltshire's unofficial contemporary chronicler, swaps dry earth and baking heat for chalky hills and the A350 in his new adaptation
Barney Norris, Wiltshire's unofficial contemporary chronicler, swaps dry earth and baking heat for chalky hills and the A350 in his new adaptation
As the house lights dim, the audience is invited to take a small square of chocolate each " an amuse bouche to
The Wardrobe Theatre Christmas show is something of a Bristol institution. Serving as an adult alternative to the usual festive fare, there
With a tiled dance floor, festoons, crates and palettes strewn about and pillars wrapped with chains of leaves, Jean Chan's design sets
One of the striking features of Lucy Hughes' touring revival of Posh, Laura Wade's takedown of Oxford University's elite, prime-minister-producing Bullingdon Club,
Written and directed by, and starring, Vanessa Redgrave, Vienna 1934 " Munich 1938 stages diary entries, memoirs, poems and speeches by a
The incredibly successful Horrible Histories books and its CBBC sketch show counterpart has taught us that world has tended to be a
Le Navet Bete means "the stupid turnip": a great company name that feels like a grown-up evolution of a child's joke, and
They've assured their son that they love him more than anything else and that they'll always put him first; that it'll be
Violent pornography? Gone. Non-offensive insults? Stay. "God is gay"? That one's up for debate. Debate is what the characters in Phil Porter's
The sum of its parts: Ben Kulvichit reviews Headlong's touring production, starring Tom Mothersdale on fine villainous form. The post Review: Richard III at Bristol Old Vic appeared first on…
Set against the backdrop of the Bristol bus boycott in 1963, this homegrown play from Bristol playwright Chinonyerem Odimba is the second
A familiar family: Ben Kulvichit writes on Chippy Lane Production's new play and its echoes of 20th Century American playwrights The post Review: BLUE at Chapter Arts Centre, Cardiff appeare…
A canny comedy crime caper: Ben Kulvichit reviews New Old Friend's latest addition to their popular touring murder mystery series. The post Review: Crimes on the Nile at The Ustinov, Bath ap…
The latest show by Green Ginger, the 40-year-old visual theatre company known for their intricate puppetry, is set in a near future
Starting a conversation: Eve Allin reviews a new collaboration between Andy Smith (UK) and Amund Sjølie Sveen (Sweden) The post Review: Commonism at Birmingham REP appeared first on Exeun…
Don't kids just say the funniest things? Well, maybe not in Tim Etchells and Forced Entertainment's show That Night Follows Day "
At its best, panto can be a joyful shared experience in which the performers are truly present with, and constantly responding to,
Imagine a world drained of colour " grey cereal, grey clothes, grey skies. That's the austere world Chloe lives in, presided over
With its wooden floors and low ceilings, Bristol's Tobacco Factory feels like a natural home for Mary Norton's story of tiny humans
A tribute to the South West via the Wild West, Carl Grose's new comedy opens with the death of Jed Kneebone, an
Performed on two seven-metre travelators, Stan's Cafe's latest show is as boldly conceived as we've come to expect from Birmingham's much-loved experimental
For Frantic Assembly's latest co-production with Theatre Royal Plymouth, Anna Jordan has written a triptych about three men from Scarborough who return
You may have heard the story. In one of mountaineering’s most audacious survival tales, Joe Simpson, climbing Siula Grande in the Peruvian
In 1954, 17-year-old Geoffrey Patrick Williamson, questioned by police officers while on a train home from Exeter to Bristol, gave the names