The healing grace of Charlotte Brathwaite's "Passage: A Forgotten Paradise Project"
Who is theater for? Where and how does theater speak for, from and to the margins, the marginalized, the forcibly displaced, the intentionally erased?
Who is theater for? Where and how does theater speak for, from and to the margins, the marginalized, the forcibly displaced, the intentionally erased?
An appropriately multi-modal effort towards dialogue about Yanira Castro's Exorcism = Liberation, a massive public art project that began in July and continues until election day.Â
Kazakhstan's ORTA Collective presented Spectacular Experiments on the Great Atomic Bombreflector at La MaMa ETC in association with CultureHub.
A golden age is brewing for AAPI contemporary performance[i] with Glenn Potter-Takata and evan ray suzuki serving as crafty "kodama" (木霊, æœ¨é‚ or 木é…) leading us…
Alethea Pace's "between wave and water," presented recently at BAAD!, honors the memory of the ancestors buried there in a potent passage of works that resist the urge to erase America's his…
So, while trying to strictly manage the pervasive NYC version of Arts Presenters-infected "festival fomo," I still accumulated enough exposure to the spores of a range of performances in the…
Put Away the Fire, dear pt.2 (in draft form) at La MaMa Moves last month moves in and out of cinematic and live performance structures, often jump-cutting from internal narratives to vigo…