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97 stories by "Rachel Elderkin"

Dancers on the impact of Covid-19: 'It has blown my mind how much this industry has pulled together' by Rachel Elderkin

As the UK reels from the effects of Covid-19, dancers face not just the loss of their jobs and income but the

SOURCE: The Stage Registration at 1:32pm on April 3, 2020[SHARE]

Richard Alston Dance Company review at Sadler's Wells, London " 'celebrates the pure joy of dance' by Rachel Elderkin

Richard Alston's distinctive style contains within it an echo of the early days of UK modern dance, but also a choreographic voice that

SOURCE: The Stage Registration at 11:28am on March 17, 2020[SHARE]

Antigone, Interrupted review at the Place, London " 'a bold, defiant performance' by Rachel Elderkin

Greek tragedy, as performer Solène Weinachter points out, is full of bodies " dead ones, yes, but also the many that populate

SOURCE: The Stage Registration at 6:30am on March 9, 2020[SHARE]

How a contemporary dance course could set off your stage career by Rachel Elderkin

Once focused on technique, dance schools now offer training in creative development and entrepreneurial skills to prepare students for the industry. Leading

SOURCE: The Stage Registration at 8:00am on March 3, 2020[SHARE]

The Little Match Girl review at Lilian Baylis Studio, London " 'richly imaginative' by Rachel Elderkin

Arthur Pita's version of Hans Christian Andersen's mournful story evokes a fittingly festive combination of charm and hope. That said, this family

SOURCE: The Stage Registration at 5:34am on December 20, 2019[SHARE]

Alston at Home review at the Place, London " 'a fond farewell to the Richard Alston Dance Company' by Rachel Elderkin

When the Place opened in 1969, Richard Alston was among its first students. Next year his own company, based at the school,

SOURCE: The Stage Registration at 11:21am on December 3, 2019[SHARE]

Russell Maliphant: Silent Lines review at Sadler's Wells, London " 'mesmeric new work' by Rachel Elderkin

In the dappled light five dancers slowly rotate. Panagiotis Tomaras' video projections ripple across their bodies like water. Silent Lines, the latest

SOURCE: The Stage Registration at 11:27am on October 21, 2019[SHARE]

Cross Currents/Monotones II/Everyone Keeps Me review at Linbury Theatre, London " 'precision and playfulness' by Rachel Elderkin

Merce Cunningham is one of the most influential choreographers in modern dance and this Royal Ballet triple bill, part of the company's

SOURCE: The Stage Registration at 8:36am on October 14, 2019[SHARE]

Gisèle Vienne: Crowd review at Sadler's Wells, London " 'heady and atmospheric' by Rachel Elderkin

Dance Umbrella, London's annual international dance festival, launches its 41st year in style with Gisèle Vienne's Crowd. Painstakingly choreographed, yet effortlessly executed

SOURCE: The Stage Registration at 11:42am on October 10, 2019[SHARE]

Alvin Ailey American Dance Theater: Programme C review at Sadler's Wells " 'a spirited mixed bill' by Rachel Elderkin

The final programme of American Dance Theater's London run sees a mix of old and new. Darrell Grand Moultrie's Ounce of Faith

SOURCE: The Stage Registration at 10:45am on September 11, 2019[SHARE]

Hobson's Choice review at Sadler's Wells, London " 'joyous, warm-hearted ballet' by Rachel Elderkin

Created for Sadler's Wells Royal Ballet in 1989, Hobson's Choice was one of David Bintley's earliest creations. This revival celebrates his final

SOURCE: The Stage Registration at 10:57am on July 3, 2019[SHARE]

Somnium: A Dancer's Dream review at Sadler's Wells " 'good-humoured, fan-orientated show' by Rachel Elderkin

Sequins, tassels, flashy routines and a pop soundtrack " all things you'd expect of Strictly Come Dancing and what any fan of

SOURCE: The Stage Registration at 4:32am on June 24, 2019[SHARE]

San Francisco Ballet: Shostakovich Trilogy review at Sadler's Wells, London " 'crisp technique' by Rachel Elderkin

Though San Francisco Ballet's formidably neat style is distinctly American, the opening programme in its season at Sadler's Wells is also scattered

SOURCE: The Stage Registration at 12:42pm on June 3, 2019[SHARE]

Tao Dance Theater review at Sadler's Wells, London " 'mesmeric physicality' by Rachel Elderkin

Under the artistic direction of Tao Ye, Tao Dance Theater has created a series of works called the Numerical Series. The intention

SOURCE: The Stage Registration at 1:01pm on May 30, 2019[SHARE]

Rural Touring Dance Initiative: Contemporary dance heads to the UK's furthest corners by Rachel Elderkin

Since 2015, the RTDI's mission has been to bring pioneering dance companies to village halls and community venues from north-east Scotland to

SOURCE: The Stage Registration at 7:30am on May 15, 2019[SHARE]

Yang Liping: Rite of Spring review at Sadler's Wells, London " 'visually striking but lacking in depth' by Rachel Elderkin

A mound of gold Chinese characters spills out across the stage. A Buddhist monk searches through them, focused intently on his task,

SOURCE: The Stage Registration at 9:35am on May 14, 2019[SHARE]

Aerowaves, Paris: 'The meeting of minds and artists across borders is dance at its best' by Rachel Elderkin

A dance platform that creates performance opportunities for emerging choreographers has built its success on bridging divides and developing an international network.

SOURCE: The Stage Registration at 11:24am on April 29, 2019[SHARE]

Bach6Cellosuiten review at Sadler's Wells, London " 'contemplative pairing of movement and music' by Rachel Elderkin

Bach's cello suites are rarely performed together. However, this collaboration, between choreographer Anne Teresa De Keersmaeker and French cellist Jean-Guihen Queyras, unites

SOURCE: The Stage Registration at 8:42am on April 25, 2019[SHARE]

Night of 100 Solos review at Barbican Centre, London " 'playful celebration of Merce Cunningham's legacy'   by Rachel Elderkin

On the night that would have been Merce Cunningham's 100th birthday, dancers on three stages in London, New York and Los Angeles

SOURCE: The Stage Registration at 12:40pm on April 18, 2019[SHARE]

OneTwoThreeOneTwo review at Sadler's Wells, London " 'tame deconstruction of flamenco' by Rachel Elderkin

This is not a flamenco piece. On that point, Albert Quesada and Zoltan Vakulya are very clear. But flamenco is present in

SOURCE: The Stage Registration at 7:18am on April 10, 2019[SHARE]

National Dance Company Wales: Awakening review at Linbury Theatre, London " 'a distinctive triple bill' by Rachel Elderkin

This is only the second time National Dance Company Wales has performed at the Royal Opera House. This is surprising, given its

SOURCE: The Stage Registration at 8:45am on March 12, 2019[SHARE]

Yorke Dance Project: Twenty review at Theatre Royal Winchester " 'a heartfelt mixed bill' by Rachel Elderkin

The work of choreographers Kenneth MacMillan and Robert Cohan is familiar territory for Yorke Dance Project, so it’s fitting that works by

SOURCE: The Stage Registration at 10:39am on February 14, 2019[SHARE]

The Little Prince review at DanceEast, Ipswich " 'imaginative and playful' by Rachel Elderkin

Protein uses an eclectic combination of storytelling, song and movement to stage The Little Prince, Antonie de Saint-Exupéry's moving novella of a

SOURCE: The Stage Registration at 11:59am on December 19, 2018[SHARE]

English National Ballet's Nutcracker review at London Coliseum " 'fresh and lively' by Rachel Elderkin

The Nutcracker, with its sense of childhood wonderment, magic at midnight and corps of shimmering snowflakes, is the Christmas staple of the

SOURCE: The Stage Registration at 6:32am on December 14, 2018[SHARE]

Puzzle Creature review at the Place, London " 'imaginatively designed' by Rachel Elderkin

The audience are gathered inside an inflatable semi-transparent tent, somewhere between a greenhouse (it's hot) and an enormous chrysalis. White mesh moulds

SOURCE: The Stage Registration at 8:21am on October 19, 2018[SHARE]
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