6,548 stories from HowlRound
By Nicole Gluckstern. Berkeley Shakespeare Company's site-responsive The Tempest took over the Point Montara Lighthouse Youth Hostel.
By Michael Amendola. Clown Gym applies the openness and responsiveness of clowning to its organizational structure.
By . What is the role of cities in fostering international cultural mobility? This webinar examines how municipalities develop travel grants, bilateral, and multilateral exchange programs.
By Jan Cohen-Cruz. In this episode, shows develop in the various workshops. The impact of making, performing, and being seen in multiple dimensions deepens interpersonal relationships and a …
By Kristin Marting. On 16 March 2026, TORCHES will continue with a conversation with critically acclaimed choreographer and performer Chanon Judson.Â
By Kristin Marting. On 9 March 2026, TORCHES will continue with a conversation with award winning artist James Scruggs who creates live and virtual, Â large-scale, topical, often interacti…
By Kristin Marting. On 2 March 2026, TORCHES will continue with a conversation with the nuanced and provocative award-winning writer, director, and performer Aya Ogawa.Â
By Enid Brain. Playwright Enid Brain explores the artistic and political potential of the closet drama as an alternative to restrictive new play development processes.Â
By Martin Boross, Tara Khozein. How do we actually share leadership and not use co-leadership as a metaphor or aspiration?
By Kristin Marting. On 23 February, TORCHES will continue with a conversation with the prolific Ellen Maddow and Paul Zimet.
By Jan Cohen-Cruz. In this episode, the intimacy of self and group expression brings loving relationships of all kinds into being-"deep friendships, Jan and Finn's romance, familial feelings…
By . Featuring panels with Ira Weitzman (Lincoln Center Theater, Playwrights Horizons) as well as Cooper Howell (CATS: The Jellicle Ball) and Jonathan Kalb (Theatre for a New Audience) and p…
By Tonderai Chiyindiko. Amid flareups of anti-immigrant sentiment in South Africa, The Last Country offers a much-needed platform for migrant voices.
By Martin Boross, Tara Khozein, Suli Holum, Yury Urnov. How can ensemble training influence theatre culture and grow capacity?
By Kristin Marting. On 9 February 2026, TORCHES will continue with a conversation with the wildly inventive creative director, designer, advocate, and producer Clint Ramos.Â
By Bess Rowen. Bess Rowen reflects on two decades of exciting, experimental productions at the Provincetown Tennessee Williams Theater Festival.
By . The Tune Up! is a new episodic performance series created by Suzan-Lori Parks (SLP) and directed by Bessie Award-winning executive artistic director of The Flea Theater Niegel Smith, th…
By Jan Cohen-Cruz. This episode takes a closer look at the interplay of particular participants and group dynamics in the workshops.
By Martin Boross, Tara Khozein, Jeremy Eaton, GG Griffith. How do our own needs inform and drive our work with community?
By Artist Caregiver. This month's diarist is a dramaturg with a full-time job at an arts service organization and a toddler at home.
By Artist Caregiver. This month's diarist has two kids under five and two jobs in different states. When a parent needs her, too, she begins to grapple with the added strain "sandwich genera…
By Ramona Rose King, Anne G. Morgan. To celebrate the launch of I Don't Know How They Do It!, column curator Anne G.
By Jan Cohen-Cruz. The different prison theatre workshops get started.
By Israel Wekpe, Eseovwe Emakunu. Every four years, Catholic seminaries across Nigeria come together for the All Saints Seminary Festival of Arts and Culture, which features theatre rooted i…
By Kristin Marting. Paul Pinto creates multi-disciplinary music, opera-theater, installation and performance, sometimes with his longtime friends thingNY and Varispeed.
