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123 stories by "Tom Wicker"

Actor Jonathan Slinger: 'I still feel like a bit of an interloper in musical theatre' by Tom Wicker

Eminent Shakespearean actor Jonathan Slinger has taken on some of the playwright's weightiest roles, from Hamlet to Richard III. He talks to

SOURCE: The Stage Registration at 5:00am on March 16, 2020[SHARE]

Movement director EJ Boyle: 'When creating choreography, the steps are the last thing I do' by Tom Wicker

With credits including the National Theatre's Exit the King and Netflix series The Crown, as well as two shows now in the

SOURCE: The Stage Registration at 9:00am on February 7, 2020[SHARE]

Theatremaker David Cumming: 'I've always had a strong voice, now I'm branching out' by Tom Wicker

Everything is coming together at the same time for in-demand performer and theatremaker David Cumming. Tom Wicker talks to him about developing

SOURCE: The Stage Registration at 6:33am on December 3, 2019[SHARE]

Actor Carly Mercedes Dyer: 'Our West Side Story is shining a light on what's happening today' by Tom Wicker

After cutting her teeth on big West End shows such as Dreamgirls and Memphis the Musical, Carly Mercedes Dyer wanted to step

SOURCE: The Stage Registration at 12:20pm on November 28, 2019[SHARE]

Inside London's new Boulevard Theatre: 'Soho is everything: creative, provocative and international' by Tom Wicker

A new theatre is opening in Soho this week, the brainchild of Fawn James, granddaughter of Paul Raymond, and a dream realised

SOURCE: The Stage Registration at 12:06pm on October 21, 2019[SHARE]

Alex Kingston: 'I don't want to play King Lear " let's create new heavy hitting roles for women' by Tom Wicker

Doctor Who and ER star Alex Kingston tells Tom Wicker about struggling to get into the 'closed' New York theatre scene, never

SOURCE: The Stage Registration at 10:00am on September 16, 2019[SHARE]

Playwright Branden Jacobs-Jenkins: 'The secret to writing? Read everything " even if you hate it' by Tom Wicker

Pulitzer Prize finalist Branden Jacobs-Jenkins speaks to Tom Wicker about mourning Toni Morrison, his love for London and how his play Appropriate

SOURCE: The Stage Registration at 3:00am on August 20, 2019[SHARE]

Actor Marina Sirtis: 'You know you're an icon when the drag queens start doing you' by Tom Wicker

The Star Trek actor " originally from Hackney " is returning to the UK stage in a play about a former TV

SOURCE: The Stage Registration at 3:00am on June 18, 2019[SHARE]

Climate change: can theatre help tackle the greatest threat of all? by Tom Wicker

Angry protests have led to a greater urgency over our collective response to global warming. Industry figures tell Tom Wicker what theatre

SOURCE: The Stage Registration at 7:01pm on May 22, 2019[SHARE]

Into the Woods writer James Lapine: 'Creating a road-trip musical like Little Miss Sunshine was a fun challenge' by Tom Wicker

Creating a musical is a little like sex, according to Tony award-winning writer and director James Lapine, possibly with his tongue in

SOURCE: The Stage Registration at 4:00am on March 19, 2019[SHARE]

Eileen Atkins: 'I don't like filming, I went into the business for theatre' by Tom Wicker

At 84, grande dame of the stage Eileen Atkins continues to seek out challenging roles in the theatre, with the latest in

SOURCE: The Stage Registration at 3:00am on October 3, 2018[SHARE]

Director Michael Boyd and designer Tom Piper reveal the secrets of their long-running creative partnership by Tom Wicker

For more than two decades, director Michael Boyd and designer Tom Piper have worked together on a series of audacious, award-winning productions.

SOURCE: The Stage Registration at 3:33am on August 14, 2018[SHARE]

Women in circus: 'It's about sisterhood and about pushing your female wildness' by Tom Wicker

This year marks the 250th anniversary of the first modern circus, but the contribution of many female performers has been written out

SOURCE: The Stage Registration at 8:26am on April 10, 2018[SHARE]

Frankenstein review at Battersea Arts Centre, London " 'a brilliant beatbox reimagining' by Tom Wicker

It starts with a breath, a beat and a vein pulsing in the neck. And then the ensemble for BAC Beatbox Academy's

SOURCE: The Stage Registration at 6:09am on March 23, 2018[SHARE]

Vivaldi's The Four Seasons " A Reimagining review at Sam Wanamaker Playhouse " 'beautiful and engrossing' by Tom Wicker

Imagine. That's basically the edict of the Sam Wanamaker Playhouse, with its candlelit lack of modern technology. The best shows in the

SOURCE: The Stage Registration at 6:52am on March 19, 2018[SHARE]

Acceptance review at Hampstead Theatre Downstairs " 'relevant, but heavy-handed' by Tom Wicker

After directing the mediocre Dry Powder on Hampstead Theatre's main stage earlier this year, Anna Ledwich heads downstairs to helm this weightier

SOURCE: The Stage Registration at 9:58am on March 15, 2018[SHARE]

The Duchess of Malfi review at Swan Theatre, Stratford-upon-Avon " 'Gut wrenching but unsteady' by Tom Wicker

By the end of this production of John Webster's Jacobean tragedy, The Duchess of Malfi, the stage is swamped in blood. Initially

SOURCE: The Stage Registration at 6:55pm on March 8, 2018[SHARE]

Garry Robson: 'Disabled performers are doing great things " there are real stars now' by Tom Wicker

Performing in Ramps on the Moon's revival of Our Country's Good, Garry Robson is a passionate advocate for disabled performers and theatremakers.

SOURCE: The Stage Registration at 9:13am on February 27, 2018[SHARE]

Playwright Stephen Beresford: 'I went from zero to main stage. It was a fast lesson' by Tom Wicker

After a 'semi-feral' childhood in Dartmouth, Stephen Beresford has never been one for the rule book. He bypassed fringe venues and in

SOURCE: The Stage Registration at 7:30am on February 20, 2018[SHARE]

The Shadow Factory review at NST City, Southampton " 'a new state-of-the-art space' by Tom Wicker

Nuffield Southampton Theatres opens NST City, its second, state-of-the-art venue in the heart of the city's regenerated cultural quarter, with The Shadow

SOURCE: The Stage Registration at 5:23am on February 16, 2018[SHARE]

Dry Powder review at Hampstead Theatre, London " 'Hayley Atwell stars in a so-so satire' by Tom Wicker

Since starring in 2013's The Pride, Hayley Atwell has become one of the best things about the all-conquering Marvel Cinematic Universe, as

SOURCE: The Stage Registration at 4:47am on February 2, 2018[SHARE]

All's Well That Ends Well review at Sam Wanamaker Playhouse, London " 'blisteringly good' by Tom Wicker

How do you tackle a Shakespeare play that people consider a problem? One answer, at least for the Globe's outgoing artistic director

SOURCE: The Stage Registration at 4:58am on January 18, 2018[SHARE]

A Passage to India review at Royal and Derngate Theatre, Northampton " 'an evocative adaptation' by Tom Wicker

When it was published in 1924, EM Forster's A Passage to India was provocative. Now, its metaphysical musings about existence feel naive

SOURCE: The Stage Registration at 5:47am on January 17, 2018[SHARE]

Pearl Mackie: 'People might not know I've done lots of theatre before, Doctor Who was the anomaly for me' by Tom Wicker

Pearl Mackie, who played the first openly gay Doctor Who companion, will be returning to theatre in Harold Pinter's The Birthday Party.

SOURCE: The Stage Registration at 12:00pm on December 19, 2017[SHARE]

Beans review at Canal Cafe Theatre, London " 'a wry, spry adult panto' by Tom Wicker

This wry, spry little adult panto in the upstairs space of the Canal Cafe Theatre is a refreshing antidote to the sugary

SOURCE: The Stage Registration at 8:37am on December 15, 2017[SHARE]
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