DESKTOP
Contact
The Season
On Broadway

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
1,144 stories from The New York Observer

Joy Behar Adds Playwright to Her Resume With 'My First Ex-Husband' by Harry Haun

Behar has written a show of eight monologues crafted from interviews with women about their divorces.

SOURCE: The New York Observer at 11:38am on March 11, 2025[SHARE]

Review: Whale-Loving Islanders Drown In Fathomless Loss in 'Deep Blue Sound' by David Cote

Playwright Abe Koogler's portrait of a group of Pacific Northwesterners is rich, funny and devastating, with a cast that's a tasting menu of acting brilliance.

SOURCE: The New York Observer at 4:30pm on March 7, 2025[SHARE]

Spring Theater Preview: History Sings, Classics Get Twisted and Experiments Explode by David Cote

Broadway has George Clooney and two different shows based on TV series. Downtown has space travel and T.S. Eliot. Brooklyn has Chekhov and an ant invasion. This theater season, there's somet…

SOURCE: The New York Observer at 3:59pm on February 26, 2025[SHARE]

Review: Half-Brotherly Love Is a Struggle Against Darkness in 'Grangeville' by David Cote

This two-hander about estranged half-brothers with a dying mother is painfully gorgeous.

SOURCE: The New York Observer at 9:01pm on February 24, 2025[SHARE]

Review: Family Feuds and Plenty of Punchlines in 'Conversations with Mother' by Rex Reed

An endearing but inconsistent exploration of love, loss and motherly meddling.

SOURCE: The New York Observer at 3:51pm on February 24, 2025[SHARE]

A Mother, Her Gay Son, and the Off-Broadway Show About Them by Harry Haun

"There's a very special relationship between a mother and a gay son and an extremely special relationship between a mother and a gay Italian son," says playwright Matthew Lombardo, who's mad…

SOURCE: The New York Observer at 4:01pm on February 21, 2025[SHARE]

Review: Idina Menzel Goes Out on a Limb in Eco-Musical 'Redwood' by David Cote

Menzel remains an indomitable diva in this well-intentioned misfire.

SOURCE: The New York Observer at 8:01pm on February 13, 2025[SHARE]

Review: Is 'Urinetown' Still Good to the Last Drop? by David Cote

Nearly a quarter century after its Broadway debut, the Tony winning musical is back at City Center Encores. Does its ghoulish giddiness still work?

SOURCE: The New York Observer at 12:01pm on February 10, 2025[SHARE]

Review: The Distant Future Is Already Ancient History in AI Drama 'The Antiquities'  by David Cote

The human race is presented like a museum exhibit"a grimly compelling concept, but one that makes for a glitchy play.

SOURCE: The New York Observer at 9:01pm on February 4, 2025[SHARE]

Melissa Gilbert Acts Her Age In 'Still' by Harry Haun

She grew up on TV in 'Little House on the Prairie,' but now she gets a chance to play a real grown-up in this Off Broadway two-hander about a couple who love each other, but not each other's…

SOURCE: The New York Observer at 3:39pm on February 4, 2025[SHARE]

Review: 'A Knock on the Roof' Lays Bare the Absurdities of Life During Wartime by Katie Gee Salisbury, Katie Gee Salisbury

In Khawla Ibraheem's one-woman play a mother tries to go about her life in Gaza"including preparing for the possibility that her house will be destroyed.

SOURCE: The New York Observer at 10:00am on January 29, 2025[SHARE]

Review: 'English' Speaks Eloquently of Language and Loss by David Cote

Pulitzer Prize winner Sanaz Toossi's play about a group of Iranians studying for the Test of English as a Foreign Language transfers to Broadway in an impeccable production.

SOURCE: The New York Observer at 9:31pm on January 23, 2025[SHARE]

Review: Does A Race-Critical 'Show Boat' Weather the Winds of History? by David Cote

This minimalist staging strips 'Show Boat' to its bones, scraping away a century of cultural rust and sentimentality to reveal an often deeply sad and frequently funny masterpiece of music-t…

SOURCE: The New York Observer at 8:01pm on January 15, 2025[SHARE]

What's Coming to BAM in 2025: An Interview With Amy Cassello and Gina Duncan by Dan Duray, Dan Duray

Observer caught up with the art space's artistic director and president to learn more about what the institution has in store for the coming year.

SOURCE: The New York Observer at 10:35am on January 9, 2025[SHARE]

Mare Winningham On The Dysfunctional Holiday Drama of 'Cult of Love' by Harry Haun

Mare Winningham plays the matriarch of a family gathered around the Christmas tree to air some serious issues. "I thought, 'Well, it's called Cult of Love, so there has to be a leader," she …

SOURCE: The New York Observer at 1:09pm on December 23, 2024[SHARE]

Review: Audra McDonald Is One Mother of a Rose in a Stupendous Gypsy by David Cote

Audra McDonald is the first Black actress to play Madame Rose on Broadway, and she and director George C. Wolfe deliver what may be the most heartstopping 'Gypsy' you'll ever see.

SOURCE: The New York Observer at 12:01am on December 20, 2024[SHARE]

Review: Libs Own Themselves in the Sharp and Infectiously Funny 'Eureka Day' by David Cote

Jonathan Spector's play, about vaccine politics splintering a school board, is one big Learning Moment that pretty much everyone fails.

SOURCE: The New York Observer at 5:00pm on December 17, 2024[SHARE]

To V, Or Not to V? 'Eureka Day' Brings the Vax Debate to the Broadway Stage by Harry Haun

A private school agonizes over what to do about an outbreak of mumps in playwright Jonathan Spector's 'Eureka Day,' which he tells Observer started out as "a funny play about serious things."

SOURCE: The New York Observer at 9:38am on December 12, 2024[SHARE]

Francis Jue on 'Yellow Face,' A Play About What We Believe America Is by Harry Haun

Francis Jue talks with Observer about his role in the Broadway revival of David Henry Hwang's 'Yellow Face.' "David wrote it 20 years ago, but it feels like it's a play of today. We're still…

SOURCE: The New York Observer at 8:56am on November 24, 2024[SHARE]

Surviving 'Swept Away': A Maritime Disaster in More Ways Than One by Rex Reed

Four shipwreck survivors sing their way through despair, but 'Swept Away' capsizes under its uninspired score.

SOURCE: The New York Observer at 5:26pm on November 22, 2024[SHARE]

Darren Criss on Bringing Robot Love to Broadway With 'Maybe Happy Ending' by Harry Haun

The star of the new musical on learning to move like a robot and how he first caught the acting bug.

SOURCE: The New York Observer at 3:14pm on November 18, 2024[SHARE]

Review: Kenneth Branagh's 'King Lear' Howls Into A Stormy, Rushed Muddle by David Cote

The great Kenneth Branagh leads and co-directs a decidedly not-great production of the Shakespeare tragedy.

SOURCE: The New York Observer at 3:37pm on November 15, 2024[SHARE]

'Maybe Happy Ending' Is The Most Original, Most Beautiful Musical In Eons by Rex Reed

This Broadway show about robots in love has rapturous music and lyrics, innovative staging and a superb cast. In short, an extraordinary work of theatre artistry.

SOURCE: The New York Observer at 11:11am on November 13, 2024[SHARE]

Review: 'Give Me Carmelita Tropicana!' Is A Crazy Avant-Garde Flashback by David Cote

This absurdist comedy"the final production to run at Soho Rep"has a hallucinogenic plot that brings to mind the days when artistic risk was the norm and downtown performance art was in high …

SOURCE: The New York Observer at 9:00am on November 11, 2024[SHARE]

Review: 'In The Amazon Warehouse Parking Lot' Tries to Think Outside the Box by David Cote

Set about 15 years from now, this future fable takes place in and around a shipping center in Wyoming as rising sea levels are swallowing American states east and west.

SOURCE: The New York Observer at 5:00pm on October 29, 2024[SHARE]
« Previous 25   Page 3 of 46   Next 25 »