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179 stories by "Heather Neill"

Summerfolk, National Theatre review - Gorky's self-deluding intelligentsia under sharp comic scrutiny by Heather Neill

Summerfolk, National Theatre review - Gorky's self-deluding intelligentsia under sharp comic scrutiny Heather Neill Wed, 03/18/2026 - 04:00 Nina and Moses …

SOURCE: The Arts Desk at 12:00am on March 18, 2026[SHARE]

Othello, Theatre Royal, Haymarket - a surprising mix of stateliness and ironic humour by Heather Neill

David Harewood and Toby Jones at odds Perspectives on Shakespeare's tragedy have changed over the decades. As Nonso Anozie said when playing the title role for Cheek by Jowl in 2004, white a…

SOURCE: The Arts Desk at 10:42pm on November 4, 2025[SHARE]

Bacchae, National Theatre review - cheeky, uneven version of Euripides' tragedy by Heather Neill

Indhu Rubasingham's tenure gets off to a bold, comic start The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, …

SOURCE: The Arts Desk at 9:36pm on September 24, 2025[SHARE]

Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and Marlowe by Heather Neill

Rival Elizabethan playwrights in an up-to-the-minute encounter The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is …

SOURCE: The Arts Desk at 9:48pm on September 2, 2025[SHARE]

Nye, National Theatre review - Michael Sheen's full-blooded Bevan, indomitable father of the NHS, returns to the Olivier by Heather Neill

Revisiting Tim Price's dream-set account of the founder of the health service The National Health Service was established seventy-seven years ago this month. Resident doctors are about to s…

SOURCE: The Arts Desk at 11:12pm on July 10, 2025[SHARE]

In Praise of Love, Orange Tree Theatre review - Rattigan's study of loving concealment by Heather Neill

Unspoken emotion flows through this late work Terence Rattigan's rehabilitation - some might almost say deification - as a leading Twentieth Century playwright is complete. As well as academ…

SOURCE: The Arts Desk at 11:48pm on June 3, 2025[SHARE]

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world by Heather Neill

Magic is minimised in Jamie Lloyd's pared-back version Shakespeare must have relished the opportunities brought by the indoor Blackfriars Theatre in 1611: sound magnified in a way impossible…

SOURCE: The Arts Desk at 7:24pm on December 19, 2024[SHARE]

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem by Heather Neill

Shakespeare's comedy of identity confusion benefits from a 1940s setting It's all too easy to underplay the melancholy of Shakespeare's comedy of divided twins, misplaced " sometimes narciss…

SOURCE: The Arts Desk at 6:06am on November 30, 2024[SHARE]

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy by Heather Neill

J Smith-Cameron and Mark Rylance bring the classic characters to life "Captain" Jack Boyle is a fantasist, a mythmaker, a storyteller. He relishes an audience - usually his sidekick, Joxer. …

SOURCE: The Arts Desk at 7:54pm on October 6, 2024[SHARE]

Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on by Heather Neill

Adrian Lukis revisits his disruptive character from the beloved BBC television adaptation of Pride and Prejudice It is a truth universally acknowledged that an actor tends to take a sympathe…

SOURCE: The Arts Desk at 3:36am on June 11, 2024[SHARE]

Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic by Heather Neill

The legendary small-screen drama still resonates in a new medium Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's unforgettable series was televised. From Notting…

SOURCE: The Arts Desk at 11:48pm on May 29, 2024[SHARE]

Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival by Heather Neill

Queer themes and music take centre stage in a café setting In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could eng…

SOURCE: The Arts Desk at 11:06pm on May 9, 2024[SHARE]

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry by Heather Neill

Gemma Whelan discovers a mean streak under Charlotte's respectable bonnet The Brontë sisters and their ne'er-do-well brother will always make good copy. The brilliance of the women constr…

SOURCE: The Arts Desk at 10:02pm on April 4, 2024[SHARE]

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer by Heather Neill

Focused on young life in south London, this hit is as energetic and joyful as ever The reviews of Tyrell Williams' debut play on its first and second outings at the Bush Theatre were univer…

SOURCE: The Arts Desk at 10:48pm on March 21, 2024[SHARE]

The Enfield Haunting, Ambassador's Theatre review - muddled revisiting of famous paranormal events by Heather Neill

Poltergeist activity in the suburbs remains earth-bound Reports of supernatural events are always met with either willing belief or dismissive scepticism. The "camps" generally don't have mu…

SOURCE: The Arts Desk at 9:42pm on January 11, 2024[SHARE]

The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival by Heather Neill

Unsettling investigation of patriarchal family and sexual relationships has uneven force As the audience enters, thick mist envelopes the thrust stage and jazz music fills the theatre. The s…

SOURCE: The Arts Desk at 9:54pm on December 5, 2023[SHARE]

She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated by Heather Neill

A familiar comedy provides Jeeves-and-Wooster period Christmas fun Oliver Goldsmith was a literary all-rounder - novelist, poet and playwright - remembered chiefly for one example of each di…

SOURCE: The Arts Desk at 10:32pm on November 22, 2023[SHARE]

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess by Heather Neill

Mature actors bring style and poignancy to Coward's brittle comedy There is a grainy piece of black and white film on YouTube featuring Noel Coward as the celebrity guest on a 1964 edition …

SOURCE: The Arts Desk at 10:25pm on September 13, 2023[SHARE]

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived by Heather Neill

The story of an immigrant family's contribution to American capitalism is still captivating The frantic world of finance moves fast, its giddy successes and thundering crashes causing ripple…

SOURCE: The Arts Desk at 7:10pm on February 9, 2023[SHARE]

As You Like It, @sohoplace review - music-filled, warm-hearted celebration by Heather Neill

The first home-grown offering at this impressive new space is a playful paean to theatre The scene is set onstage in the first minutes. And it remains a stage throughout this harmonious prod…

SOURCE: The Arts Desk at 8:02pm on December 15, 2022[SHARE]

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache by Heather Neill

Inua Ellams adds contemporary political thrust to a well-loved classic Antigone, the forceful young woman who takes on the male establishment, has long resonated with idealists; Sophocles' p…

SOURCE: The Arts Desk at 7:37pm on September 13, 2022[SHARE]

The Father and the Assassin, National Theatre review - Gandhi's killer puts his case in a bold, whirlwind production by Heather Neill

Anupama Chandrasekhar argues, with humour and invention, against political extremism The young Indian man stepping towards us on the vast Olivier stage is unremarkable enough, slight and boy…

SOURCE: The Arts Desk at 9:48pm on May 19, 2022[SHARE]

Hamlet, Young Vic review - Cush Jumbo flares in a low-key production by Heather Neill

Youthful Elsinore reflects life in present-day London It is a truism that every Hamlet is different, depending more than any other play on the casting of the lead. Each production moulds it…

SOURCE: The Arts Desk at 10:42pm on October 4, 2021[SHARE]

Witness for the Prosecution, London County Hall review - return of Agatha Christie's gripping courtroom drama by Heather Neill

This serpentine classic is perfectly placed in every sense Lucy Bailey's production of Christie's Witness for the Prosecution, first staged at County Hall in 2017, has a few years to make up…

SOURCE: The Arts Desk at 8:03pm on September 30, 2021[SHARE]

The Dumb Waiter, Old Vic: in Camera theatre review - Pinter's two-hander more in sorrow than in anger by Heather Neill

Thoughtful and funny revival of a familiar classic Pinter wrote The Dumb Waiter in 1957 (although it wasn't seen in London until 1960) the year before The Birthday Party received its notorio…

SOURCE: The Arts Desk at 7:18pm on July 9, 2021[SHARE]
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