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167 stories by "Hilton Als"

The Hidden Story of J. P. Morgan's Librarian by Hilton Als

Belle da Costa Greene, a brilliant archivist, buried her own history.

SOURCE: The New Yorker Subscription at 6:00am on December 16, 2024[SHARE]

Elisheva Biernoff's Family of Man by Hilton Als

The artist's poignant paintings reproduce the photographs of strangers.

SOURCE: The New Yorker Subscription at 3:37pm on October 18, 2024[SHARE]

The House That Alvin Ailey Built by Hilton Als

In "Revelations" and other works, the choreographer created a home for Black dancers.

SOURCE: The New Yorker Subscription at 6:00am on October 14, 2024[SHARE]

Suzanne Jackson's Natural World by Hilton Als

The artist captures the ephemeral and transformative power of light.

SOURCE: The New Yorker Subscription at 6:00am on September 30, 2024[SHARE]

The Warhol "Superstar" Candy Darling and the Fight to Be Seen by Hilton Als

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

SOURCE: The New Yorker Subscription at 6:00am on April 8, 2024[SHARE]

Brightening the History of Harlem by Hilton Als

Denise Murrell, in her exhibition on the Harlem Renaissance at the Met, captures the joy of her subject but not the complex humanism.

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2024[SHARE]

Betye Saar Reassembles the Lives of Black Women by Hilton Als

The artist restores depth and interiority to the caricatures of racism.

SOURCE: The New Yorker Subscription at 6:00am on November 20, 2023[SHARE]

Michelle Buteau's Caring Comedy by Hilton Als

Hilton Als reviews Michelle Buteau's "Full Heart, Tight Jeans": sentiment and a sense of community provide the framework for the comedian's new standup show.

SOURCE: The New Yorker Subscription at 6:00am on September 25, 2023[SHARE]

How Michael R. Jackson Remade the American Musical by Hilton Als

"A Strange Loop," a story about a Black, gay theatre nerd, was a surprise success. In his latest work, "White Girl in Danger," Jackson reimagines the soap opera.

SOURCE: The New Yorker Subscription at 6:00am on April 3, 2023[SHARE]

Senga Nengudi's Journeys Through Air, Water, and Sand by Hilton Als

In a show at Dia Beacon, the artist explores her poetics of the body and her philosophical belief in flow.

SOURCE: The New Yorker Subscription at 6:00am on March 13, 2023[SHARE]

Always Something There to Remind Me by Hilton Als

Burt Bacharach's complex, existential pop.

SOURCE: The New Yorker Subscription at 6:46pm on February 14, 2023[SHARE]

John Ahearn and Rigoberto Torres's Portraits of the South Bronx by Hilton Als

"Swagger and Tenderness," at the Bronx Museum, brings back the beauty of a struggling community.

SOURCE: The New Yorker Subscription at 6:00am on December 26, 2022[SHARE]

Robin Coste Lewis's Family Album by Hilton Als

The poet's new book of photographs and verse is haunted by the dead who will not stay dead.

SOURCE: The New Yorker Subscription at 6:00am on December 19, 2022[SHARE]

Two Views of New York, from Edward Hopper and a Historic Black Gallery by Hilton Als

Museum shows capture the great realist painter's vision of the city and, at Just Above Midtown, the work of artists of color from the seventies and eighties.

SOURCE: The New Yorker Subscription at 6:00am on October 24, 2022[SHARE]

A Portrait of David Bowie as an Alienated Artist by Hilton Als

The musician was a consummate showman, but "Moonage Daydream," a new documentary, rarely shows him at play.

SOURCE: The New Yorker Subscription at 6:00am on September 12, 2022[SHARE]

The Revelations of Thom Gunn's Letters by Hilton Als

The late poet's letters are a primer not only on literature but on the man himself.

SOURCE: The New Yorker Subscription at 6:00am on May 30, 2022[SHARE]

Aleshea Harris Stages Black Life by Hilton Als

The playwright explores the myths of community, love, and violence.

SOURCE: The New Yorker Subscription at 6:00am on February 21, 2022[SHARE]

The Metaphysical World of Apichatpong Weerasethakul's Movies by Hilton Als

The Thai director knows how to find the visually uncanny in the mundane.

SOURCE: The New Yorker Subscription at 6:00am on January 10, 2022[SHARE]

Joan Didion and the Voice of America by Hilton Als

She knew that her country was built on exclusion and shame.

SOURCE: The New Yorker Subscription at 6:00am on December 29, 2021[SHARE]

Gayl Jones's Novels of Oppression by Hilton Als

In the author's work, colonization and racial hatred turn mother against child, Black against white, man against woman.

SOURCE: The New Yorker Subscription at 6:00am on September 27, 2021[SHARE]

The Visual Maelstrom of Brett Goodroad by Hilton Als

The artist maps nature and his own consciousness.

SOURCE: The New Yorker Subscription at 2:03pm on July 21, 2021[SHARE]

Reimagining August Wilson's "Ma Rainey's Black Bottom" on the Small Screen by Hilton Als

Viola Davis plays the blues singer, whose wounds live right next to her cynicism.

SOURCE: The New Yorker Subscription at 9:31pm on December 14, 2020[SHARE]

Emotional Malnourishment in "Curse of the Starving Class" by Hilton Als

The playwright Sam Shepard's matter-of-fact observations about where his characters stand in the world tell us so much about the world they inhabit, Hilton Als writes.

SOURCE: The New Yorker Subscription at 9:06am on May 21, 2019[SHARE]

The Castmates Who Make You Care in "Beetlejuice" and "Tootsie" by Hilton Als

Hilton Als reviews the new musicals "Beetlejuice" and "Tootsie," which feature performers who help you see the narrative behind all the flash.

SOURCE: The New Yorker Subscription at 6:46pm on May 6, 2019[SHARE]

"Ink" and "Gary: A Sequel to Titus Andronicus" Play with History by Hilton Als

Hilton Als reviews a newsroom drama about Rupert Murdoch and Taylor Mac's spin on Shakespeare's first tragedy.

SOURCE: The New Yorker Subscription at 5:00am on April 29, 2019[SHARE]
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