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97 stories by "Rachel Elderkin"

New English Ballet Theatre review at Peacock Theatre, London " 'bright and elegant' by Rachel Elderkin

New English Ballet Theatre is a relatively young company and while past performances have suggested it is still finding its feet, its

SOURCE: The Stage Registration at 12:59pm on October 2, 2018[SHARE]

Scandale review at Sadler's Wells, London " 'lacks coherence' by Rachel Elderkin

Pierre Rigal's Scandale poses the question: is music or movement the mother of dance? It's the kind of question that resists an

SOURCE: The Stage Registration at 10:13am on September 6, 2018[SHARE]

Carmen La Cubana review at Sadler's Wells, London " 'Joyous and raucous, yet filled with drama and danger' by Rachel Elderkin

The story of Carmen has been reimagined countless times, but Christopher Renshaw's Carmen La Cubana, which draws its inspiration from both Bizet's

SOURCE: The Stage Registration at 6:19am on August 3, 2018[SHARE]

Che Malambo review at Peacock Theatre, London " 'masculine swagger' by Rachel Elderkin

Che Malambo begins with the thunder of drums. Twelve Argentine Malambo dancers make up this all-male company and they advance as one,

SOURCE: The Stage Registration at 12:15pm on July 23, 2018[SHARE]

Goldberg Variations review at Barbican Theatre " 'energetic and enjoyably odd' by Rachel Elderkin

To the trilling passages of Bach's Variation No. 1 a dancer vigorously shakes his body, his limbs in ungainly positions. Then the

SOURCE: The Stage Registration at 11:49am on July 6, 2018[SHARE]

Birmingham Royal Ballet's Polarity and Proximity review at Sadler's Wells " 'power, elegance and virtuosity' by Rachel Elderkin

George Williamson's Embrace is the first product of Birmingham Royal Ballet's commissioning programme for new works, Ballet Now. It makes for a

SOURCE: The Stage Registration at 11:44am on June 18, 2018[SHARE]

Birmingham Royal Ballet's Romeo and Juliet review at Sadler's Wells " 'intense emotion' by Rachel Elderkin

Kenneth MacMillan was a choreographer who truly knew how to express emotion. This was particularly evident in his pas de deux, and

SOURCE: The Stage Registration at 12:11pm on June 14, 2018[SHARE]

Review: Xenos at Sadler's Wells by Rachel Elderkin

An achingly profound and lasting poignancy: Akram Khan's last solo show is a moving exploration of WWI. The post Review: Xenos at Sadler’s Wells appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:46pm on June 1, 2018[SHARE]

Motionhouse: the dance-circus group still digging deep at 30 by Rachel Elderkin

Known for its athletic, high-impact style, Motionhouse gets to grips with the modern world " literally, with dancers moving across buildings and

SOURCE: The Stage Registration at 7:30am on May 15, 2018[SHARE]

Cloud Gate Dance Theatre review at Sadler's Wells, London " 'exquisitely crafted' by Rachel Elderkin

Formosa, the title of Cloud Gate Dance Theatre's latest work to premiere in the UK, comes from the name Portuguese sailors first

SOURCE: The Stage Registration at 11:39am on May 10, 2018[SHARE]

Terra Firma review at the Place, London " 'a strong and diverse triple bill' by Rachel Elderkin

Terra Firma, the current tour from National Dance Company Wales, features three bold and individually distinctive works, proving that this is one

SOURCE: The Stage Registration at 12:33pm on May 9, 2018[SHARE]

The Troth review at Queen Elizabeth Hall, London " 'evocative and poignant dance theatre' by Rachel Elderkin

In the First World War, 60,000 soldiers of undivided India died serving the British Army. Their sacrifice for the British Empire, at

SOURCE: The Stage Registration at 8:18am on May 8, 2018[SHARE]

Review: 10 by Company Chameleon by Rachel Elderkin

Between comedy and seriousness: the Manchester-based dance company celebrates its tenth birthday. The post Review: 10 by Company Chameleon appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 8:38am on May 3, 2018[SHARE]

Toro: Beauty and the Bull review at Lilian Baylis Studio, London " 'sensual and provocative' by Rachel Elderkin

Fairy lights hang from the ceiling. In the foreground a woman is stretched out, her legs spread-eagled. Behind her, bare chested men

SOURCE: The Stage Registration at 12:47pm on May 2, 2018[SHARE]

Windrush: Movement of the People review at Peacock Theatre, London " 'timely new work' by Rachel Elderkin

Windrush: Movement of the People is the timely new full length work by Phoenix Dance Theatre. Choreographed by artistic director Sharon Watson,

SOURCE: The Stage Registration at 12:25pm on April 30, 2018[SHARE]

Review: Constructions of Thin Air at The Place by Rachel Elderkin

Powerful and poignant: Maresa von Stockert's return to indoor staging is a compelling study of interaction and experience. The post Review: Constructions of Thin Air at The Place appeared fi…

SOURCE: exeuntmagazine.com at 5:30am on March 14, 2018[SHARE]

Candoco: Face in/Let's Talk About Dis review at Sadler's Wells " 'a lively double bill' by Rachel Elderkin

Yasmeen Godder's new creation for Candoco Dance Company, Face In, is one of the final works programmed by the company's former artistic

SOURCE: The Stage Registration at 12:32pm on March 12, 2018[SHARE]

Ballet British Columbia review at Sadler's Wells, London " 'a timely female-led programme' by Rachel Elderkin

During a week in which one Canadian ballet company announce a programme of work choreographed solely by men on, quote, the "subject

SOURCE: The Stage Registration at 10:45am on March 8, 2018[SHARE]

Resolution 2018 review at the Place, London " 'a vital platform for artists' by Rachel Elderkin

Resolution is the Place's annual festival for dance. Open to artists at any stage of their career and with a focus on

SOURCE: The Stage Registration at 12:49pm on March 2, 2018[SHARE]

Review: Joss Arnott Dance: Triple Bill at Trinity Laban by Rachel Elderkin

A freshness within his signature style: this Joss Arnott trio concludes with a compelling new piece. The post Review: Joss Arnott Dance: Triple Bill at Trinity Laban appeared first on Exeunt…

SOURCE: exeuntmagazine.com at 10:25am on March 2, 2018[SHARE]

Candoco Dance Company: 'We're interested in work that shifts the perception of ability' by Rachel Elderkin

Ben Wright and Charlotte Darbyshire are shaping their vision for Candoco Dance Company " and their first season as artistic co-directors "

SOURCE: The Stage Registration at 6:30am on February 19, 2018[SHARE]

Tesseract review at Jackson's Lane, London " 'inventive and playful' by Rachel Elderkin

There are a surprisingly large number of ways to water a plant. For former tightrope-walker Nacho Flores, the solution is more complex

SOURCE: The Stage Registration at 10:57am on January 29, 2018[SHARE]

Strictly Come Dancing: The Live Tour review at Arena Birmingham " 'cheesy, vibrant, fun' by Rachel Elderkin

Glitter balls, sequins and lame jokes. Strictly Come Dancing is now in its 11th year, it has a formula that works and

SOURCE: The Stage Registration at 6:26am on January 20, 2018[SHARE]

Le Jeune Homme et la Mort/ La Sylphide review at London Coliseum " 'sexually charged' by Rachel Elderkin

Roland Petit's Le Jeune Homme et la Mort is a succinct, sexually charged work " particularly for 1946 when it premiered. From

SOURCE: The Stage Registration at 12:53pm on January 17, 2018[SHARE]

Cinderella on Ice review at Hyde Park Winter Wonderland, London " 'lavish and fast-paced' by Rachel Elderkin

In the Winter Palace Theatre, a Russian-inspired space at Hyde Park's Winter Wonderland, Cinderella is taking to the ice. Running at under

SOURCE: The Stage Registration at 10:52am on November 23, 2017[SHARE]
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