The Red Shoes review, Sadler's Wells " Matthew Bourne conjures the impassioned, hothouse world of ballet
This richly realised production packs a wealth of ballet history into deft parodies
This richly realised production packs a wealth of ballet history into deft parodies
Charles Dickens' miserly mister becomes a devilish fashion designer in this marvellously modern production
Four works show the remarkable choreographic range of The Royal Ballet's Artistic Associate, Christopher Wheeldon
Ballet Black's adaptations of 'My Sister, The Serial Killer' and 'A Shadow Work' continue to show this adventurous company's ambitions
A guide to the week's theatre
A guide to the week's theatre
The company, now led by Aaron S Watkin, are at home in a confident production of this classic
With his company Lost Dog, choreographer Ben Duke mines humour and desperation from the darkest of Greek tragedies
Dance is bright and bold, but Mats Ek's new version of 'The Rite of Spring' lacks emotion and surprise
Glowing stage pictures are full of atmosphere, while a charismatic cast bring warmth to this ambitious work
Dancers at the Royal Opera House look happily at home, dancing with assurance and pride
Standing ovations were offered up for these world and company premieres " including Crystal Pite's 'The Statement' and Kyle Abraham's 'Optional Family: A divertissement' " and th…
One of Kenneth MacMillan's most popular works returns to The Royal Ballet as part of a season marking the 25th anniversary of the choreographer's death
English National Ballet's revival of Rudolf Nureyev's production feels squeezed on this stage, and sidelines its heroine by focusing on the male relationships
The ballet superstar Natalia Osipova shines in the final act of the Royal Ballet's revival of Kenneth MacMillan's work but the rest of it is largely a bland affair