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In capturing the changing face of Britain, playwrights explain us to ourselves | Michael Billington

by Michael Billington

Beth Steel's The House of Shades unites national politics and private lives through the fortunes of a working-class family from 1965 to 2019 Old myths die hard. One of the greatest in theatre is that the large-scale play that unites public issues and private lives is the special province of male dramatists. Watching Beth Steel's The House of Shades at the Almeida, I was reminded that this is a ludicrous fallacy: seei…

SOURCE: The Guardian at 5:03pm on May 23, 2022