Climate Activists Interrupt New York City Ballet Performance
Protesters interrupted an all-Balanchine program on the company's spring season opening night, which coincided this year with Earth Day.
Protesters interrupted an all-Balanchine program on the company's spring season opening night, which coincided this year with Earth Day.
Kate Geis's absorbing new documentary follows a Taylor dance, "Three Dubious Memories," as it takes shape in a matter of weeks.
New York Classical Theater turns a Lower Manhattan commercial space into a makeshift theater to stage Aphra Behn’s 17th-century comedy about sexual politics.
In “Heaven on Earth” Charles L. Mee and some collaborators adapt the techniques of collage for the stage.
Jeff Cohen’s new play uses Michael Rockefeller’s death to consider cultural misunderstandings.
In Theodora Skipitares’s production of “Lysistrata” at La MaMa, her puppets and masks provide distance between audience and play, a veil that offers both discretion and …
In his play “The Wife,” Tommy Smith pulls strange fellows from the urban melting pot.
In George Hunka’s “What She Knew” at Manhattan Theater Source, Jocasta holds forth about blood, pestilence and sex.
The stage version of Harriet Beecher Stowe’s “Uncle Tom’s Cabin” gets a fresh look from the Metropolitan Playhouse in a production that values the text.
Vaclav Havel’s “Memorandum” pits humanist values against a crushing, paranoia-producing bureaucracy.
One Little Goat Theater Company’s fascinating yet irritating production of Thomas Bernhard’s “Ritter, Dene, Voss” is making its New York debut at La MaMa.
SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015[SHARE]
One Little Goat Theater Company’s fascinating yet irritating production of Thomas Bernhard’s “Ritter, Dene, Voss” is making its New York debut at La MaMa.
Jeff Cohen’s new play uses Michael Rockefeller’s death to consider cultural misunderstandings.
In Luigi Creatore’s “Error of the Moon,” the jealous Edwin Booth is partly responsible for John Wilkes Booth’s assassination of Lincoln.
New York Times writers review five shows that made their debuts in the early days of this year’s New York International Fringe Festival.
Review of "Running" in 2010 NYC Fringe Festival.
Writers and editors for The New York Times list memorable moments onstage this year.
In "Chinese Coffee," two men talk through a middle-aged pas de deux.
Krista Knight's "Primal Play," part of the Jam on Toast festival for young playwrights and directors, focuses on a primatologist in Tanzania and her mother.
"The Lovesong of Alfred J. Hitchcock" looks into Hitchcock's psyche and its influence on his films.
It takes three singers to fill the shoes of the title character in "Inventing Mary Martin," at the Theater at St. Peter's, a biographical revue with Emily Skinner, Lynne Halliday and Cameron…
Christopher Durang's "Beyond Therapy," revived by the Actors Company Theater at the Beckett, centers on two people questing for romance while undergoing seriously wacky therapy. &…
"Pains of Youth," from 1926, revived by the Cake Shop Theater, paints of portrait of disillusionment in Vienna.
In her solo show, "Bronx Gothic," Okwui Okpokwasili shares a story of innocence and experience about two 11-year-old girls.
"She Is King" is a portrait of the tennis star Billie Jean King as a hero in an era of entrenched sexism and other inequalities in sports and life.