3,470 stories from The Arts Desk
The Plough and the Stars, Abbey Theatre, Dublin review - uneven centenary production of O'Casey's Easter Uprising odyssey
David Nice
Wed, 03/25/2026 - 10:23
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Vincent in Brixton, Orange Tree Theatre review - van Gogh, 'ere today, gone tomorrow
Gary Naylor
Sat, 03/21/2026 - 13:45
★★★★ VINCENT IN BRIXT…
Welcome to Pemfort, Soho Theatre review - too brief for its subject matter
aleks.sierz
Fri, 03/20/2026 - 06:15
★★★ WELCOME TO PEMFORT, SOHO THE…
R.O.I. (Return on Investment), Hampstead Theatre review - sick take on health and wealth
Gary Naylor
Wed, 03/18/2026 - 07:00
New play poses increasingly pre…
Summerfolk, National Theatre review - Gorky's self-deluding intelligentsia under sharp comic scrutiny
Heather Neill
Wed, 03/18/2026 - 04:00
Nina and Moses …
Popular novel-turned-musical pushes the bounds of credibility to breaking point and beyond: Mark Addy and an indrawn Jenna Russell head the cast under Katy Rudd's direction.
Isis Hainsworth makes a dazzzling Thomasina Coverly in director Carrie Cracknell's resplendent revival of Tom Stoppard's finest play, here co-starring Tony-winner Stephen Dillane's son, Seam…
Tendentious script bogs down well-intentioned adaptation
From big, bold musicals to solo shows, London theatre once again landed on multiple fronts, led by Jamie Lloyd's mind-bending revival of Evita and the small-scale wow of Brian Watkins' Weath…
Ivo van Hove returns to form with his blistering revival of Arthur Miller's 1947 play, here starring a pitch-perfect Bryan Cranston and Paapa Essiedu as father and son
David Harewood and Toby Jones at odds
Perspectives on Shakespeare's tragedy have changed over the decades. As Nonso Anozie said when playing the title role for Cheek by Jowl in 2004, white a…
★★★★ MACBETH, RSC STRATFORD Feuding Thanes rut, with echoes of Glasgow and BelfastÂ
Sam Heughan's Macbeth cannot quite find a home in a mobster pub
It's hard to…
Alan Hollinghurst novel is cunningly filleted, very finely acted
Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatr…
The RSC adaptation is aimed at children, though all will thrill to its spectacle
On paper, this RSC revival of Ella Hickson's 2013 adaptation sounds just the ticket: a feminist spin on the f…
★★★★★ HEDDA, ORANGE TREE THEATRE Plenty of liberties taken, but it sure pays off
Scandinavian masterpiece transplanted into a London reeling from the ravages…
Witty but poignant tribute to the strength of family ties as all around disintegrates
There's a line in the late Richard Greenberg's 2013 play that refers to a recently elected showbiz type …
Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut
I came late to the Old Vic's shimmering production of Mary Page Marlowe, Tracy Letts's Off Broadway play from 2018…
Nick Payne's new play is amongst his best
Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said a…
This Verity Bargate Award-winning dramedy is both entertaining as well as thought provoking
Niall is unwell. Very unwell. Very, very. There's a lot going on in his head. He can't really hol…
Kip Williams revises Genet, with little gained in the update except eye-popping visuals
Jean Genet's 1947 play has been quite a clothes-horse over the years, at times a glamorous confection …
Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit Farm Hall
Oh yes, I actually do remember Patty Hearst. She was the American publishing magnate William Randolp…
★ TROILUS AND CRESSIDA, GLOBE THEATRE Hard to understand and even harder to watchÂ
Raucous and carnivalesque, but also ugly and incomprehensible
The Globe's authenticity is its U…
★★ CLARKSTON, TRAFALGAR THEATRE Star casting puts pounds on prices but adds little to moribund play Â
Netflix star, Joe Locke, is the selling point of a production that …
★★★ GHOST STORIES, PEACOCK THEATRE Resurrected horror show might be best left buried
Impressive spectacle saves an ageing show in an unsuitable venue
In the framing dev…
Åukasz Twarkowski's production dazzles without illuminating
It's truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as con…