303 stories by "Anna Winter"
The ever-engaging BalletBoyz " no strangers to putting their work on the small screen " kick-start Sadler's Wells' digital dance output with
Northern Ballet celebrates its 50th anniversary in boldly adventurous style with a new narrative work by company-reared choreographer Kenneth Tindall. Geisha is
Given recent controversies at the Royal Ballet, it's hard to be totally transported by this revival of his 2018 Swan Lake. Nevertheless,
Mark Bruce's Return to Heaven is more shlock than genuine horror. Bruce is practised in murky dread " his dance-theatre take on
Founder of dance company Kidd Pivot, Crystal Pite is one of the world's most sought after choreographers. She speaks to Anna Winter
Leading ballet costumiers talk tights and tutus with Anna Winter and reveal where the traditions come from, how the outfits are made,
The in-demand choreographer tells Anna Winter about her latest work The Cellist, a Royal Ballet production about the legendary Jacqueline du Pré,
It's a brave choice to make a ballet about Jacqueline du Pré. Cathy Marston's first work for the Covent Garden main stage
Mayflower, Southampton The principals and flock are on fine form throughout this revival of Peter Wright and Galina Samsova's 1981 production
Birmingham Royal Ballet's entrancing Swan Lake "…
The final instalment of Belgian dance theatre company Peeping Tom's neurotically fraught family-based trilogy, Child (Kind) is the most daringly dark of
Seventy years ago, British ballet stars Alicia Markova and Anton Dolin, along with impresario Julian Braunsweg, set up the company that would
The world-renowned Brazilian dancer left the Royal Ballet in 2019 after more than a decade as a principal, but will not be
Crafty in both senses of the word, Fleur Elise Noble's Rooman is an intriguing fantasia that combines cut-out paper screens, puppetry and
Rambert-trained duo Daniel Hay-Gordon and Eleanor Perry " aka Thick and Tight " pull a blinder with their latest showcase of lip-syncing
To contemporary eyes, Le Corsaire commits several of 19th century ballet's cardinal sins: overblown Orientalism, imperilled women, a patchwork score, a plot
The renowned company that started with 11 members performing at a university theatre now has five full-length works touring the country. Anna
The weather might be unseasonably warm and the news unspeakably grim, but English National Ballet's Nutcracker ameliorates all that " at least
Festival theatre, EdinburghChristopher Hampson's work gets crystalline performances but the imagination never leaps " it's more slush than sharp
Scottish Ballet's The Snow Queen, created by …
Who needs tinsel when you can see in the festive season with high-shine his 'n' hers cod pieces? Metallic groin carapaces are
This new show by Victoria Thierrée Chaplin (daughter of Charlie, granddaughter of Eugene O'Neill), weaves a peculiar but slightly frustrating theatrical magical.
In a festive exchange of mechanical dolls, the Royal Ballet has substituted its seasonal Nutcracker for the decidedly more earthy and comedic
Circus and cabaret outfit La Clique returns to London for the first time in 10 years to present a polished new line-up
Having been a principal at the Royal Ballet, Adam Cooper went on to pursue a song-and-dance career in a string of hit
Nosedive, by physical theatre company Superfan, is a well-meaning show about intergenerational burdens featuring three adult performers and two young children. The
Northern Ballet is known for its dramatic prowess in large narrative works, but its latest triple bill shows off the company's skill
