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69 stories by "Bridget Minamore"

Black Men Walking: a hilly hike through 500 years of black British history by Bridget Minamore

A new play by the rapper Testament was inspired by a walking group from Yorkshire. Our writer steps out with them on a trek across the wild, windswept moorsOn the first Saturday of the month…

SOURCE: The Guardian at 10:49am on January 23, 2018[SHARE]

Martina Laird: 'Women are used to compromising, but the cost is becoming too great' by Bridget Minamore

Martina Laird has taken on seven Shakespeare roles in the past two years and is yet to give up on the playwright.

SOURCE: The Stage Registration at 7:36am on January 8, 2018[SHARE]

Review: Hamilton at Victoria Palace Theatre by Bridget Minamore

Who tells your story: the smash-hit revisionist historical musical comes to London. The post Review: Hamilton at Victoria Palace Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 5:29pm on December 21, 2017[SHARE]

Pecs: The 80s Show review at Soho Theatre, London " 'funny and political' by Bridget Minamore

Following residencies at iconic queer venues like the Royal Vauxhall Tavern, young drag king collective Pecs arrive with a bang at Soho

SOURCE: The Stage Registration at 9:28am on December 8, 2017[SHARE]

Weaving tales: Barber Shop Chronicles and theatre's wave of black hair shows by Bridget Minamore

Inua Ellams' hit play bounces between barbers around the world, taking audiences into a male world of rituals and politics, while women share their own hair stories in My Fro and Me The poli…

SOURCE: The Guardian at 2:48pm on December 6, 2017[SHARE]

Ray Fearon: 'Theatre is the actor's medium, it's the place you want to come back to' by Bridget Minamore

As he prepares to open in Manchester Royal Exchange's revival of Guys and Dolls set in Harlem, Ray Fearon talks to Bridget

SOURCE: The Stage Registration at 12:00pm on December 6, 2017[SHARE]

#Hashtag Lightie review at Arcola Theatre, London " 'funny, nuanced portrait of growing up mixed-race' by Bridget Minamore

Exploring the complex identity that comes with having a mixed-race background was never going to be easy, but #Hashtag Lightie " back

SOURCE: The Stage Registration at 6:26am on November 17, 2017[SHARE]

Review: The Red Lion at Trafalgar Studios by Bridget Minamore

The beautiful game: Bridget Minamore on Patrick Marber's football drama, revived by Live Theatre The post Review: The Red Lion at Trafalgar Studios appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:17am on November 14, 2017[SHARE]

Sope Dirisu: 'Being back at the RSC as a professional feels like validation' by Bridget Minamore

Life could have turned out very differently for the rising star of stage and screen, who opted for a career in acting

SOURCE: The Stage Registration at 8:44am on November 6, 2017[SHARE]

The Trap review at Omnibus, London "'uninspiring exploration of debt' by Bridget Minamore

Kieran Lynn's The Trap, coming to London after an initial run in Texas last April, is a short play that grapples with

SOURCE: The Stage Registration at 1:06pm on November 2, 2017[SHARE]

The Host review at the Yard Theatre, London " 'spirited exploration of race and family' by Bridget Minamore

Nessah Muthy's new play, The Host, brings together an eager National Youth Theatre cast to tell the story of Yasmin, a cleaner

SOURCE: The Stage Registration at 5:43am on August 24, 2017[SHARE]

London Bubble's Tales from the Arabian Nights review in Greenwich Park " 'moments of boredom and brilliance' by Bridget Minamore

South-east London company London Bubble's return to promenade theatre after seven years with Tales from the Arabian Nights is a welcome one

SOURCE: The Stage Registration at 5:59am on August 11, 2017[SHARE]

An Injury review at Ovalhouse, London " 'ambitious storytelling' by Bridget Minamore

How complicit are we all when it comes to capitalism, war, and violence in society? Very, is the answer in Kieran Hurley's

SOURCE: The Stage Registration at 1:01pm on July 20, 2017[SHARE]

Hot Brown Honey: "We will spark the revolutionary flame" by Bridget Minamore

Bridget Minamore interviews the genre-defying troupe of Australian women of colour. The post Hot Brown Honey: “We will spark the revolutionary flame” appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 1:13am on July 14, 2017[SHARE]

Review: Bodies at the Royal Court by Bridget Minamore

The price of buying a baby: Bridget Minamore reviews Vivienne Franzmann's new play about surrogacy. The post Review: Bodies at the Royal Court appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:44am on July 12, 2017[SHARE]

Roy Alexander Weise: "It's insulting not to represent the London around your audience" by Bridget Minamore

Bridget Minamore chats to the JMK award-winning young director as 'The Ugly One' opens at Park Theatre. The post Roy Alexander Weise: “It’s insulting not to represent the London …

SOURCE: exeuntmagazine.com at 4:12am on June 9, 2017[SHARE]

Review: Queen Size at Alchemy Festival by Bridget Minamore

Full of complexity and nuance: Bridget Minamore is moved by Mandeep Raiky's two-person dance piece exploring the criminalisation of homosexuality in India. The post Review: Queen Size at Alc…

SOURCE: exeuntmagazine.com at 8:23am on June 1, 2017[SHARE]

Review: Life of Galileo at Young Vic by Bridget Minamore

Bringing 'fun' back to theatre: Bridget Minamore reviews Joe Wright's extravagant and entertaining Life of Galileo. The post Review: Life of Galileo at Young Vic appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 10:19am on May 19, 2017[SHARE]

Review: Assata Taught Me at the Gate Theatre by Bridget Minamore

Performances by Adjoa Andoh and Kenneth Omole "are easily the highlight" of Assata Taught Me. Review by Bridget Minamore. The post Review: Assata Taught Me at the Gate Theatre appeared first…

SOURCE: exeuntmagazine.com at 9:15am on May 13, 2017[SHARE]
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