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105 stories by "Frey Kwa Hawking"

Yerma review at Cervantes Theatre, London " 'a poised production' by Frey Kwa Hawking

Federico García Lorca's Rural Trilogy at the Cervantes Theatre ends with a considered and confident production of his "tragic poem" Yerma, performed

SOURCE: The Stage Registration at 11:33am on November 9, 2018[SHARE]

Forgotten 遗忘 at Arcola Theatre by Frey Kwa Hawking

'an offering to just a few of those history missed over': Frey Kwa Hawking reviews Daniel York Loh's new play about the Chinese Labour Corps The post Forgotten 遗忘 at Arcola Theatr…

SOURCE: exeuntmagazine.com at 5:56am on October 27, 2018[SHARE]

Burgerz review at Hackney Showroom, London " 'a call for compassion' by Frey Kwa Hawking

Two years ago, trans activist and performance artist Travis Alabanza had a burger thrown at them along with a transphobic slur. No

SOURCE: The Stage Registration at 5:01am on October 26, 2018[SHARE]

Review: The Inheritance at Noël Coward Theatre by Frey Kwa Hawking

As Matthew Lopez's gay epic transfers from the Young Vic to the West End, Frey Kwa Kawking writes on its sprawling, compassionate glory. The post Review: The Inheritance at Noël Coward Th…

SOURCE: exeuntmagazine.com at 4:32am on October 15, 2018[SHARE]

Review: Mrs Dalloway at Arcola Theatre by Frey Kwa Hawking

Frey Kwa Hawking reviews Forward Arena's transporting adaptation of Virginia Woolf's 'slim, dense, irrepressible novel' The post Review: Mrs Dalloway at Arcola Theatre appeared first on Exeu…

SOURCE: exeuntmagazine.com at 3:07am on October 3, 2018[SHARE]

The Lesson review at Hope Theatre, London " 'a watertight production' by Frey Kwa Hawking

First performed in 1951 " and in permanent repertory at the Theatre de la Huchette in Paris ever since " Eugene Ionesco's

SOURCE: The Stage Registration at 11:28am on September 28, 2018[SHARE]

Review: Poet in da Corner at Royal Court by Frey Kwa Hawking

The question of ownership: Frey Kwa Hawking reviews Debris Stevenson's autobiographical ode to grime. The post Review: Poet in da Corner at Royal Court appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:04am on September 27, 2018[SHARE]

Review: The Woods at Royal Court by Frey Kwa Hawking

Frey Kwa Hawking reviews a play that 'doesn't make conventional sense, but a kind of sense you feel intuitively.'  The post Review: The Woods at Royal Court appeared first on Exeunt Magaz…

SOURCE: exeuntmagazine.com at 3:50am on September 13, 2018[SHARE]

Blood Wedding review at Omnibus, London " 'a hurried staging' by Frey Kwa Hawking

A grief-stricken mother reluctantly prepares for her son to marry, but trouble waits outside the bride's house " and he's on a

SOURCE: The Stage Registration at 10:48am on September 10, 2018[SHARE]

Caterpillar review at Theatre503, London " 'natural, funny new writing' by Frey Kwa Hawking

Theatre503’s latest is a finalist of the venue’s Playwriting Award for new writing in 2016, and Alison Carr’s ear for natural, funny

SOURCE: The Stage Registration at 5:00pm on September 3, 2018[SHARE]

Review: Pericles at National Theatre by Frey Kwa Hawking

Makes a seemingly little play vast: Frey Kwa Hawking reviews the Public Acts production of Shakespeare's Pericles. The post Review: Pericles at National Theatre appeared first on Exeunt Maga…

SOURCE: exeuntmagazine.com at 4:24am on August 28, 2018[SHARE]

Much Ado About Nothing review at Gray's Inn Hall, London " 'accessible and diverting' by Frey Kwa Hawking

Antic Disposition’s latest Shakespeare production situates the characters of Much Ado About Nothing in rural France after World War II. With a

SOURCE: The Stage Registration at 10:48am on August 22, 2018[SHARE]

Tom Wells: "We want to bring people in" by Frey Kwa Hawking

Playwright Tom Wells chats to Frey Kwa Hawking about gay representation in theatre, making work outside London, and the power of panto. The post Tom Wells: “We want to bring people in&…

SOURCE: exeuntmagazine.com at 11:04am on August 19, 2018[SHARE]

Riot Act review at King's Head Theatre, London " 'verbatim theatre at its best' by Frey Kwa Hawking

Alexis Gregory’s Riot Act fits into a long tradition of gay solo performances, and with this tribute to the work of gay

SOURCE: The Stage Registration at 5:38am on August 3, 2018[SHARE]

For Reasons That Remain Unclear review at King's Head Theatre, London " 'compelling performances' by Frey Kwa Hawking

A young, louche Hollywood screenwriter hosts a charmingly frenetic priest in his hotel room. Every moment, it seems to get hotter between

SOURCE: The Stage Registration at 7:13am on July 30, 2018[SHARE]

Mr Stink review at Chickenshed, London " 'energy and enthusiasm' by Frey Kwa Hawking

David Walliams’ Mr Stink is almost genetically engineered to appeal to children. At one point in Lou Stein’s adaptation the titular homeless

SOURCE: The Stage Registration at 6:09am on July 23, 2018[SHARE]

Review: A Monster Calls at Old Vic Theatre by Frey Kwa Hawking

Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson's moving adaptation of a story of grief. The post Review: A Monster Calls at Old Vic Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 8:07am on July 21, 2018[SHARE]

Review: End of the Pier at Park Theatre by Frey Kwa Hawking

'Panto and ignorant, 'inappropriate' jokes vs. lukewarm observational comedy in skinny jeans': Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.…

SOURCE: exeuntmagazine.com at 3:08am on July 18, 2018[SHARE]

Review: The Jungle at the Playhouse Theatre by Frey Kwa Hawking

Immersive doesn't begin to cover it: the West End transfer of Good Chance's refugee drama is electrifying in its intimacy and honesty. The post Review: The Jungle at the Playhouse Theatre ap…

SOURCE: exeuntmagazine.com at 5:37am on July 7, 2018[SHARE]

Review: Genesis Inc at Hampstead Theatre by Frey Kwa Hawking

'A clean nightmare of screens and plush sofas': Frey Kwa Hawking reviews Jemma Kennedy's IVF play. The post Review: Genesis Inc at Hampstead Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:04am on July 4, 2018[SHARE]

Review: Breakfast at Incoming Festival by Frey Kwa Hawking

'Making a home out of and with each other's bodies': Frey Kwa Hawking reviews Wilson & Hart's physical theatre work. The post Review: Breakfast at Incoming Festival appeared first on …

SOURCE: exeuntmagazine.com at 2:02am on July 3, 2018[SHARE]

Review: Love+ and Breakfast at Incoming Festival by Frey Kwa Hawking

Sex robots and unrequited love: Malaprop Theatre's Love+ and Wilson & Hart's Breakfast are two treats at Incoming Festival. The post Review: Love+ and Breakfast at Incoming Festival app…

SOURCE: exeuntmagazine.com at 10:58am on July 2, 2018[SHARE]

Last One Here review at White Bear Theatre, London " 'a tepid production' by Frey Kwa Hawking

It’s a big day for Jamie and Aaron: their two-year anniversary as well as bonus day at Jamie’s banking job, and life

SOURCE: The Stage Registration at 11:10am on June 25, 2018[SHARE]

Abandon review at Lyric Hammersmith, London " 'energetic and affectionate' by Frey Kwa Hawking

Under the mentorship of one of the UK’s most prominent producing theatres, the Lyric Ensemble is a group of aspiring actors without

SOURCE: The Stage Registration at 11:32am on June 22, 2018[SHARE]

Review: No One Is Coming To Save You, The Bunker Theatre by Frey Kwa Hawking

No One Is Coming To Save You takes place in the dreams of two unnamed, depressive and insomniac young people. The post Review: No One Is Coming To Save You, The Bunker Theatre appeared first…

SOURCE: A Younger Theatre at 7:18am on June 17, 2018[SHARE]
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