An upbeat and catchy 'SpongeBob Musical' from Silhouette Stages
The show is full of candy-colored positivity and features a stellar cast. By CYBELE POMEROY
The show is full of candy-colored positivity and features a stellar cast. By CYBELE POMEROY
The well-written play is literate and humorous " a drama with some funny bits.
A young woman explores her relationship with her father, perfectionism, and risk.
Traditional Indonesian puppetry is beautifully juxtaposed with current events.
One woman with multiple voices offers her quirks, traumas, and terrors as tribute to the gods of Comedy.
Compelling retelling of the Watergate scandal from the point of view of one of its most colorful characters.
Once upon a time, predict-y sorts of folk predicted that ebooks would replace physical books. Bibliophiles dictated otherwise. Likewise, CDs, MP3s, and direct digital downloads threatened to…
This high-quality production is beautifully executed and will make you smile.
Seeing these nine student performers interpret the art form of puppetry is delightfully entertaining.
This is a show designed to provoke laughter " the performers have impeccable delivery, fascinating physicality, and brilliantly coordinated comic timing.
Their funny and poignant vignettes about romantic love " in puppetry and physical comedy " debut at Theatre Project in Baltimore.
The movie-based musical is brighter than a bouquet, sweeter than cake, and more fun than flinging rice.
A hybrid of book and play that's akin to sitting within the pages of a novel and having it swirl around you.
After a run last weekend at GALA, the secretive slapstick smackdown heads to Baltimore for four sold-out shows at Creative Alliance Theater.
Alex and Olmsted's latest innovative multimedia work goes where no art has gone before.
The excellent actors resonate with the memory play's rhythm and music.
Richard & Jane & Dick & Sally, playing at Baltimore's Center Stage through March 1, feels oddly familiar in several ways, and in others, 100 percent fresh. Playwright Noah Diaz d…
A double feature, running just two performances at The Forgotten Opera Company, a subset of The Victorian Lyric Opera Company in Rockville? Sure, why not? The world debut of Brides and Mothe…
The peer pressure of in-groups, man. Is there anything more toxic? Turns out, there is. This is the central theme of Afflicted: Daughters Of Salem, which is set before the infamous Salem Wit…
Everyman Theatre's current production, billed as August Wilson's Radio Golf, as though his name is part of the title (it isn't), doesn't have much golf in it. It's not even about golf. It's …
Imagine someone wanted Sondheim, but with a happy ending and genuinely lovable characters. Ta-da! She Loves Me was written in the '60s by Joe Masteroff (book), Sheldon Harnick (lyrics) and J…
Should you see Colonial Players' production of Arsenic and Old Lace in old town Annapolis before it closes? That depends. Are you opposed to comedy, physical, situational and verbal? Don't g…
ArtsCentric's Little Shop Of Horrors, a bouquet of beauty, lush with rich vocals, indicates a growth of collective greatness at MotorHouse and beyond. I'm sorry you missed it. It was amazing…
In today's excessively divisionary, violent, corrupt political environment, perhaps seeing a weapons-filled show set during an internal war wouldn't be your immediate go-to of choice. Rapid …
Bless playwrights John Van Deuten/ Joe Masteroff, composer John Kander and lyricist Fred Ebb who give us a specific piece of theatre, which is chilling in its applicability to the social cli…