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38 stories by "Sebastian Calver"

Review: Hear Me Howl, VAULT Festival by Sebastian Calver

Review: Hear Me Howl, VAULT Festival 4.0Overall Score A story of self-made and societal expectations and a reminder NOT to meet them! Hear Me Howl, written by Lydia Rynne and directed by Kay…

SOURCE: A Younger Theatre at 11:42am on February 2, 2019[SHARE]

Review: The Milkman Cometh, VAULT Festival by Sebastian Calver

Review: The Milkman Cometh, VAULT Festival3.0starsCautious comedy with too many boundaries. The Vaults is a great place for a piece like The Milkman Cometh, written by: Alice Bounce, Maxwell…

SOURCE: A Younger Theatre at 3:24pm on January 28, 2019[SHARE]

Review: Dear Elizabeth, Gate Theatre by Sebastian Calver

Review: Dear Elizabeth, Gate Theatre5.0starsAn initiative full of love, passion and regret. Dear Elizabeth, written by Sarah Ruhl, follows the lives of renowned poets, Elizabeth Bishop and R…

SOURCE: A Younger Theatre at 11:32am on January 24, 2019[SHARE]

Review: Pinter Six, Harold Pinter Theatre by Sebastian Calver

Review: Pinter Six, Harold Pinter Theatre4.0Overall ScorePinter Six, part of Jamie Lloyd‘s Pinter at the Pinter season, features two of Harold Pinter‘s comedies: Party Time and C…

SOURCE: A Younger Theatre at 7:24am on January 9, 2019[SHARE]

Review: The Tragedy Of King Richard The Second, Almeida Theatre by Sebastian Calver

Review of The Tragedy Of King Richard The Second, playing at the Almeida Theatre until 2 January. The post Review: The Tragedy Of King Richard The Second, Almeida Theatre appeared first on …

SOURCE: A Younger Theatre at 5:36am on December 23, 2018[SHARE]

Review: Nine Night, The Trafalgar Studios by Sebastian Calver

A tentative build-up, but boy is it worth it! Nine Night is a story paying homage to the nine nights celebrating the life of the dead that is a necessity in order to send away the departed w…

SOURCE: A Younger Theatre at 12:06pm on December 13, 2018[SHARE]

Review: Dialektikon, Park Theatre by Sebastian Calver

An unusual menagerie of consequential storytelling. Dialektikon follows Miranda, played by Mary Nyambura, a young girl defenceless and naive in a cruel world full of unknowns. Through the us…

SOURCE: A Younger Theatre at 1:04pm on December 11, 2018[SHARE]

Review: Borders and Games, Arcola Theatre by Sebastian Calver

We live in a society very ignorant of the conflict in Syria and its harrowing reality, which is often paved over by the short and sickly-sweet blanket term: “the crisis in Syria". The …

SOURCE: A Younger Theatre at 6:24am on December 11, 2018[SHARE]

Review: Maiden Speech, Tristan Bates by Sebastian Calver

As a woman in what is still a male dominated industry, can you achieve your goals, without exploiting yourself through sexualisation? Maiden Speech is a platform for new writers, produced by…

SOURCE: A Younger Theatre at 9:04am on December 1, 2018[SHARE]

Review: Renaissance Men, Old Red Lion Theatre by Sebastian Calver

Renaissance Men follows Irvine (Sam Heron), a young lad with a desire to write. Through his writing he expresses personal suffering, and is clearly struggling to find his identity. Heron's c…

SOURCE: A Younger Theatre at 10:04pm on November 30, 2018[SHARE]

Review: RATS, Etcetera Theatre by Sebastian Calver

A dystopian, existential mare. RATS, written by Gaël van den Bossche, challenges our individuality by posing an idea that we would all function better and essentially be happier if we had…

SOURCE: A Younger Theatre at 9:18am on November 23, 2018[SHARE]

Review: Switzerland, The Ambassadors Theatre by Sebastian Calver

There’s something particularly funny about putting a successful yet grouchy old realist in a room with an optimistic, naive try-hard. Besides the fun digs at the younger generation enj…

SOURCE: A Younger Theatre at 11:18am on November 21, 2018[SHARE]

Review: Pinter Three, The Harold Pinter Theatre by Sebastian Calver

I think Pinter Three finds a perfect balance in showing the purpose of theatre; capturing the idea of release, enjoyment and escapism but conjoining it with seriously challenging topics and …

SOURCE: A Younger Theatre at 5:06am on November 15, 2018[SHARE]

Review: Drowned or Saved?, Tristan Bates by Sebastian Calver

A very talented cast and a very sad history. Geoffrey Williams' (playwright and director) new play is an intimate and scathing reminder of the horror of history that we often forget to remem…

SOURCE: A Younger Theatre at 8:36am on November 11, 2018[SHARE]

Review: Chekhov's First Play, Battersea Arts Centre by Sebastian Calver

Chekhov's First Play is a reimagining of a Shakespeare play, but with an entirely different goal! As the lights go down in the auditorium, we put on headphones waiting to be received by the …

SOURCE: A Younger Theatre at 12:36pm on November 8, 2018[SHARE]

Review: The Distance You Have Come, by Sebastian Calver

A simple yet effective story line following the lives of six individuals who juggle the constant challenges of life, depression, heartache and love; The Distance You Have Come is a warm and …

SOURCE: A Younger Theatre at 5:18pm on October 23, 2018[SHARE]

Review: Wise Children, The Old Vic by Sebastian Calver

Unconventionally whacky yet importantly relevant. Shining a light on the significance of nature and nurture. Wise children, as explained by director Emma Rice in an interview with A Younger …

SOURCE: A Younger Theatre at 9:42am on October 23, 2018[SHARE]

Review: Measure for Measure, Donmar Warehouse by Sebastian Calver

A masterclass in interpreting Shakespeare: whether verse line or thought line take precedence.  Josie Rourke‘s Measure for Measure is a well-rounded and creative exploration into in…

SOURCE: A Younger Theatre at 3:32pm on October 15, 2018[SHARE]

Review: Porgy and Bess, London Coliseum by Sebastian Calver

Porgy and Bess collaborates vocal excellence with truthful relationships and powerful drama to amalgamate into a visual and audible rollercoaster. Porgy and Bess, a well-known George and Ira…

SOURCE: A Younger Theatre at 2:06pm on October 14, 2018[SHARE]

Review: (No) Leaves On My Precious Self, King's Head by Sebastian Calver

(No) Leaves on my precious self is an endearing, honest and vulnerable piece of writing exploring the hardships of a career in a forever changing, always judging art form that some of us cal…

SOURCE: A Younger Theatre at 6:12pm on October 11, 2018[SHARE]

Review: Twelfth Night, Young Vic by Sebastian Calver

Kwame Kwei Armah and Oskar Eustis' Twelfth Night is slick, easy to follow, genuine and (of all qualities to aspire most to in a piece of new work), powerful. It is packed with musical genius…

SOURCE: A Younger Theatre at 10:04am on October 9, 2018[SHARE]

Review: We've Got Each Other, Pleasance Theatre by Sebastian Calver

For a Bon Jovi amateur whose fandom is limited to Livin’ On A Prayer, my knowledge needn’t be more experienced! Paul O'Donnell takes us on an idea for a Bon Jovi musical, relying…

SOURCE: A Younger Theatre at 11:04am on October 8, 2018[SHARE]

Review: Alan Fielden with JAMS: Marathon, Barbican Theatre by Sebastian Calver

Marathon is the thought process you experience when watching the news: what’s wrong with the world today? Heart-breaking story after heart-breaking story. Who’s going to do an…

SOURCE: A Younger Theatre at 1:42pm on September 25, 2018[SHARE]

Review: Dishoom!, Watford Palace Theatre by Sebastian Calver

Gurpreet Kaur Bhati's new play Dishoom! is a bizzare yet enlightening look at Indian culture, scratching at the surface of the struggles the country faced due to westernisation. Set in a …

SOURCE: A Younger Theatre at 8:36am on September 20, 2018[SHARE]

Review: The Humans, Hampstead Theatre by Sebastian Calver

A dysfunctional family sits down at the Thanksgiving table and treasures the precious time that they have left together. But their geographic locations, ages and past mistakes are threatenin…

SOURCE: A Younger Theatre at 6:33am on September 12, 2018[SHARE]
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