Frontmezzjunkies reports: Mexodus and Prince Faggot lead a field that reflects the bold, restless spirit of Off-Broadway By Ross It always starts with a list. And this morning, it all circle…
The Toronto Theatre Review: Hewitt's chaotic, immersive fever dream transforms ancient myth into a night of karaoke, comedy, and consequence By Ross I tell you, with all honesty, I did not w…
Frontmezzjunkies reports: John Cameron Mitchell brings Hedwig back on the road with music, memory, and that iconic voice By Ross "Hedwig and the Angry Inch," both the stage show and the film…
Frontmezzjunkies reports: A new dance-driven musical celebrates the movement that shaped generations of Broadway storytelling By Ross The things I tend to remember most about a musical are n…
Frontmezzjunkies reports: Ayo Edebiri and Don Cheadle step into a modern classic while David Lindsay-Abaire turns a quiet street into a pressure point By Ross Some nights on the Broadway cal…
The Acton Off-Broadway Theatre Review: Bughouse at Vineyard Theatre By Acton Henry Darger was an artist by animal instinct, hoarding photographs, newspaper clippings, scraps from coloring bo…
Frontmezzjunkies reports: Debbie Allen Revives August Wilson's Masterpiece at the Barrymore Theatre By Ross Some plays don't just stay with you. They sit beside you for years, quietly waitin…
Frontmezzjunkies reports: A highly anticipated opening night arrives with both onstage intensity and unexpected backstage friction By Ross Opening night always comes loaded with its own kind…
The Ontario Theatre Review: A bold, design-driven Earnest that celebrates Wilde while stretching its emotional grounding By Ross After an insightfully hilarious lesson in the "Language of Fa…
The Frontmezzjunkies Film Review: Harry Lighton's Provocative Exploration of Power, Consent, and Queer Intimacy By Ross From that first moment when Colin is seen in that pub, he is packed ne…
Frontmezzjunkies reports: The 2026 Critics' Circle Theatre Awards winners are in, and the night belonged to Brendan Gleeson, Rosamund Pike, and more than a few delightful surprises By Ross E…
Frontmezzjunkies reports: From tear-stained friendship to teen vampires to Coward's champagne wit, Broadway prepares for a wildly varied preview night By Ross Here we go again, that familiar…
Frontmezzjunkies reports: From cult classic chaos to Céline-powered camp, Broadway dives headfirst into spectacle By Ross A thrilling and intoxicating declaration of intent has been laid ou…
The Broadway Theatre Review: Daniel Radcliffe invites us into a deeply personal, quietly communal experience By Ross A handshake shouldn't feel like a high-stakes audition, but that is exact…
Frontmezzjunkies reports: Queering the Canon: We're Out Here at BAM By Ross Not every queer story begins under neon lights in a big city. Some begin in desert towns, quiet Swedish suburbs, o…
The Toronto Theatre Review: A bold and ambitious reworking of a classic that struggles to ground its own desire By Ross A confession. I always look forward to a new production from Icarus Th…
Frontmezzjunkies reports: A 16-show lineup, major Canadian literary adaptations, and a company stepping fully into its next chapter By Ross Something has been building at Crow's Theatre for …
Frontmezzjunkies reports: Venue issues delay the highly anticipated Off-Broadway return of a fan-favourite musical By Ross The excitement around Music City wasn't quiet. It was building, buz…
The Acton Theatre Review: Moonshiner from Adult Film By Acton The last time I listened to music on cassette was in college, as Riv (Annalisa Noel) does after her morning rooftop inspection o…
The Toronto Theatre Review: Expandido Arts Collective's punk-drama pulses with rage and poetry, but struggles to shape its own intensity By Ross "Rewrite the narrative". That is the driving …
Frontmezzjunkies reports: The 2026 New York City Fringe Festival By Ross Theatrical panic of a certain kind is in the air, the type that only New York can produce. It arrives out of abundanc…
Frontmezzjunkies reports: Jocelyn Bioh's hit comedy heads to Broadway while Nick Payne returns with a poignant American premiere By Ross Certain theatre companies earn your trust over time, …
The Off-Broadway Theatre Review: A bruising and intimate story of siblings learning how to stay By Ross A silence settles into a theatre just before you get hit. A shared stillness where we …
The Toronto Theatre Review: ARC's thrilling production pulls the rug out from under its audience with precision and purpose By Ross We have been cordially invited to a wedding, and a soft hu…
Frontmezzjunkies reports: From Paul Gross to Cabaret, a sweeping year of Canadian talent, theatrical ambition, and audience connection By Ross With every new theatrical season announcement t…