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12 stories by "Tim Ashley"

Abomination: A DUP Opera review " brilliant satire skewers politicians with their own words by Tim Ashley

Theatre Royal, BrightonAnger seethes beneath the Belfast Ensemble's waltzes in Conor Mitchell's scathing denunciation of homophobia and hate speech Conor Mitchell's Abomination: A DUP Opera,…

SOURCE: The Guardian at 8:18am on May 10, 2023[SHARE]

Philharmonia/Ashkenazy review " thumping Soviet classics pin you to your seat by Tim Ashley

Royal Festival Hall, LondonVladimir Ashkenazy conducts Prokofiev and Glière as if he was born to do it, eliciting a terrific response from the orchestra Conducted by Vladimir Ashkenazy, the…

SOURCE: The Guardian at 8:29am on March 23, 2018[SHARE]

Les Arts Florissants/Christie review " immaculately judged by Tim Ashley

Barbican, LondonWilliam Christie's Rameau tribute was musically exquisite, but the pastoral rusticity verged on the saccharine and the choreography was too eclectic Continue reading...

SOURCE: The Guardian at 11:52am on November 19, 2014[SHARE]

Madame X review thriller undone by excess of allusions by Tim Ashley

Arcola theatre, LondonTim Benjamin has transported Don Giovanni's Masetto and Zerlina to London for this postmodern take on artistic corruption Continue reading...

SOURCE: The Guardian at 9:02am on August 26, 2014[SHARE]

Opera L'Issipile " review by Tim Ashley

Wigmore Hall, LondonLa Nuova Musica deliver a knock-out performance of Francesco Conti's Greek tragedy " its first in modern timesFrancesco Conti's L'Issipile drew a blank with audiences at …

SOURCE: The Guardian at 9:16am on January 23, 2014[SHARE]

Rameau: Les Surprises de l'Amour " review by Tim Ashley

Pochon/Deshayes/Brahim-Djelloul/Bou/Les Nouveaux Caractères/d'Hérin(Glossa)The definitive version of Rameau's Les Surprises de l'Amour was first performed in Paris in 1758, though the work…

SOURCE: The Guardian at 11:58am on January 8, 2014[SHARE]

La Bohème " review by Tim Ashley

Coliseum, LondonOpera productions are changeable things. Some decline in quality after their opening run, others don't cohere until revival time. Jonathan Miller's English National Opera sta…

SOURCE: The Guardian at 1:40pm on April 30, 2013[SHARE]

Culture walkouts: our critics' take by Alexis Petridis, Tim Ashley, Michael Billington, Judith Mackrell, Peter Bradshaw, Brian Logan

People have been walking out of the RSC's risqué new production of Marat/Sade. Are critics ever tempted to follow them? Guardian reviewers reveal the times they just couldn't take any moreA…

SOURCE: The Guardian at 4:30pm on October 24, 2011[SHARE]

Christopher Maltman and Graham Johnson " review by Tim Ashley

Wigmore Hall, LondonChristopher Maltman opened the new Wigmore season with a powerhouse recital of Schiller settings by Schubert, Schuman and Liszt. The task he and pianist Graham Johnson se…

SOURCE: The Guardian at 5:07am on September 13, 2011[SHARE]

The Infernal Comedy - review by Tim Ashley

Barbican, LondonWritten for John Malkovich, two sopranos, a baroque orchestra, and its conductor, Michael Sturminger's The Infernal Comedy is a disquieting music theatre piece about Jack Unt…

SOURCE: The Guardian at 7:10pm on June 17, 2011[SHARE]

Carmen " review by Tim Ashley

Grand, LeedsDaniel Kramer's production of Carmen aims at redefining Bizet's opera in terms of radical music theatre. Given that the piece was considered groundbreaking in its depiction of se…

SOURCE: The Guardian at 4:30pm on January 18, 2011[SHARE]

HMS Pinafore " review by Tim Ashley

King's Head, LondonWhen it comes to Gilbert and Sullivan, less can sometimes be more. The Charles Court Opera are performing HMS Pinafore on the smallest of scales at the King's Head. Direct…

SOURCE: The Guardian at 5:31pm on November 24, 2010[SHARE]
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