4,600 stories from Toronto Star
Along with Dan Chameroy, the stars reflect on Stephen Sondheim's legacy ahead of Friday's Koerner Hall concert production.
Mostly amateur performers willing to stand on their heads for as long as they can will create a forestlike landscape growing out of rock-hard concrete.
"We're doing this program because they are all talented artists and perhaps have not been recognized as much as they should have," says Bengt Jörgen.
The four-play season also includes the comedy "Pride and Prejudice* (*sort of)," Crow's Theatre's "Uncle Vanya" and "Rosencrantz & Guildenstern Are Dead."
Damien Atkins' retelling puts the focus on the four Pevensie children and the delightful creatures who join them in their quest.
"She's Not Special" deals with some serious hot-button subjects around race, but Adar wants people of all backgrounds to let loose at the new version of the show.
In "L-E-A-K," Porter explores ecosexuality, the theory of horizons, swimming safety and homosexuality among seagulls. And did we mention the game-show episode?
Masilo's 'The Sacrifice,' inspired by Stravinsky's original, is a universal statement about ritual in our lives, and the connection of healing and grief.
Moya O'Connell and Aidan Correia play a Yale creative writing educator and student whose lives intertwine in Adam Rapp's riveting two-hander.
Acting powerhouse Maev Beaty, a star of breakout movie "Beau Is Afraid," on what's inspiring her in music, movies, books and art.
Pamela Mala Sinha latest play has so many such fascinating episodes and layers it feels as if it's bursting out of its 2.5-hour long run
Bruce Jakacki and Nancy Mellow are COC supernumeraries, amateur actors who appear as extras to fill out crowded scenes.
For some stage fans, downloading a program via QR code is a poor substitute for a record you can hold in your hand.
After 13 months, Mirvish says "Cursed Child" set a record for longest running professional play in Canadian history.
The acts, as expected, are world-class and nicely varied. And the clowns are even funny, not always a guarantee.
Director Daniel Brooks creates an updated production in which the actors talk like real people and that includes the audience in a fully realized, emotionally engulfing world.
Lightning transformations between characters and the emerging revelation of the relationship between them is the central theatrical conceit
Manchester's Palace Theatre ousting patrons after singing too loud in a performance of 'The Bodyguard' has raised questions of manners
Playing at Toronto's CAA Theatre, Jonah Bobo and Brendan Jacob Smith brilliantly channel Paul Simon and Art Garfunkel, but are bogged down with a laborious music history lesson
'The choreography is a richly textured blend of gesture and bodily movements that seem to come from some deep inner energy source'
One looks at the cost of not talking to girls about sex. The other pokes fun at the sexualization and fetishization of Asian women.
Stratford Festival 2023 has provided the impetus for restaurants, bars and the city to work together to create big changes and attract a younger crowd
From rush tickets to two-for-one evenings, here's how to make your money go further at this year's Stratford Festival.
Theatre critic Joshua Chong spotlights five shows he can't wait to watch, including "Rent," "Richard II," "King Lear," "Grand Magic" and "Women of the Fur Trade."
The possible escalation in job action comes amid an impasse in negotiations between the Actors' Equity Association and the Broadway League.
