Review: “Othello” at West End Theatre
Bedlam presents a revival of Shakespeare's play without the company's usual sense of fun. Patrick J. Maley reviews. The post Review: “Othello” at West End Theatre appeared first on Exeun…
Bedlam presents a revival of Shakespeare's play without the company's usual sense of fun. Patrick J. Maley reviews. The post Review: “Othello” at West End Theatre appeared first on Exeun…
A new production of Shakespeare's infrequently revived play aims for relevance, but misses the moment. Patrick J. Maley reviews. The post Review: The Tragedy of Coriolanus at Theatre for a N…
Craig Baldwin's modern, bold rendering of Shakespeare's classic reveals new dimensions of the text, particularly through a wonderful central performance by Michael Urie. Patrick Maley review…
Jay O. Sanders is a "resplendent" Falstaff in this combined rendition of Shakespeare's two Henry IV plays. Patrick Maley reviews. The post Review: Henry IV at Polonsky Shakespeare Center app…
Irish Rep presents an excellent triptych of Samuel Beckett's lesser-seen short plays. Patrick J. Maley reviews. The post Review: Beckett Briefs at Irish Rep appeared first on Exeunt Magazine…
Crack open a cold one and enjoy some country music at this new musical from Bedlam. Patrick J. Maley reviews. The post Review: Music City at the West End Theatre appeared first on Exeunt Mag…
A new Dominique Morisseau play leaves Detroit behind to its detriment, but picks up some excellent performances. The post Review: Sunset Baby at Signature Theatre appeared first on Exeunt Ma…
Sylvia Khoury's "Selling Kabul" is a tense and moving play, full of hard choices and wrenching sacrifices. Under the direction of Taylor Reynolds at Premiere Stages, starring AFSHEEN MISAGHI…
Director LaTanya Richardson Jackson brings a revival of August Wilson's classic play with a starry cast and little splash. Patrick J. Maley reviews. The post Review: The Piano Lesson at the…
Dominique Morisseau "leaves the confines of realism...and offers a challenging new paradigm" in the second play of her Signature residency. Patrick Maley reviews. The post Review: Confedera…
Director Arin Arbus digs into Shakespeare's play to show us, anew, what's been there all along. Patrick Maley reviews. The post Review: The Merchant of Venice at Theatre for a New Audience …
Dominique Morisseau's play is the centerpiece of her "Detroit Project" trilogy, and also its heart. Patrick J. Maley reviews. The post Review: Skeleton Crew at the Samuel J. Friedman Theatr…
New dimensions are drawn from the characters of Lynn Nottage's play in an operatic adaptation with music by Ricky Ian Gordon. Patrick J. Maley reviews. The post Review: Intimate Apparel at …
David Saint's production of MIDWIVES at George Street Playhouse in New Brunswick is evocative and challenging, invested as much in the characters on stage as it is in the struggles underlyin…
"Little Girl Blue: The Nina Simone Musical" at George Street Playhouse. The other stellar production in the state this year was in a theater space no longer operating: George Street's tempor…
This is a veteran entertainer showing the skills she has honed during a long career of getting laughs and earning applause, bringing this all to bear on her life story with great charisma.
And who's to blame the Paper Mill or any other regional theater for trotting out the safe bet around the holidays?
Jersey City Theater Center production presents Euripides's "Trojan Women," with a linguistic tapestry of 12 languages
Three hours of farce is a bit like an overfull bowl of ice cream: a fun guilty pleasure that in the end proves taxing and occasionally laborious.
Marisela Trevino Orta's new play, now playing in Long Branch, is a dark and moving folktale.
The season opening production of a new play by Walter Anderson feels too safe and predictable.
This provocative play by Dominique Morisseau centers on five lives just on the periphery of the riots
"Black Tom Island," an excellent new play, tells the story of an actual explosion near Jersey City in 1916.
In "Uncle Vanya: Scenes from a Jersey Life in Four Acts" at Hudson Theatre Works, the adaptation is heavy-handed, and the characters are opaque.
Sam Shepard's play should linger with audiences well after leaving the Shakespeare Theatre of New Jersey.