133 stories by "Andy Webster"
In this play, two astronauts deal with Wongo Weed and big-haired natives after landing on a planet ruled by women.
“Tom Ryan Thinks...” riffs on Nicholas Ray’s 1956 movie “Bigger Than Life.”
Bern Cohen portrays Abbie Hoffman in the one-man show “Abbie.”
Two one-act plays by Sophia Romma at the Cherry Lane Theater examine relationships that span cultures.
New York Times writers review five shows that made their debuts in the early days of this year’s New York International Fringe Festival.
“The Internet” is a multimedia show about the search for love, or at least dates, in a wired world.
The movie, written and directed by Charlie Levi, follows a group of Angelenos dealing with problems, among them the death of a child.
Nate Rufus Edelman's drama captures a community questioning faith and politics in Northern Ireland in 1985.
August Schulenberg's new play, at the Loisaida Center, considers life in a postapocalyptic Manhattan.
"Jules Verne: From the Earth to the Moon" is a multimedia celebration of aspiration based on Verne's true-life encounter with the journalist and feminist.
Bearing shadows truer to Carlo Collodi's 19th-century tale, this family-friendly show manifests robust energy, visual flair and an aversion to modern-day phoniness.
This revival of George H. Broadhurst's 1906 political drama, inspired by Tammany Hall cronyism, is at the Metropolitan Playhouse.
There is roiling tumult amid the shadows in Damon Chua's play "Film Chinois," an exercise in noir styling and political intrigue.
Writers and editors for The New York Times list memorable moments onstage this year.
Mac Rogers's "Asymmetric," at the 59E59 Theaters, is an espionage thriller in which a retired C.I.A. interrogator is called on to question his own ex-wife.
"Powerhouse," on the life of the composer Raymond Scott, sustains the controlled mad dash of the Warner Bros. Looney Tunes cartoons that used his music.
A clown, contortionists, jugglers and one sheepadoodle are among the attractions in "Metamorphosis," the latest edition of the Big Apple Circus.
"Lennon: Through a Glass Onion" at the Union Square Theater looks at the life of the former Beatle.
Walter Anderson's first play, "Almost Home," returns to 1965 and to the dreams and nightmares of the Vietnam War era.
"Boys and Girls," Dylan Coburn Gray's play at 59E59, follows four young hot-blooded people through a boozy night in Dublin.
In "The Last Days of Cleopatra," a matriarch's death serves as an opening for a family to face all kinds of personal issues.
An early and bloody Shakespearean tragedy is reinterpreted for laughs in "Puppet Titus Andronicus," at the Beckett Theater.
"King Kirby" traces the creative and business ups and down of a great comic book artist, Jack Kirby.
In "Deepest Man," a play by James Scruggs, a man whose wife drowns confronts his traumas by submerging them.
Ayn Rand's pedantic novella "Anthem" gets a goofy, spoofy and exuberant musical adaptation at the Culture Project.
