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40 stories by "Jose Solís"

Lessons from the BIPOC Critics Lab at Five by Jose Solís

By Jose Solís. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism.

SOURCE: HowlRound at 11:17am on December 4, 2025[SHARE]

Use Your Voice with Jose Solís by Yura Sapi, Jose Solís

By Yura Sapi, Jose Solís. Jose Solís joins Yura Sapi to discuss creating the BIPOC Critics Lab and co-creating the Token Theatre Friends podcast-webseries.

SOURCE: HowlRound at 1:59pm on January 24, 2023[SHARE]

How Her Ancestors Reignited Her Return to Theater by Jose Solís

Quiara Alegría Hudes is back with a new work, an Off Broadway production of "My Broken Language," adapted from her 2021 memoir.

SOURCE: The New York Times Subscription at 12:24pm on November 2, 2022[SHARE]

An Immersive 'Next to Normal' Debuts in Barcelona by Jose Solís

The Broadway musical and its Tony-winning star, Alice Ripley, return to the stage in this condensed and deconstructed production.

SOURCE: The New York Times Subscription at 2:07pm on July 20, 2022[SHARE]

Asked to Adapt a Classic Play, This Writer Rethought Her Life by Jose Solís

As she sought the truth for her characters on the page, Mara Vélez Meléndez's real self began to emerge. Now she's making her Off Broadway debut.

SOURCE: The New York Times Subscription at 2:07pm on June 3, 2022[SHARE]

Viva! Flamenco! by Jose Solís

Artistic Director Manuel Liñán on breaking new ground in a traditional form.

SOURCE: Playbill at 4:03pm on April 18, 2022[SHARE]

Heather Christian's Choral Work Is a Study of Time. Patience, Too. by Jose Solís

The composer's "Oratorio for Living Things," forced to shut down because of the pandemic, returns to the Ars Nova stage in Manhattan.

SOURCE: The New York Times Subscription at 10:33am on March 16, 2022[SHARE]

A Surprising First Live Show, in the Hometown I Once Fled by Jose Solís

Back in Honduras for the first time in a decade, a critic finds hopefulness in a city's cultural ferment " including an energetic theater troupe.

SOURCE: The New York Times Subscription at 3:06pm on May 11, 2021[SHARE]

Looking from the outside in, 'Voyeur' reimagines the life of Toulouse-Lautrec by Jose Solís

Site-specific set pieces by Bated Breath Theatre transform New York's West Village into Montmartre.

SOURCE: Washington Post at 9:03am on November 19, 2020[SHARE]

Review: Notes of Joy and Fear Fill This 'Fandango' by Jose Solís

"Fandango for Butterflies (and Coyotes)," an En Garde Arts production, invites audiences to experience a musical gathering popular among immigrants, this one under the threat of a raid.

SOURCE: The New York Times Subscription at 2:12pm on March 8, 2020[SHARE]

Review: In 'Skinfolk,' the Joys of Blackness Burst From the Earth by Jose Solís

On a set that transforms the Bushwick Starr into a cave beneath a tree, Jillian Walker tells a story of her family, and of blackness in America, that aches with hope.

SOURCE: The New York Times Subscription at 7:12pm on March 6, 2020[SHARE]

Review: A 'Paradise Lost' More Dutiful Than Divine by Jose Solís

In Tom Dulack's take on Milton, the devils get the best lines and costumes, while Adam and Eve are a snooze.

SOURCE: The New York Times Subscription at 6:03pm on February 6, 2020[SHARE]

Review: Poets Vie for the Golden Ticket in 'Really Really Gorgeous' by Jose Solís

In this dystopian satire, "American Idol" and "60 Minutes" still reign, the White House is in Cleveland and a pair of writers compete to save the world.

SOURCE: The New York Times Subscription at 2:03pm on February 3, 2020[SHARE]

'Harry Connick, Jr.: A Celebration of Cole Porter' Review: by Jose Solís

With showmanship and childlike wonder, one musical sensation revisits the era of another.

SOURCE: The New York Times Subscription at 11:42pm on December 15, 2019[SHARE]

Review: A Multimedia Excavation of Lispector's 'Wild Heart' by Jose Solís

Video projections help set the mood for an admirable adaptation of the Brazilian writer's fragmented novel about a woman chafing against society's restrictions.

SOURCE: The New York Times Subscription at 1:48pm on December 11, 2019[SHARE]

'Measure for Measure' Review: No One Is Innocent on Mardi Gras by Jose Solís

Morals are especially relative in a new production of Shakespeare's play, set in New Orleans amid the anarchy of Fat Tuesday, 1979.

SOURCE: The New York Times Subscription at 4:48pm on December 2, 2019[SHARE]

Review: '¡Guaracha!,' Jubilantly Reclaiming Its Roots by Jose Solís

This art form, which stems from a classic genre of protest song, gets a new spin in a musical by Pregones/Puerto Rican Traveling Theater.

SOURCE: The New York Times Subscription at 5:03pm on November 25, 2019[SHARE]

'Pumpgirl' Review: Gas for Sale but Dreams on Hold by Jose Solís

An exquisite Irish Repertory Theater revival captures a trio of lost souls aching to connect in their constricting small town.

SOURCE: The New York Times Subscription at 5:54pm on November 20, 2019[SHARE]

Opinion: What people of color experience at the theater by Jose Solís

"I'm running 10 minutes late, can you leave my ticket at the box office?" Who hasn't received the exact same text message while waiting for their companions in New York City? I chuckled, sig…

SOURCE: Broadway News Subscription at 6:30am on November 12, 2019[SHARE]

Oscar Wao Takes His Superpowers to the Stage by Jose Solís

Presenting a version of Junot Díaz's prizewinning novel, Repertorio Español is also showing off a confident cohort of Latino actors.

SOURCE: The New York Times Subscription at 3:32pm on October 22, 2019[SHARE]

Review: Lennon and McCartney Wait Out a Storm in 'Only Yesterday' by Jose Solís

Bob Stevens's fond look at a life-changing night for the young Beatles should satisfy more than die-hard fans.

SOURCE: The New York Times Subscription at 4:33pm on September 18, 2019[SHARE]

'See You' Review: Influencers With Followers, Not Souls by Jose Solís

Five self-involved social-media obsessives don't make for good company in Guillaume Corbeil's play.

SOURCE: The New York Times Subscription at 5:33pm on September 10, 2019[SHARE]

A New Festival Shows Off Creators Ready to Launch by Jose Solís

If the eclectic clutch of productions in its first week is any indication, the Rave Theater Festival is off to a promising start.

SOURCE: The New York Times Subscription at 4:03pm on August 16, 2019[SHARE]

Review: From Last Rites to Marriage Vows in 'Filomena Marturano' by Jose Solís

Resetting the Italian drama on an unnamed Caribbean island, Repertorio Español allows two rich performers to shine in a twisty romance.

SOURCE: The New York Times Subscription at 3:03pm on August 6, 2019[SHARE]

Review: The Greeks Go Coachella in a Boisterous 'Bacchae' by Jose Solís

Sure, it's a tragedy, but along the way this Classical Theater of Harlem production is a riot of music and dance, with a Dionysus worthy of Jimi Hendrix.

SOURCE: The New York Times Subscription at 12:18am on July 12, 2019[SHARE]
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