618 stories by "Fergus Morgan"
Revived show remains significantly more sophisticated than most jukebox musicals
There was a period, two-and-a-bit years ago, when it seemed as if James Graham were on a one-man mission to take over
With theatremaking effectively halted for several months, many creatives are finding themselves out of pocket. Fergus Morgan speaks to people who have
Individuals and companies across the UK and Ireland have set up online appeals to support people within the creative sector who are
Re-gendered Brecht proves a chore
If there's one certainty about the Edinburgh Lyceum's production of Mrs Puntila And Her Man Matti " and there aren't many in this unsatisfying, overlon…
Pretty Woman, the rags-to-riches movie starring Richard Gere as a cut-throat capitalist and Julie Roberts as the prostitute he procures to escort
Co-produced by Untitled Projects and string orchestra Scottish Ensemble, We Are in Time is a part-lecture, part-opera about the human heart "
Animated film to blockbuster musical: it's a well-established route to stage success, one previously trodden by Frozen, Aladdin, and, most famously, The
Size isn't everything. That's what Caryl Churchill thinks, anyway. The legendary playwright " now 81 " doesn't really write things that last
Sally Abbott's new play, produced by Frantic Assembly and co-directed by company chief Scott Graham and Kathy Burke, comes straight from the
Post-modern shows about Shakespeare are almost as common as the real thing these days. Cymbeline has been renamed and reclaimed as Imogen.
Tony Kushner is nothing if not verbose. The Pulitzer-winning playwright has crafted a career out of extensive, intellectually engaging drama, perhaps most
As Ramps on the Moon's latest show Oliver Twist prepares to open at Leeds Playhouse, director Amy Leach tells Fergus Morgan how
Tom Stoppard " sorry, Sir Tom Stoppard, knight of the realm " is back. The legendary playwright behind Rosencrantz and Guildenstern Are
Death of England started life as a 10-minute micro-play commissioned by the Royal Court and the Guardian in 2014. Six years, three
Produced by interdisciplinary company Two Destination Language and presented here as part of Manipulate, Scotland's festival of visual theatre and animation, Fault
Daniel Radcliffe has come a long way since his Harry Potter days. The final film of the franchise was released in 2011,
Modern life is hard. That's the main message of Drew Taylor-Wilson's part-poetry, part-performance show, in which the Glasgow-based theatremaker explores everything from
Designer Joanna Scotcher tells Fergus Morgan about balancing simultaneous projects with the Royal Opera House and Lyric Hammersmith, and why more needs
Another year, another star-studded Uncle Vanya. Whereas 2019 gave us Rupert Everett as Vanya in a David Hare adaptation in Bath, 2020
Placing performers' mental health at the heart of its operation, London's Vault Festival has thrived since its first shows in 2012. With
Playwright Lucy Kirkwood has had something of a golden touch in recent years. In 2017 she had the widely lauded Mosquitoes at
Royal Shakespeare Company production manager Carl Root left the National Theatre for Stratford four years ago. He tells Fergus Morgan about what
Do you hear the people sing? Well, they are singing in the West End again. Les Misérables has returned to its ancestral
Mischief Theatre is taking over the world. The Play That Goes Wrong is into its sixth year at the Duchess Theatre in
