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The company of 'The Last 15 Seconds' reflects on the play's monumental run ahead of its final performance in Kitchener on Dec. 1.
Two actors play all 14 characters in this brilliantly directed production that has something in stores for audiences of all ages.
Puppet master Ronnie Burkett's somewhat parodic adaptation of 'A Christmas Carol' is an R-rated campy affair filled with a multitude of marionettes.
Wayne McGregor's adaptation of Margaret Atwood's postapocalyptic "MaddAddam Trilogy" is at times overwhelming but also an undeniably thrilling experience.
Moraes' company celebrates its 25th anniversary with a show on the Harbourfront stage where his Toronto dance career began.
The English folk group the Young'uns have crafted a touching ode to a working-class hero. It's deceptively simple, powerfully moving and often hilarious.
The actors impressively deliver the extreme naturalism of the performance style, but the play leaves us with little hope.
The Ontario native got their start in the street dance sub-genres "popping" and "locking." When "& Juliet" came knocking, they knew it was the right project for them.
McGregor's ballet based on the 'MaddAddam' book trilogy has its world premiere in Toronto Nov. 23 and Atwood's looking forward to being surprised.
Playwright, librettist and screenwriter Ambrose has seen firsthand the barriers to immigration. "They're unfairly skewed to people from certain regions of the world."
Fifteen shows will be presented across Toronto's three major civic theatres: St. Lawrence Centre for the Arts, Meridian Arts Centre and Meridian Hall.
The company's 2023 season features four distinct acts, the first of which, announced Tuesday, begins in February and includes four mainstage shows.
The play's plotting is not always strong, but its cast, led by Andrew Broderick, digs beautifully into its language and songs.
Three works " 'Crepuscular,' 'The Collective Agreement,' and 'Concerto,' achieve varying levels of success
Running from Thursday to Nov. 20, the 35th edition of the festival will feature works by more than 15 artists.
Latest in Musical Stage Company's 'UnCovered' concert series puts a new spin on the songs of the Swedish supergroup Nov. 8 to 10.
Husband-and-wife co-founders Allen and Karen Kaeja explore the concepts of touch and of identity and memory in double bill.
National Ballet of Canada artistic director Hope Muir brings King's "The Collective Agreement" to the stage and revives a long neglected Kenneth MacMillan work.
"It means the world to be bringing a homegrown production of our show back to Gander," says co-writer Irene Sankoff.
Cavernous theatre and raised stage can put emotional and psychological distance between actors and audience, but it's worth going for Robert Persichini's performance alone.
Andrew Broderick, a "Canadian Idol" alum and frequent face on Ontario's most famous stages, leads in "Choir Boy" by "Moonlight" screenwriter Tarell Alvin McCraney.
Works by Syreeta Hector, Roberto Campanella, Chantelle Good and Lesley Telford are performed at Fleck Dance Theatre Nov. 2 to 5.
Festival favourites Seana McKenna, Lucy Peacock and Diana Leblanc will appear in Michel Tremblay's classic comedy 'Les Belles-Soeurs.'
After a new version of the popular "Older & Reckless," Moore is ceding MOonhORsE Dance to other, unidentified hands and moving west to be with her children and grandchildren.
