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67 stories by "Andrew Haydon"

International: BITEF 2015 round-up "important, impressive, urgent" by Andrew Haydon

The Belgrade International Theatre Festival, universally known as BITEF (Beogradski Internacionalni TEatarski Festival) has been running for 49 unbroken years. A remarkable

SOURCE: The Stage Registration at 8:00am on September 28, 2015[SHARE]

What is it about Warwick? How one university is dominating Edinburgh's political theatre by Andrew Haydon

Three of the most outspoken and inventive plays at this year's fringe come from alumni of Warwick University fired up by recent student protestsThe best three pieces of theatre that I've see…

SOURCE: The Guardian at 2:32pm on August 16, 2015[SHARE]

Flare festival review " music, energy, spirit and stage blood by Andrew Haydon

Contact theatre, ManchesterFrom a pea-eating contest with cocktail sticks to a Bacchic ritual of desire and violence, this inventive, physical triple bill was enjoyably tough to categoriseEv…

SOURCE: The Guardian at 10:32am on July 15, 2015[SHARE]

Wherefore art thou pepper pot? Shakespeare's plays retold with household objects by Andrew Haydon

Forced Entertainment are live-streaming tabletop versions of the Bard's complete works, with cutlery, cans and candlesticks as characters. If that sounds unpromising, then it fits the compan…

SOURCE: The Guardian at 11:38am on June 24, 2015[SHARE]

Andrew Haydon: Is La Ronde too risqué for the 21st century? by Andrew Haydon

Sex and scandal are integral to this classic Viennese play, but British directors seem to be shy of telling it like it isIf most new openings seem to be about communism at the moment, it's s…

SOURCE: The Guardian at 4:08am on June 24, 2015[SHARE]

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response?

SOURCE: The Guardian at 5:58pm on May 25, 2015[SHARE]

There's nothing funny about putting racism on stage by Andrew Haydon

In Germany, I saw a white woman dress as a gorilla to play Othello. Yet the best that Britain seems to do is Clybourne Park - a play which aims for laughs rather than a serious examination o…

SOURCE: The Guardian at 5:58pm on May 25, 2015[SHARE]

Why does size matter to theatres? | Andrew Haydon by Andrew Haydon

Some say that theatre is all about liveness and intimacy, others that it needs to be epic in scope. Both can't be right, surely?Does size matter? It strikes me that the biggest single issue …

SOURCE: The Guardian at 5:58pm on May 25, 2015[SHARE]

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response?In the past month, three ra…

SOURCE: The Guardian at 5:58pm on May 25, 2015[SHARE]

Going Deutsch: Britain and Germany's theatre exchange by Andrew Haydon

One is supposedly writer-led, the other director-led; one genuinely made classics speak to the present day while the other boomed with new writing. But these two countries' productions are l…

SOURCE: The Guardian at 1:14pm on May 21, 2015[SHARE]

International: Gorki Theater by Andrew Haydon

Set back from Unter der Linden, Berlin's wide tree-lined avenue sweeping east to west from Alexanderplatz to the Brandenburg Gate, the Maxim

SOURCE: The Stage Registration at 9:00am on May 21, 2015[SHARE]

Iphigenia in Splott five-star review " a whirlwind of aggression and seduction by Andrew Haydon

Sherman Cymru, CardiffSophie Melville is superb in this reworked version of the myth that follows a disaffected young woman kicking hard against a bleak worldIf you take a slight detour on t…

SOURCE: The Guardian at 6:48am on May 14, 2015[SHARE]

Mother Courage and Her Children review " Brecht as epitaph for British socialism by Andrew Haydon

Merthyr Tydfil Labour ClubNational Theatre Wales attempts to rehabilitate Bertolt Brecht's cold pragmatist as a sentimental, Shameless-style rogue Continue reading...

SOURCE: The Guardian at 8:55am on May 12, 2015[SHARE]

Almada theatre festival report: thriving in the face of adversity by Andrew Haydon

The underfunded Portuguese festival presented a wealth of intriguing dramas from directors including Ivica Buljan and Romina Paula Continue reading...

SOURCE: The Guardian at 8:19am on July 24, 2014[SHARE]

Coney's no island: could streamed theatre let audiences call the shots? by Andrew Haydon

Live streaming and online interactivity mean it may be time to reconsider what we mean by live performance, and it's companies such as Coney who are at the vanguardA strange thing happened l…

SOURCE: The Guardian at 3:00am on July 1, 2014[SHARE]

Meine Faire Dame: musicals we love by Andrew Haydon

Forget what you think you know about My Fair Lady this German version features everything from Mozart to Wham!The Swiss director Christoph Marthaler's Meine Faire Dame isn't just a German-l…

SOURCE: The Guardian at 2:59am on June 30, 2014[SHARE]

Sibiu theatre festival: Romania takes to the world stage by Andrew Haydon

Romanian playwrights are taking an unflinchingly look at their country with targets matching those of their British counterpartsThe work staged this month at an international theatre festiva…

SOURCE: The Guardian at 8:47am on June 27, 2014[SHARE]

European theatre is still foreign to us by Andrew Haydon

Several current stage hits suggest British theatre is looking outwards. Andrew Haydon is delighted, but thinks there is a way to go when translating and staging texts from abroadBack in 2008…

SOURCE: The Guardian at 9:38am on May 14, 2014[SHARE]

Nothing of Me review watching Sofia Helin is like staring at the sun by Andrew Haydon

Stadsteatern, StockholmThe Bridge star delivers a compelling central performance in the world premiere of Arne Lygre's stark playThe wide black floor stretches back from the audience. It is …

SOURCE: The Guardian at 12:41pm on May 6, 2014[SHARE]

Carmen Disruption review " 'delights in being counterintuitive' by Andrew Haydon

Deutsches Schauspielhaus, HamburgForget Bizet and his familiar take on Prosper Mérimée's novel " Simon Stephens' bleak adaptation owes more to Virginia WoolfWith Three Kingdoms, Sebastian …

SOURCE: The Guardian at 12:27pm on March 18, 2014[SHARE]

Review: So Lonely, Deutsches Schauspielhaus Junges Theater by Andrew Haydon

Back to Gaußstraße, and to the same odd little arts-industrial estate as Thalia Gaußstraße, for a performance by the young people's theatre of Deutsches Schauspielhaus, which is …

SOURCE: A Younger Theatre at 6:51am on March 16, 2014[SHARE]

Analysis & Opinion: Let's not knee-jerk our way through the 'blacking up' debate by Andrew Haydon

Misunderstandings are complicating the debate over ethnically authentic casting, as the Clybourne Park case shows, writes critic Andrew Haydon

SOURCE: The Stage Registration at 7:17am on November 5, 2012[SHARE]

Noises off: Can you have too much reality on stage? by Andrew Haydon

How should theatre tackle real-life horror? And how much do Doctor Who and Shakespeare really have in common? Find out the issues captivating the blogosphere this weekWhat to do about "reali…

SOURCE: The Guardian at 12:51pm on October 6, 2011[SHARE]

Noises off: Should theatres pay critics to come and review? by Andrew Haydon

What price a bit of honest publicity? The rapidly changing face of theatre reviewing is grist to the bloggers' mill this weekWhat happens if you can't get a critic to see your show? Most the…

SOURCE: The Guardian at 11:27am on September 28, 2011[SHARE]

Noises off: No more, the text is foolish by Andrew Haydon

Theatre bloggers are in uproar about suggested plotlines for Neil LaBute and Theresa Rebeck's live playwriting promotion " and they're none too happy about West End ticket prices, eitherWho …

SOURCE: The Guardian at 12:04pm on September 22, 2011[SHARE]
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