The Broadway Theatre Review: August Wilson’s Century Cycle Resonates with Spiritual Force at the Barrymore The sound of a guitar being gently strummed is what draws me in, but it is the fe…
The Broadway Theatre Review: A fact-based drama of isolation and narrative control, driven by performance and shaped by uneven execution By Ross Time does not move the same way for everyone,…
It’s the most compelling question of the evening, when someone asks whether you would love a family member differently after discovering an unbearable truth about them. The idea unwinds ou…
Seller has been a key behind-the-scenes figure for some of Broadway's biggest hits including, Hamilton and Rent, but he got his start on a much smaller scale. Originally broadcast June 30, 2…
The Toronto Theatre Review: Andrew Kushnir’s Docu-Drama Unpacks Family Mythology, National Identity, and the Weight of Historical Silence By Ross It’s the most compelling question of the…
Frontmezzjunkies reports: Lin-Manuel Miranda’s breakout musical returns to City Center with a new concert staging By Ross New York has a way of bringing certain stories back exactly when t…
The Broadway Theatre Review: A Familiar American Tragedy Finds New Emotional Ruin at the Winter Garden By Ross The sound of a car door closing has rarely carried so much weight, but in this …
Frontmezzjunkies reports: Familiar titles, surprise omissions, and a wide-open race take center stage By Ross This kind of morning always arrives with an extra dose of electric anticipation,…
The Broadway Theatre Review: A cult classic struts back into Studio 54 with polish, mischief, and a knowing wink By Ross “On the day I went away, goodbyeWas all I had to say, now II want t…
An Izzy Ontario Theatre Review: Come From Away at the Grand Theatre By Izzy Siebert “You are here at the start of a moment.” When Come From Away’s opening number swells onstage, ther…
Frontmezzjunkies reports: Off-Broadway honors celebrate a wide field, with one production rising above the rest The night unfolded with the kind of anticipation that only Off-Broadway can ge…
The Broadway Theatre Review: Two Film Favorites Return to Broadway with Strikingly Different Results By Ross A strange kind of theatrical whiplash is set somewhere between curtain calls, whe…
The Off-Broadway Theatre Review: Diane Paulus reshapes a classic into a living, breathing environment By Ross The first step through the doors on West 57th Street felt like stepping into a s…
The Broadway Theatre Review: Cinco Paul’s stage adaptation bursts with affection, satire, and unapologetic musical theatre glee By Ross With one swift kick, the world shifts, candy avalanc…
Frontmezzjunkies reports: A quiet evening announcement carries the weight of a season’s most lasting impressions By Ross In a grand and great surprise, the New York Drama Critics’ Circle…
Frontmezzjunkies reports: A season of movement, storytelling, and artistry takes center stage as this year’s nominees are revealed There is a particular kind of electricity that lives in d…
The Off-Broadway Theatre Review: Tarell Alvin McCraney’s modern fable returns anchored by deeply felt performances and a striking physical language By Ross Drumming by Munir Zakee meets us…
Frontmezzjunkies reports: A season takes shape as Off-Broadway surges and familiar titles return to the conversation This morning, the nominations dropped, and it feels like a reward for a s…
The Broadway Theatre Review: Rose Byrne and Kelli O’Hara turn Noël Coward’s comedy into a showcase of meticulously controlled comic intoxication By Ross Champagne is a dangerous thing w…
The Off-Broadway Review: Jack Holden’s solo tour de force gains new intensity in a tighter, more volatile space By Ross “You know how this works,” she says, as the reel-to-reel begins …
The Broadway Theatre Review: David Lindsay-Abaire’s sharp satire finds humour and discomfort in the fault lines of privilege and perception By Ross “What’s the worst that could happen?…
An Izzy Ontario Theatre Review: bol, brown boy, bol Spring Tour 2026 at the Grand Theatre by Izzy Siebert Based on playwright-performer Nawaaz Makhani’s life experiences as a South Asian C…
The Off-Broadway Review: Sean Hayes anchors David Cale’s psychological thriller with precision and presence By Ross “I was having a hard time writing,” he says, and I understand that c…
Suzzy Roche, Grace McLean, Alana Raquel Bowers (center), and Nina Ross in Cold War Choir Practice. Photo by Maria Baranova. A child asking for a nuclear shelter for Christmas should feel li…
The Toronto Theatre Review: Erin Shields’ lyrical world premiere gives voice to the women who carried the story By Ross A story told over centuries rarely asks who was in the room but not …