162 stories by "Ken Jaworowski"
The play, created and directed by Theodora Skipitares, intertwines Lorca's "Blood Wedding" with the stories of Eric Garner and others killed by the police.
In a movie adapted from his play, the writer and actor Aaron Davidman portrays more than a dozen people affected by the Mideast conflict.
A documentary finds a group of young people in violence-plagued Richmond, Calif., staging their own version of Romeo and Juliet's romantic tragedy.
The Soulpepper production, adapted by Vern Thiessen from W. Somerset Maugham's novel, tells a beautifully bittersweet tale.
This Jeff Talbott play tells of the exhaustion a cemetery laborer encounters as he navigates his relationships at work and at home.
In 1700s Austria, a man loves a traveler who can't stay in his village because she is Jewish. This play's parallels with current concerns ring clear.
Circus der Sinne, based in Tanzania, deploys performers who leap, juggle and perform myriad other feats at the New Victory Theater, backed by a live band.
Gideon Irving, who has performed in hundreds of homes in six countries, brings his one-man show of songs, jokes and surprises to Rattlestick Playwrights Theater.
This deft revival of a Mike Leigh play, set at a drunken suburban soiree, lays bare the disappointment behind seemingly self-satisfied guests.
Jamie Horton gives a strong performance as George Orwell in an otherwise standard play at 59E59 Theaters that imagines Orwell promoting "Animal Farm" in the United States.
"Afterplay," in its New York debut, could seem slight were it not for the superb pairing of Dermot Crowley and Dearbhla Molloy.
Mr. Norman, the first African-American animator on Disney's staff, hand-drew scenes for classics including "The Jungle Book" and "Sleeping Beauty."
This play is part comedy, part historical drama and part biography, as Major General Butler, a Union officer, weighs the fate of escaped slaves.
Sandy Rustin's play, having its world premiere in Long Branch, is a comedy that wrestles with chance and coincidence.
Older actresses, dressed in everyday clothes instead of period costumes, inhabit a range of roles and excite the imagination.
In the century-old "Recklessness" and "Now I Ask You," revived at the Metropolitan Playhouse, O'Neill deals with a scandalous affair and bohemianism.
This play makes its case by placing its actors amid the audience members as they enact a crime scene, a protest and a funeral.
Bruce Graham's play, which is having its New Jersey debut, employs a passionate anger while tackling the tough, emotional subjects of aging, memory loss and dementia.
In the play, written by Laura Eason, two writers at a bed-and-breakfast have chemistry, but the most intriguing moments take place after the sex.
The boxer, this one-man show's subject, had his share of money woes, but the actor playing him, Reginald L. Wilson, is an upbeat presence.
The story begins soon after a black teenager has fallen to his death while being pursued by a white officer, raising questions over whether he was pushed.
The production, poetic yet unpretentious, explores the friction between siblings and a former prison mate near a Louisiana bayou.
The production of August Wilson's play, at the McCarter Theater Center in Princeton, N.J., tells the story of an African-American family in 1936.
Seamus Heaney's adaptation of Sophocles' "Antigone," at the Irish Repertory Theater, was written in response to the American invasion of Iraq.
The Shakespeare Theater of New Jersey takes a restrained approach to the bard's play, in which the rascal Falstaff tries to seduce and swindle two wealthy wives.
