Emmy Award-winner Penny Fuller, who's worked with artists ranging from Glenn Close and Lauren Bacall, to Robert Redford and Jake Gyllenhaal, will cover--in stories and song--a career that's…
As Frank-N-Furter, Luke Evans amply fills the towering platform heels of Tim Curry, who originated the role on stage and, much more indelibly, that supreme silver screen. To put it as delica…
Following in the footsteps of Joshua Spector’s "Eureka Day" and Tracy Letts’ "The Minutes," also stories of local community service groups, David Lindsay-Abaire’s hilarious satire "The…
Inspired in part by "he Magic Mountain," Thomas Mann’s 1924 meditation on illness and temporality, Zimet’s play borrows not its plot but its sensibility: the peculiar dilation and contra…
Thomas Kail’s elegant and polished production now at the Booth Theatre (probably the best Broadway venues for dramas) has recast the family as African American and it works just as well …
What lingers, long after the final moments—which are, indeed, superb—is not a tidy judgment but a series of disquieting questions. Clements refuses the comfort of easy condemnation, even…
Derek Murphy’s "The Bad Daters" arrives Off Broadway from Ireland and the United Kingdom with the unassuming air of a chamber piece and the stealthy force of something far more piercing: a…
Despite the revisions—1980s’ Republicans become a dull running joke—"The Lost Boys" is, like its source, a banal, comic‑book‑level depiction of family dysfunction and B‑movie vam…
Where past and present commingle—as they so insistently do in a play like "Love Story"—the burden falls squarely on the director to furnish the audience with a legible temporal grammar. …
Fans of feminist science fiction and revisionist fairy tales will find much to recognize in playwright Charlotte Lily Gaspard's new work. Set on a planet ruled by intelligent and mighty crea…
There are evenings in the theatre when the air seems to tighten, as though the room itself has drawn a breath it cannot quite release. Such is the case with "Kenrex," a work of unnerving com…
The New York Pops’ 43rd Birthday Gala honoring Stephen Schwartz did not present itself as a ceremonial evening. It moved with purpose, cleanly built, with no drag between numbers and no ne…
Some shows are better Off Broadway either because the smaller theater helps the ambiance or the smaller budget inspires greater imagination or there is a “let’s put on a show” vibe tha…
"Rheology" previously seen at Brooklyn’s Bushwick Starr in the spring of 2025 has reopened at Playwrights Horizons and proves to be a unique meta-theatrical experience with both performers…
Among Bradshaw’s revisions are the use of a narrator, reducing the original cast list from 25 to four, adding an intermission, updating some of the slang to contemporary speech, and having…
It’s therefore a delight to see two such skilled actresses as Byrne and O’Hara, both using ultra-posh accents, willing to play against their striking beauty to get laughs, demonstrating …
Renowned theatrical spoilsport Bertolt Brecht decried the stupefying effect of catharsis. By contrast, the new Broadway offering The Fear of 13 revels in it. Adapting liberally from British …
Van Zandt is a cyclone that tears through the intimate confines of SoHo Playhouse’s Huron Club, detonating with the force of lived experience refined into art. What might, in lesser hands,…
As you may have read, a lot of critics are saying that “attention must be paid” to the sixth Broadway revival of "Death of a Salesman," Arthur Miller’s 1949 “tragedy of the common ma…
The show's titular character, Flo Weinberg, is a wheelchair-bound Upper West Side resident who decides to make a deal with Satan " in exchange for her soul, she can have fame, wealth, and ha…
While 'Titus Andronicus" is not for the squeamish, it has definite importance in Shakespeare's canon showing us where he started, how he was influenced by his contemporaries, and how he deve…
Playwright Cary Gitter and composer Neil Berg's "How My Grandparents Fell in Love," their follow-up musical to "The Sabbath Girl" also seen at 59E59 Theaters, is a charming old school two-ch…
Ken Peplowski was not just the greatest clarinet player of his generation; he was a friend I admired for some 46 years"beginning well before he became famous. Oh, he did a bit of work outsi…
The company of PAC NYC production of "Cats: The Jellicle Ball" at the Broadhurst Theatre (Photo credit: Matthew Murphy and Evan Zimmerman for MurphyMade) In recent years we have been offered…
Di Zou as Pearl and Rebecca De Mornay as Evelyn in a scene from John Patrick Shanley's "The Pushover" at the Chain Theater (Photo credit: Dan Wright Photography) Encountering a John Patrick …