Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of 13, written by Lindsey Ferrentino, and directed by David Cromer, opened on Broadway this Apr…
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of 13, written by Lindsey Ferrentino, and directed by David Cromer, opened on Broadway this Apr…
Perhaps one of the strangest experiences one can have when moving to a new place is watching a performance tackling the exact same situation. Luckily, no two re-rooting stories are the same,…
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage friends (all misfits, according to the local twin bullies), and the boss, a middle-aged man who se…
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.PomiÄ™dzy Festival follows the pattern of bilateral events, by bridging the cultural worlds of these two co…
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday, marking, almost physically, the starting point of adulthood. Luceafărul Theatre's Intern…
Sitting through 5 and a half hours of performance might seem like an exercise of will and determination, rather than an enjoyable experience. All that can go wrong actually might, and gettin…
Jumping from one story to another or from a specific timeline to an entirely different one seems, nowadays, to be specific to our phones' world, rather than to theatre stages, but Dziewczyna…
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with countless tiny props, almost indiscernible for the spectator seated farther away from the stage…
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport is water. Distance needs to be not only suggested, but also interpreted, and convention can r…
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Å eparović's production Youth Without God, on a text written by the director and Ivana Vuković. Technology, violence, Nazism, lo…
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company " Szkéné Theatre's Anybody (written by Borbély Szilárd, directed by Horváth Csaba) presents t…
In spite of all open-mindedness, attending family performances as an adult can be, initially at least, off-putting. There is a stigma around the themes approached, the aesthetics, and the ac…
The question of universality faces entire series of utterly new answers, but not all of them find a place or are given a form to be exhibited on stage, as it is frequently mistaken for relat…
The performance follows four women in different parts of Ukraine, at various distances from the frontline and allows them to tell their pre and post-February 2022 stories. Abrupt opening? It…