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1,704 stories from Culture Bot

From Storefront to Stadium by Andy Horwitz

What happens to an artist and their music on the journey from small clubs to stadiums and how are these experiences different? Essay #2 in a series about the unique power of live performance…

SOURCE: Culture Bot at 11:18am on March 26, 2024[SHARE]

An Interview with Jesse Freedman on The Brick's "The Banality of Evil." by Eve Bromberg

  "Banality of Evil, as a phrase," Jesse Freedman the Artistic Director of Meta-Phys Ed. told me on the phone last week, each of us speaking from our respective Brooklyn apartments, "is m…

SOURCE: Culture Bot at 7:06pm on March 22, 2024[SHARE]

The Effect: The Sublimity of Performance by Eve Bromberg

If it weren't for my erudite Anglophile cousin, I would never have known to see Lucy Prebble's The Effect at The Shed (from March 3-March 31). An early Prebble fan, she one day turned on I H…

SOURCE: Culture Bot at 4:54pm on March 20, 2024[SHARE]

An Evening of Rhythm and Double Consciousness With Nimbus Dance by Darvejon A. Jones

Currently mounted at Nimbus's Firmament Gallery + Boutique is  "Sometimes I Wander..." an exhibit displaying the photography of Life Magazine's first Black photographer,  Gordon Parks,…

SOURCE: Culture Bot at 2:54pm on March 19, 2024[SHARE]

Satori in a Storefront by Andy Horwitz

The first in a series of essays about the power of live performance in small rooms.

SOURCE: Culture Bot at 11:36am on March 19, 2024[SHARE]

ON HOLDING AND (UN)LOCKING: CHOREOGRAPHING THE IRISH DANCE ARCHIVE IN Jean Butler's What We Hold by Meg Doyle

There is a photograph of my grandad and three of his brothers taken in Dublin in the early 1930s; the brothers stand in a row and pose with their arms firmly placed by their sides or their h…

SOURCE: Culture Bot at 4:48pm on March 15, 2024[SHARE]

ON HOLDING AND (UN)LOCKING: CHOREOGRAPHING THE IRISH DANCE ARCHIVE IN Jean Butler's What We Hold by Meg Doyle

  There is a photograph of my grandad and three of his brothers taken in Dublin in the early 1930s; the brothers stand in a row and pose with their arms firmly placed by their sides or th…

SOURCE: Culture Bot at 2:42pm on March 15, 2024[SHARE]

Gil-Sheridan & Weiss discuss THE SKETCHY EASTERN EUROPEAN SHOW by Editors

at the end of the day, the concept of "bastardizing your own culture to get ahead" is not a new one in this country - I'd just never seen it done within an Eastern European context

SOURCE: Culture Bot at 10:42am on March 10, 2024[SHARE]

Joey Merlo's On Set With Theda Bara: An Emboied Performance and A Window Into An Artist's Mind by Eve Bromberg

​​ The first time I saw David Greenspan perform was in Adrian Einspanier's Lunch Bunch this past spring at the 122 Community Center in the East Village. I didn't know of him or…

SOURCE: Culture Bot at 2:06am on March 7, 2024[SHARE]

Annie Wang's "had my mouth" Offers Self-Protection Through Lyrical Movement by Eve Bromberg

Were they bearing their teeth in preparation to kill? Screaming silently in agony? Conjuring lost joy of their youth?

SOURCE: Culture Bot at 10:48am on February 20, 2024[SHARE]

January roundup " Mina Nishimura, Jordan Demetrius Lloyd, Yasuko Yokoshi, and Motus by Maura Nguyá»…n Donohue (she/they)

So, while trying to strictly manage the pervasive NYC version of Arts Presenters-infected "festival fomo," I still accumulated enough exposure to the spores of a range of performances in the…

SOURCE: Culture Bot at 3:02pm on February 4, 2024[SHARE]

Radical Imagination, Aristotle Thinks Again! by Darvejon A. Jones

The interdisciplinary work "Aristotle Thinks Again" is a thought-provoking masterpiece written by Chuck Mee, directed and choreographed by Dan Shafer, and co-created and choreographed by the…

SOURCE: Culture Bot at 12:54am on February 2, 2024[SHARE]

Kinding Sindaw Shines a Light on History by Darvejon A. Jones

Complexity often frightens people from engaging with the critical context and history that informs our current realities. So, what you will read is [not] complex. It is current and qui…

SOURCE: Culture Bot at 2:18pm on January 26, 2024[SHARE]

Storyletting: drawing forth ephemera from "the depths, not the sunken place" by Darvejon Jones

This iteration of the work, presented as part of the Underground Uptown Festival's Works and Process at the Guggenheim, was segmented to create discourse around the creative process. I can o…

SOURCE: Culture Bot at 12:02pm on January 19, 2024[SHARE]

On NYCB's 75th Fall: Leadership, Youth, and Deviation by Eve Bromberg

This fall, NYCB kicked off the celebration of their 75th anniversary dedicating the entire season to the work of George Balanchine, the company's co-founder and artistic realizer. On the nig…

SOURCE: Culture Bot at 2:02pm on December 23, 2023[SHARE]

"When The End Becomes The Beginning:" Okwui Okpokwasili and Peter Born's adaku part 1: the road opens by Eve Bromberg

Adaku's forced departure forever alters her connection to reality " she is absorbed into the unknown, which marks the start of our inquiry. Her trauma, epistemically, is our starting point.Ã…

SOURCE: Culture Bot at 2:02pm on December 23, 2023[SHARE]

James Allister Sprang at Baryshnikov Arts: Seeking Active "Rest Within the Wake" by Eve Bromberg

Active reflection and associations should comprise our meditative state. If there were moments during the piece that disturbed us, we should return to the breathing exercise to find calm. 

SOURCE: Culture Bot at 7:25pm on October 19, 2023[SHARE]

Retrospect: Concert of Propositional Music at University of Illinois by Anastasia Chernysheva

Being a witness of many of the referenced breakthroughs, Rosenboom, the pioneer of brainwave music, embodied the spirit of the legacy we aspired to dust off.

SOURCE: Culture Bot at 5:33pm on October 11, 2023[SHARE]

Pulling Back the Curtain on Caborca Theatre's ZOETROPE by Monxo López

the beauty of the play is that things get really weird, really fast at times, but always go back to the tune

SOURCE: Culture Bot at 8:37am on October 2, 2023[SHARE]

Best of The Summer: Alex Edelman's "Just For Us" " An Nuanced Exploration of Judaism and Standpoint by Eve Bromberg

Edelman always wanted to be white. 'I know, I know. Dream achieved!' he says.

SOURCE: Culture Bot at 10:43am on September 16, 2023[SHARE]

The Uses of Obscurity | a conversation with Jerry Lieblich, Steven Mellor, and Meghan Finn by Kate Dakota Kremer

Jerry's keen ear is tuned to productions of un-meaning"the kinds of nonsense, half-sense, and anti-sense that enable and mask violence, particularly violence committed in the names of patrio…

SOURCE: Culture Bot at 8:33am on September 16, 2023[SHARE]

Meghan Moe Beitiks on Prague Quadrennial 2023 by Meghan Moe Beitiks

PQ has "evolved into a platform, which explores progressive approaches, new media, virtual spaces and interdisciplinary relations."

SOURCE: Culture Bot at 5:37pm on September 13, 2023[SHARE]

SIGHTLINES: Amanda Hameline and Wendell Gray II by Hallie Chametzky

Two choreographers navigate the strangeness of the stage in works developed through a new residency in Red Hook, Brooklyn.

SOURCE: Culture Bot at 3:43pm on September 12, 2023[SHARE]

How to look when there are so many options: Julie Mayo's "Bluefire Sleepwalking" by Kristopher Pourzal

It makes me become like my gaze, a promiscuous saccade. I am jostled and stilled. I'm curled around the strange heat of my own body, a feverish REM cycle.

SOURCE: Culture Bot at 3:43pm on September 12, 2023[SHARE]

The Theater(s)We Need Now by Andy Horwitz

Okay.  I wrote a really long discursive essay about The Theater(s) We Need Now " and I didn't even dive too deep into the arts admin weeds " but I know how things are, I know what life is…

SOURCE: Culture Bot at 2:49pm on July 1, 2023[SHARE]
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