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28 stories by "Owen Gleiberman"

'Dog Day Afternoon' Broadway Review: Jon Bernthal Takes the Al Pacino Role in a Canny Piece of Stagecraft That Can't Rival the Movie's Hauntin by Owen Gleiberman

As a piece of stagecraft, "Dog Day Afternoon," directed by Mauk Kaufman, does a canny job of translating the film's action, keeping the flow taut and exciting. But it also does something tha…

SOURCE: Variety at 12:00am on March 31, 2026[SHARE]

'Mamma Mia!' Review: A Revival of the 2001 Jukebox Musical Offers Another Undiluted Shot of ABBA Joy. Only It's Now a Double Layer Cake of Nosta by Owen Gleiberman

The show practically invites us to chuckle at the neatly interlocked way that a song like "Honey, Honey" or "Knowing Me, Knowing You" will dovetail with the (thin) motivation for singing it.…

SOURCE: Variety at 9:00pm on August 14, 2025[SHARE]

'Snow White' Review: Rachel Zegler and Gal Gadot Face Off in One of the Better Live-Action Disney Remakes. And Yes, the Controversies Are Bupkis by Owen Gleiberman

As it turns out, this is one of the better live-action adaptations of a Disney animated feature " and I say that as someone who mostly doesn't like them.

SOURCE: Variety at 3:59pm on March 19, 2025[SHARE]

How Led Zeppelin Changed the World by Owen Gleiberman

Led Zeppelin, if you take in the full measure of their annihilating sunburst grandeur, are a very hard band to categorize. They're usually thought of as the gods of metal, and few would deny…

SOURCE: Variety at 10:58pm on February 9, 2025[SHARE]

Entertainment Executives Want to Play Ball With Trump. The Stars Who Work for Them May Have a Different Idea by Owen Gleiberman

It's not unusual to see an acceptance speech at an awards show fall prey to the lure of oversharing. ("You like me, you really like me!" is the mother of all oversharing Oscar moments.) What…

SOURCE: Variety at 12:44pm on January 7, 2025[SHARE]

'Uncropped' Review: An Enticing Portrait of James Hamilton Makes You Wonder: Is He the Greatest New York Photographer Ever? by Owen Gleiberman

James Hamilton is a photographer who could and should have been far more famous " a household name, like Weegee or Arbus or Annie Liebovitz. Yet part of the fascination of "Uncropped," direc…

SOURCE: Variety at 11:38pm on April 23, 2024[SHARE]

'The American Society of Magical Negroes' Review: A Racial Satire Wittier and More Scalding Than 'American Fiction' by Owen Gleiberman

The sly beauty of "The American Society of Magical Negroes" is that it's a wicked satire of white people that's also an empathetic satire of Black people. As a filmmaker, Kobi Libii sees the…

SOURCE: Variety at 6:12pm on January 20, 2024[SHARE]

6 Thoughts on 'Cruella,' Starting With: It May Be the Best Movie of the Year So Far (Column) by Owen Gleiberman

A few weeks ago, there was every reason to be skeptical about "Cruella." The creative track record for live-action remakes of Disney animated films was middling to dismal (the only one of th…

SOURCE: Variety at 6:30pm on June 6, 2021[SHARE]

Will Audiences Return to Movie Theaters? Yes! But It's Now a Culture War Issue (Column) by Owen Gleiberman

Last weekend, the season finale of "Saturday Night Live" featured a satirical promotional spot for AMC Theatres that became a delectable skewering of what's left of the megaplex experience. …

SOURCE: Variety at 8:53pm on May 31, 2021[SHARE]

Remembering Olympia Dukakis, the Smartest Grande Dame in the Room by Owen Gleiberman

Olympia Dukakis, who died on May 1 at 89, had a face like no one else's. Stern but perpetually amused, with a warm leer of a grin that could light up a scene, she looked like the comedy and …

SOURCE: Variety at 3:30pm on May 3, 2021[SHARE]

'Stowaway' Review: Anna Kendrick and Toni Collette in a Catchy Outer-Space Morality Play by Owen Gleiberman

What's the thing that a good movie director does? In a way, that's a silly question, since good directors do a thousand things, and filmmakers are diverse creatures. But in an age of freeze-…

SOURCE: Variety at 7:57pm on April 22, 2021[SHARE]

'The Spongebob Movie: Sponge on the Run' Review: The First All-CGI Spongebob Adventure Has His Skewed Spirit of Fun by Owen Gleiberman

Here's a vintage Spongebob moment, the kind that makes some of us who are years past the demo feel like we can't get enough of him. In "The Spongebob Movie: Sponge on the Run," our hero, voi…

SOURCE: Variety at 7:32pm on February 27, 2021[SHARE]

'The United States vs. Billie Holiday' Review: Scattered but Scorching, and a Must-See for Andra Day's Performance by Owen Gleiberman

The gifted and mercurial Lee Daniels, director of "Precious," is one of the only filmmakers I can think of who would dare to drop a badass-diva moment of Billie Holiday violently slapping he…

SOURCE: Variety at 1:32pm on February 19, 2021[SHARE]

Christopher Plummer: An Impishly Irascible, Velvet-Voiced Actor Who Touched Something Timeless by Owen Gleiberman

It's some kind of paradox " he probably thought of it as a joke played on him by the gods " that Christopher Plummer, the impishly irascible, velvet-voiced star of stage and screen who died …

SOURCE: Variety at 10:44am on February 6, 2021[SHARE]

'Mass' Review: A Charged Meditation on the Aftermath of a School Shooting by Owen Gleiberman

"Mass," a drama that consists of two couples seated across a table from each other in a placidly sterile church antechamber, discussing the unthinkable (two of them are the parents of a teen…

SOURCE: Variety at 7:33pm on January 31, 2021[SHARE]

'Summer of Soul (…Or, When the Revolution Could Not Be Televised)' Review: Questlove's Revelatory 1969 Harlem-Concert Documentary by Owen Gleiberman

In "Summer of Soul (…Or, When the Revolution Could Not Be Televised)," which opened the Sundance Film Festival tonight on a note of heady historical exuberance, we see images from the 1969…

SOURCE: Variety at 6:09am on January 29, 2021[SHARE]

The Encore Edition of 'A Star Is Born': More Isn't Less, But It's Not More Either by Owen Gleiberman

Releasing alternate or expanded versions of big-hit movies into theaters isn't a new idea. The first one I remember seeing was "Close Encounters of the Third Kind: The Special Edition," whic…

SOURCE: Variety at 10:35pm on March 1, 2019[SHARE]

Sundance Film Review: Zac Efron in 'Extremely Wicked, Shockingly Evil and Vile' by Owen Gleiberman

Serial killers are the ultimate compartmentalized criminals " the fear and horror they represent isn't just there in the gruesomeness of their violence, but in the way they pass among us, im…

SOURCE: Variety at 4:45pm on January 27, 2019[SHARE]

Why 'A Star Is Born' Speaks to Our Time by Owen Gleiberman

“A Star Is Born,” Bradley Cooper's justly celebrated remake of the venerable Hollywood romantic fable, starring Cooper as the bad-ol’-boy rock 'n' roller Jackson Maine and …

SOURCE: Variety at 2:06pm on October 7, 2018[SHARE]

Toronto Film Review: Elisabeth Moss in 'Her Smell' by Owen Gleiberman

In “Her Smell,” Elisabeth Moss tears into the role of Becky Something, a strung-out hellion indie rock star of the early ’90s, like an angry lioness ripping through a slab …

SOURCE: Variety at 12:14pm on September 16, 2018[SHARE]

Venice Film Review: Bradley Cooper and Lady Gaga in 'A Star Is Born' by Owen Gleiberman

“A Star Is Born” is that thing we always yearn for but so rarely get to see: a transcendent Hollywood movie. It's the fourth remake of a story that dates back to 1932, but this o…

SOURCE: Variety at 1:15pm on August 31, 2018[SHARE]

Toronto Film Review: Denzel Washington in 'Roman J. Israel, Esq.' by Owen Gleiberman

Denzel Washington is a great actor, but as varied as his performances can be, he doesn't change his aspect very much. The talky boastful energy and toothy sunburst smile, the defiant alertne…

SOURCE: Variety at 5:22am on September 11, 2017[SHARE]

A Second Look at 'La La Land': Why It's Not Just Good, But Great by Owen Gleiberman

“La La Land,” in theory, is a movie that needs no explanation. The simplest thing you could call it is “an old-fashioned musical” " which means, of course, that it's …

SOURCE: Variety at 12:32pm on January 1, 2017[SHARE]

Film Review: Denzel Washington and Viola Davis in 'Fences' by Owen Gleiberman

“Fences,” the Pulitzer Prize-winning drama by August Wilson, was written in 1983 and had its premiere on Broadway in 1987. But the play is set 30 years before that, in a lower-mi…

SOURCE: Variety at 10:00am on November 22, 2016[SHARE]

New York Film Festival Review: 'Hamilton's America' by Owen Gleiberman

A big-spectacle Broadway production is, quite visibly, a collaborative effort " actors, sets, choreography, costumes, lighting, orchestra. On rare occasions, though, beneath the razzle-dazzl…

SOURCE: Variety at 5:09pm on October 2, 2016[SHARE]
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