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1,340 stories by "Alexis Soloski"

Watch the Stage Version of 'Fleabag' on Amazon Video by Alexis Soloski

Phoebe Waller-Bridge's solo stage show comes to Amazon to raise money for the arts and health care charities.

SOURCE: The New York Times Subscription at 2:18pm on April 10, 2020[SHARE]

Missing the Theater? Trade Playbills for These Novels by Alexis Soloski and Laura Collins-hughes

Two theater critics suggest some of their favorite books about the theater, giving us portals to a world that is now forbidden.

SOURCE: The New York Times Subscription at 11:54am on April 2, 2020[SHARE]

Has Your Dystopian Play Come in Handy? by Alexis Soloski

These nine playwrights spent years dreaming up cataclysms and plagues. Did that prepare them for the current crisis? Sometimes.

SOURCE: The New York Times Subscription at 10:24am on March 31, 2020[SHARE]

At a Murder Mystery Weekend, Whodunit? Everyone by Alexis Soloski

A critic disguised as an actress who is also a suspect in the death of the Great Merlini. Her team didn't use "Cats" to break the case, though.

SOURCE: The New York Times Subscription at 12:33pm on March 23, 2020[SHARE]

Broadway in a garage: the clumsy pleasures of Rosie O'Donnell's star-studded livestream by Alexis Soloski

A host of big names, including Lin-Manuel Miranda and Sarah Jessica Parker, took part in a self-congratulatory yet oddly charming YouTube-based revue On Sunday night, Rosie O'Donnell hosted …

SOURCE: The Guardian at 11:18am on March 23, 2020[SHARE]

'His songs are like a fabulous steak': an all-star toast to Stephen Sondheim by Interviews By Chris Wiegand and Alexis Soloski

From West Side Story to Company, he revolutionised the musical. As the supreme lyricist and composer turns 90, Jake Gyllenhaal, Patti LuPone, Chita Rivera, Nathan Lane and more pay tribute C…

SOURCE: The Guardian at 2:06pm on March 17, 2020[SHARE]

When a Pandemic Arrives at the Playhouse Door by Alexis Soloski

From the bubonic plague to the AIDS crisis, theater and public health have a long history of shaping each other, our critic writes.

SOURCE: The New York Times Subscription at 4:03pm on March 16, 2020[SHARE]

Six review " Henry VIII's wives bring empty pop spectacle to Broadway by Alexis Soloski

Brooks Atkinson Theatre, New York A flashy, concert-style musical offers some virtuosic performances but also a rather shallow take on female empowerment The ladies are making it reign. In h…

SOURCE: The Guardian at 2:06am on March 13, 2020[SHARE]

Girl from the North Country review: Conor McPherson's grim, ravishing Bob Dylan musical by Alexis Soloski

Belasco Theater, New York The acclaimed playwright has used the songbook of Bob Dylan to create an overstuffed yet often transcendent 30s-set Broadway show Overstuffed, often hollow, and for…

SOURCE: The Guardian at 5:48am on March 6, 2020[SHARE]

Review: In 'Sideways: The Experience,' Bros Run Amok in Wine Country by Alexis Soloski

The stage adaptation of Rex Pickett's novel about two friends on a last-hurrah wine tour preserves the white male wish fulfillment of the original.

SOURCE: The New York Times Subscription at 6:06pm on March 4, 2020[SHARE]

'All the Natalie Portmans' Review: An Imaginary Friend With an Oscar by Alexis Soloski

C.A. Johnson's play stars Kara Young in a full-body, whole-heart, tensed-muscle performance.

SOURCE: The New York Times Subscription at 5:24pm on February 25, 2020[SHARE]

Review: In 'Anatomy of a Suicide,' Pain in Triplicate by Alexis Soloski

Alice Birch's cleareyed and comfortless play follows three generations of women tethered to life by the thinnest possible filament.

SOURCE: The New York Times Subscription at 10:03pm on February 18, 2020[SHARE]

Review: 'Dracula' and 'Frankenstein'? Nothing to Be Scared Of by Alexis Soloski

Classic Stage Company is running adaptations of two 19th-century horror classics in repertory. Don't let that frighten you.

SOURCE: The New York Times Subscription at 11:32pm on February 17, 2020[SHARE]

'The violence should be tangible' " Ivo van Hove on roughing up West Side Story by Alexis Soloski

Songs have been dropped, dance routines booted out and the street-fights look nasty. This is a West Side Story for the Trump era, says the avant-garde superstar director Ivo van Hove likes i…

SOURCE: The Guardian at 4:03am on February 17, 2020[SHARE]

'Fragments' Review: Guest Lectures from a Famed Professor by Alexis Soloski

Berkeley's Judith Butler is the star attraction in a stimulating if overlong performance piece by her fellow academic Alexandra Chasin.

SOURCE: The New York Times Subscription at 5:48pm on February 14, 2020[SHARE]

Carla Gugino: 'Sexuality is a primal part of who we are but it's been misused' by Alexis Soloski

The star of Jett and Sin City is back on stage in Alice Birch's raw Anatomy of a Suicide. She talks about the play's emotional toll, how she unwinds and American puritanism Carla Gugino has …

SOURCE: The Guardian at 12:12pm on February 12, 2020[SHARE]

Review: Chekhov and Tolstoy Reunited in 'Love Stories' by Alexis Soloski

The Mint Theater Company pairs stage adaptations of short stories by the 19th-century Russian authors. They mesh like mismatched matryoshka dolls.

SOURCE: The New York Times Subscription at 1:33am on February 12, 2020[SHARE]

Michael Friedman Left Behind a Musical. They're Finishing It. by Alexis Soloski

"Unknown Soldier," one of the last projects the beloved composer and lyricist worked on before he died, is coming to New York.

SOURCE: The New York Times Subscription at 10:12am on February 11, 2020[SHARE]

Bob & Carol & Ted & Alice review " swinging 60s musical avoids revolution by Alexis Soloski

The Pershing Square Signature Center, New York Despite the presence of a sublime Suzanne Vega, a cheery musical adaptation of the 1969 movie about two couples is too unsure of itself Ten tho…

SOURCE: The Guardian at 4:06am on February 5, 2020[SHARE]

Review: Dan Hoyle's 'Border People' Blurs Lines by Alexis Soloski

This work of documentary theater feels like a master class. But what is it meant to teach?

SOURCE: The New York Times Subscription at 1:54pm on February 4, 2020[SHARE]

Review: In 'Goodnight Nobody,' a Getaway Goes Awry by Alexis Soloski

Haunted by Chekhov's "The Seagull," Rachel Bonds's restless and friable play gathers a group of mostly artists at a lakeside retreat.

SOURCE: The New York Times Subscription at 2:12pm on January 27, 2020[SHARE]

Mission Impawsible: How Much 'Cats' Can a Person Take? by Alexis Soloski

The assignment: Head to Boston to see the touring stage show and the movie musical all in one day. The result: a purr, a yowl or both?

SOURCE: The New York Times Subscription at 5:03pm on January 21, 2020[SHARE]

'How to Load a Musket' Review: A Play About Re-enactors Gets Real by Alexis Soloski

Talene Monahon's show at 59E59 Theaters feels provocative but unfinished, a pieced quilt of overlapping textures and ideas.

SOURCE: The New York Times Subscription at 11:12pm on January 16, 2020[SHARE]

On TV's New Musicals, Every Episode Is Opening Night by Alexis Soloski

Television is in love with musical shows, with "Zoey's Extraordinary Playlist" and "Katy Keene" joining the growing chorus this winter. But they're not easy to pull off.

SOURCE: The New York Times Subscription at 9:18pm on January 7, 2020[SHARE]

A Séance Relies on Illusion. So Does Theater. by Alexis Soloski

E.S.P. Conjuring the dead. Speaking with them. Shows like "The Thin Place" and "Our Dear Dead Drug Lord" use the occult to put on a show.

SOURCE: The New York Times Subscription at 5:18pm on January 2, 2020[SHARE]
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