11,206 stories from The New York Post
Broadway's buzziest shows are running in Midtown now.
Tuesday’s nominations for the best of the Broadway season made it plainly clear what the group of 55 voting theater professionals absolutely loathed.
At long last, a vampire musical that doesn’t suck.
Almost without fail, the brilliance of August Wilson emerges even in mediocre stagings of his plays.
It’s just a jump to the left. And then a step to the right. Put your hands…over your mouths!
As it stands, the characters who inhabit “Beaches” are about as alive as the sandy shells boring Bertie so loves to collect.
It’s the Battle of the Affluent!
If the new Broadway musical is an ode to Golden Age classics, why does it make them seem so cloying and stupid?
So, the Tony Awards' last best hope is… Pink?
Just one piece of the first Broadway revival of David Auburn's most famous play answers the question "What exactly is 'Proof' + 26 years?" Ayo Edebiri.
Our Sufferer Laureate plays Pennsylvania inmate Nick Yarris in "The Fear of 13," Lindsey Ferrentino's curiously unmoving and talky, talky, talky play that opened Wednesday night at the James…
The strange and scrappy voyage of "Titanique," the feel-great musical-comedy sendup of the movie "Titanic" and singer Celine Dion, has been a wonder to behold. And pretty hard to believe.
At the end of the superb and unforgettable revival that hauntingly unfolds there among its shadows, arrives a thrilling takeaway: That was the best "Death of a Salesman" I have ever seen.
Andrew Lloyd Webber's "Cats," that old jellicle juggernaut, is back on Broadway with a fabulous new glow-up.
The knock-out funny and audaciously awkward revival of the play "Becky Shaw," which opened Monday night at the Hayes, triggers an uncommon response " involuntary outbursts.
The weird show that opened Monday night has contorted "Dog Day Afternoon" into something altogether unfamiliar: a stress-free series of drama-deflating punch lines that add up to little…
After Whitney Levitt set a new record for the show, The Post look at who given the box office the old razzle dazzle "Â and who's given it the fizzle fizzle.
Mark Rosenblatt's meaty debate-drama, which opened Monday night at the Music Box Theatre, shows a much uglier side of the clever mind behind "Matilda," "Charlie and the Chocolate Factory," "…
The natural qualities that made Daniel Radcliffe a perfect Harry Potter echo in the main character in Duncan Macmillan's Broadway play
The "Will & Grace" star finally has a solo effort in real life. However, the play could be titled "Just OK."
"After this current season of subpar new musicals, the industry has already moved on to thinking about next year," a source working on a new musical said.
"I've been wanting to do this."
Grande and Bailey most recently starred together as Glinda and Prince Fiyero in "Wicked: For Good."
Carrie Coon stars in the hair-raising revival of Tracy Letts' freaky and potent 1996 drama that opened Thursday night on Broadway.
Star fans included Sarah Jessica Parker, Robert Downey Jr., Jonathan Groff, Nathan Lane, Cynthia Nixon, Marsha Mason, Christine Baranski, Alan Cumming and many, many more.
