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2,470 stories by "Michael Billington"

Somerset Maugham: a wily playwright of light dramas and weighty morals by Michael Billington

A new revival of The Circle is a reminder of a dramatist who smuggled vital messages into broad crowdpleasers Never trust what dramatists say about themselves. Noël Coward spent decades d…

SOURCE: The Guardian at 4:06am on April 24, 2023[SHARE]

Murray Melvin obituary by Michael Billington

Actor, archivist of the Theatre Royal, Stratford East, and director, with a long career in theatre, film and televisionThe actor and director Murray Melvin, who has died aged 90, had a rich …

SOURCE: The Guardian at 11:02am on April 17, 2023[SHARE]

A wordless death, a dazzling new talent and a 50-day squat: is Athens the hotbed of European theatre? by Michael Billington

Thirty directors from all over Europe converged on Greece for a showcase of its fizzing new talent that even included a play about the Nazis by Tony Kushner. What did they learn on this five…

SOURCE: The Guardian at 6:24am on April 6, 2023[SHARE]

Musicals are having an exceptional moment " but classic plays are vanishing from our stages | Michael Billington by Michael Billington

There are invigorating versions of Guys and Dolls, Oklahoma! and Cabaret in London " and some enticing new dramas coming " yet theatre risks being cut off from its past David Hare has argued…

SOURCE: The Guardian at 2:12pm on March 23, 2023[SHARE]

Noël Coward was not just an amiable jester but a scathing social satirist | Michael Billington by Michael Billington

He presented himself as a message-free entertainer but, 50 years after his death, it is time to reconsider the variety of the great playwright's work Anniversaries offer a chance for reappra…

SOURCE: The Guardian at 7:17am on March 21, 2023[SHARE]

Punched, insulted and excoriated in song … our critics on the artists who hit back by Michael Billington, Hannah J Davies, Phil Daoust, Lyndsey Winship, Adrian Searle Arifa Akbar, Dave Simpson

In a shocking attack, the ballet director Marco Goecke smeared dog excrement in the face of Wiebke Hüster in retaliation for her review. Yet it isn't the first time an artist has assaulted …

SOURCE: The Guardian at 9:47am on February 14, 2023[SHARE]

Ted Whitehead obituary by Michael Billington

Dramatist and screenwriter whose best-known stage play, Alpha Beta, is a scorching study of marriage and morality As a passionate lover of football, in particular of Liverpool FC, Ted Whiteh…

SOURCE: The Guardian at 2:06pm on January 22, 2023[SHARE]

Heavenly powers or something rotten? When Richard Burton played Hamlet by Michael Billington

It was a box-office hit directed by John Gielgud and created turmoil on stage and off. Now, the 1964 Broadway staging has inspired The Motive and the Cue, a new play by Jack Thorne In 1964 R…

SOURCE: The Guardian at 3:00pm on January 9, 2023[SHARE]

A desire for Streetcar: the enduring allure of Tennessee Williams's tantalising classic by Michael Billington

Paul Mescal and Patsy Ferran battle it out in the Almeida's new production of a poetic drama whose ambiguity is enthralling Tennessee Williams's old bus keeps on running. The Almeida's produ…

SOURCE: The Guardian at 1:48pm on January 3, 2023[SHARE]

Depriving London's theatres of funds is not 'levelling up' " it shortchanges us all | Michael Billington by Michael Billington

Pitting the capital against the regions is a cynical political ploy and the Arts Council's cuts are a catastrophe for new writing " as well as the entertainment industry The resignation of R…

SOURCE: The Guardian at 6:54am on December 8, 2022[SHARE]

Re:Imagining Musicals at the V&A celebrates the fantastical, famous and forgotten by Michael Billington

Costumes, props, posters and archive footage all feature in an exhibition that leaves you itching to see some shows again Weave your way round the new exhibition Re:Imagining Musicals at the…

SOURCE: The Guardian at 9:03am on October 17, 2022[SHARE]

Daniel Evans and Tamara Harvey are an inspired duo to lead the RSC by Michael Billington

An immense task awaits the Royal Shakespeare Company's new artistic directors who must attract top talent, prioritise verse-speaking and combine classic repertory and contemporary drama It i…

SOURCE: The Guardian at 7:55pm on September 20, 2022[SHARE]

The real mystery in See How They Run is its mishandling of The Mousetrap by Michael Billington

The whodunnit starring Saoirse Ronan is a fun spoof but tinkers with history and never captures the unique way Agatha Christie's play fascinated audiences in the 50s The smell of greasepaint…

SOURCE: The Guardian at 4:49pm on September 14, 2022[SHARE]

From King Charles III to King Lear: what theatre tells us about taking the throne by Michael Billington

Mike Bartlett's 2014 play anticipated a constitutional crisis, while playwrights including Shakespeare and Chekhov have shown how traumatic a transfer of power can be What does the future ho…

SOURCE: The Guardian at 9:03am on September 12, 2022[SHARE]

On stage and when we met at the theatre, the Queen was a figure of quiet wisdom and humour by Michael Billington

The monarch was sympathetically depicted by dramatists and at a 1999 production of Oklahoma! her eyes lit up when she recalled her own theatrical outings "I've never been fond of the theatre…

SOURCE: The Guardian at 8:49am on September 9, 2022[SHARE]

Noises Off: the farce masterclass that is truly revealing by Michael Billington

Michael Frayn's comedy is not just extremely funny but also acknowledges the fragile artifice of order " in theatre and the world beyond All plays, wrote critic John Lahr, are dated. He mean…

SOURCE: The Guardian at 3:33am on September 8, 2022[SHARE]

Batting for Godot: the play about Beckett and Pinter teaming up for a game of cricket by Michael Billington

The two titans of modern drama were both cricket obsessives. What if they had faced the fast bowlers together? Playwright Shomit Dutta explains why he made it happen " with darkly comic dram…

SOURCE: The Guardian at 3:54am on August 8, 2022[SHARE]

David Warner was gentle, inquisitive " and stunning on stage by Michael Billington

An actor of innate tenderness and grace, Warner had a theatre career of two halves, each with superb performances at the RSC I have never forgotten my first sighting of David Warner, who has…

SOURCE: The Guardian at 2:18pm on July 25, 2022[SHARE]

Peter Brook was a theatrical pathfinder and a man of boundless curiosity by Michael Billington

In our many meetings, the director's conversation was as invigorating as the way he led audiences through the night in his staging of The Mahabharata In 1979, Peter Brook made a film of Gurd…

SOURCE: The Guardian at 12:03pm on July 4, 2022[SHARE]

Two shows dominated the Tony awards and proved Broadway's debt to British taxpayers by Michael Billington

Sam Mendes's The Lehman Trilogy and Marianne Elliott's Company took 10 prizes between them and demonstrated the power of UK subsidised theatre "Brits Triumph on Broadway" is one of those new…

SOURCE: The Guardian at 8:00am on June 13, 2022[SHARE]

How do you make a lavish spectacle sustainable? Theatre's radical green agenda by Michael Billington

A meeting of minds at the National Theatre showed ways to stage drama along environmentally sound lines. But is everyone on board? 'Theatre will be measured by its response to the climate em…

SOURCE: The Guardian at 12:42pm on June 7, 2022[SHARE]

Hamlet Within: why are we so obsessed with Shakespeare's dithering prince? by Michael Billington

A provocative new film at Cannes featuring Ian McKellen attempts to de-romanticise the Dane but lags behind what theatre productions have been telling us for decades TS Eliot called Hamlet "…

SOURCE: The Guardian at 9:37am on May 27, 2022[SHARE]

In capturing the changing face of Britain, playwrights explain us to ourselves | Michael Billington by Michael Billington

Beth Steel's The House of Shades unites national politics and private lives through the fortunes of a working-class family from 1965 to 2019 Old myths die hard. One of the greatest in theatr…

SOURCE: The Guardian at 5:03pm on May 23, 2022[SHARE]

It's time for the Royal Shakespeare Company to be led by an actor | Michael Billington by Michael Billington

Gregory Doran has achieved much at the RSC and directed some fine productions. Let's have an actor in charge next: how about Adjoa Andoh or Simon Russell Beale? When the boss of a big theatr…

SOURCE: The Guardian at 6:18am on April 25, 2022[SHARE]

Sad! Is Donald Trump just too boring for a grand Shakespearean makeover? by Michael Billington

Bertie Carvel is brilliant in The 47th, Mike Bartlett's ingenious play about the former US president, but the real parallel is not with the Bard's kings but his hollow braggarts If you want …

SOURCE: The Guardian at 7:12am on April 14, 2022[SHARE]
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