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244 stories by "Dave Fargnoli"

Afterplay review at Coronet Theatre, London " 'sensitively written Chekhovian mash-up' by Dave Fargnoli

Despite its cheesy title, Brian Friel's Afterplay is a sensitively written character study that imagines a meeting of two characters from Chekhov's

SOURCE: The Stage Registration at 9:59am on March 13, 2020[SHARE]

Talking Heads review at Watford Palace Theatre, London " 'smartly curated trio of monologues' by Dave Fargnoli

Compiling three thematically overlapping pieces from Alan Bennett's perennially popular series, director Brigid Larmour's selection of Talking Heads makes for a quiet

SOURCE: The Stage Registration at 6:31am on March 12, 2020[SHARE]

The Mikvah Project review at the Orange Tree Theatre, London " 'heartfelt exploration of submerged desire' by Dave Fargnoli

Exploring the knotty relationship between religious faith and sexuality, The Mikvah Project is an honest if somewhat haphazardly-written look at love, infatuation

SOURCE: The Stage Registration at 7:19am on March 4, 2020[SHARE]

The Tin Drum review at the Coronet Theatre, London " 'unsettling adaptation of Günter Grass' novel' by Dave Fargnoli

Published in 1959, Günter Grass' dark, dream-like debut novel The Tin Drum ruminated on the rise of fascism and the personal obsessions

SOURCE: The Stage Registration at 11:02am on February 27, 2020[SHARE]

The Cutting Edge review at Arcola Theatre, London " 'slow-burning and cerebral' by Dave Fargnoli

Kicking off a bold 20th anniversary season at the Arcola Theatre, The Cutting Edge is a meandering meditation on art, class and

SOURCE: The Stage Registration at 11:04am on February 19, 2020[SHARE]

Macbeth review at Queen's Theatre, Hornchurch " 'an atmospheric but unsubtle production' by Dave Fargnoli

Portentous images loom out of the darkness in the opening moments of Douglas Rintoul's moody, muddled Macbeth. A child flies a kite.

SOURCE: The Stage Registration at 9:50am on February 18, 2020[SHARE]

Flights review at Project Arts Centre, Dublin " 'bleak, tender and intricately written' by Dave Fargnoli

Bleak, tender and shot through with stinging black humour, Flights is a meandering but intricately written meditation on the joyful recklessness of

SOURCE: The Stage Registration at 10:30am on January 24, 2020[SHARE]

Beckett Triple Bill review at Jermyn Street Theatre, London " 'humour and humanity' by Dave Fargnoli

Memories can either comfort or torment us. Samuel Beckett's fascination with the ways we distort, betray and cling to our past experiences

SOURCE: The Stage Registration at 6:31am on January 20, 2020[SHARE]

The Process review at the Bunker, London " 'cleverly constructed dystopian thriller' by Dave Fargnoli

No two people experience the world in precisely the same way, an ominously crackling projection declares in the opening moments of Sarah

SOURCE: The Stage Registration at 6:28am on January 15, 2020[SHARE]

Shackleton and His Stowaway review at Park Theatre, London " 'an uneven historical drama' by Dave Fargnoli

Chronicling the infamous, disaster-stricken 1914 attempt to cross Antarctica, Shackleton and his Stowaway is an uneven historical drama from author Andy Dickinson.

SOURCE: The Stage Registration at 8:51am on January 14, 2020[SHARE]

Trygve Wakenshaw: Only Bones v1.4 review at Soho Theatre, London " 'farcical physicality' by Dave Fargnoli

No text, no props, one light. Performance artist Thomas Monckton laid down some provocatively stringent parameters to frame his 2017 solo show

SOURCE: The Stage Registration at 8:30am on January 13, 2020[SHARE]

Peter Pan Goes Wrong review at Alexandra Palace, London " 'impeccable comic timing' by Dave Fargnoli

Mischief Theatre's accessible brand of slick, silly slapstick has made it an indisputable phenomenon, with the company putting successful TV spots, multiple

SOURCE: The Stage Registration at 6:17am on December 19, 2019[SHARE]

Snowflake review at Kiln Theatre, London " 'Mike Bartlett's astute Christmas drama' by Dave Fargnoli

Downbeat and often devastatingly insightful, Snowflake is a heartfelt Christmas-time drama taking its title from the recently-coined term used to belittle anyone

SOURCE: The Stage Registration at 6:00am on December 17, 2019[SHARE]

The Snow Queen review Rose Theatre, Kingston " 'high-concept Christmas show' by Dave Fargnoli

Writer and director Ciaran McConville's high-adventure adaptation of Hans Christian Andersen's melancholic parable The Snow Queen certainly widens the story's scope, but

SOURCE: The Stage Registration at 11:22am on December 16, 2019[SHARE]

Aladdin review at New Wolsey Theatre, Ipswich " 'infectiously enjoyable panto-musical' by Dave Fargnoli

Powered along by a blazingly charismatic actor-musician ensemble, Aladdin is the latest in a string of annual rock'n'roll pantos from Peter Rowe,

SOURCE: The Stage Registration at 7:40am on December 13, 2019[SHARE]

Dick Whittington review at Wolverhampton Grand Theatre " 'tired and creaky pantomime' by Dave Fargnoli

There is a fine line between maintaining fondly remembered traditions and rehashing a tired format. Marking the Wolverhampton Grand Theatre's 125th anniversary,

SOURCE: The Stage Registration at 11:47am on December 12, 2019[SHARE]

Ravens: Spassky vs Fischer review at Hampstead Theatre, London " 'an elegant study of pressure and paranoia' by Dave Fargnoli

In 1972, the world chess championship became a proxy battlefront in the rumbling belligerence of the cold war. Recounting the gruelling, 21-game

SOURCE: The Stage Registration at 5:40am on December 6, 2019[SHARE]

Goldilocks and the Three Musketeers review at Battersea Arts Centre " 'daft and delightfully inventive' by Dave Fargnoli

Enthusiastically performed but infused with gentleness, Goldilocks and the Three Musketeers is a charmingly creaky Christmas show with an endearingly home-made feel.

SOURCE: The Stage Registration at 8:34am on December 5, 2019[SHARE]

West Side Story review at Curve, Leicester " 'vivid, original choreography' by Dave Fargnoli

In some ways, little has changed since West Side Story " the perennially popular musical from Arthur Laurents, Leonard Bernstein and Stephen

SOURCE: The Stage Registration at 5:11am on November 29, 2019[SHARE]

My Brilliant Friend review at the National Theatre, London " 'epic, unwieldy experience' by Dave Fargnoli

When a pair of ragged, decades-old dolls are anonymously delivered to the home of a respected author, they trigger a flood of

SOURCE: The Stage Registration at 8:11am on November 27, 2019[SHARE]

The Canterville Ghost review at Unicorn Theatre, London " 'breezy, family-friendly adaptation' by Dave Fargnoli

Oscar Wilde's gothic satire The Canterville Ghost gets a breezy, family-friendly adaptation from author Anthony Weigh, with the macabre meditations on mortality

SOURCE: The Stage Registration at 9:29am on November 22, 2019[SHARE]

The Season review at Royal and Derngate, Northampton " 'sassy, small-scale festive musical' by Dave Fargnoli

Unapologetically adhering to a well-established festive romcom template, The Season is a warm-hearted new musical from promising writing partnership Jim Barne and

SOURCE: The Stage Registration at 6:45am on November 21, 2019[SHARE]

Puss in Boots review at the Theatre, Chipping Norton " 'charming but awkwardly paced' by Dave Fargnoli

Bright, light and meandering, Toby Hulse's Puss in Boots is a cheerful trad pantomime weighed down by a few too many ideas.

SOURCE: The Stage Registration at 7:52am on November 15, 2019[SHARE]

Easy review at Blue Elephant Theatre, London " 'quietly compelling monologue' by Dave Fargnoli

Telling a familiar tale of sex, betrayal, and teenage anxiety, Easy is an engaging monologue from emerging playwright Amy Blakelock. The story

SOURCE: The Stage Registration at 6:03am on November 8, 2019[SHARE]

Frankenstein review at Southwark Playhouse, London " 'stilted sci-fi adaptation' by Dave Fargnoli

Reworking Mary Shelley's seminal work of gothic sci-fi for the digital age, the National Youth Theatre's Frankenstein explores the line between artificial

SOURCE: The Stage Registration at 5:51am on November 6, 2019[SHARE]
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