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6,509 stories from Stage and Cinema

Theater Review: FENCES (The Old Globe, San Diego) by Dan Zeff

FENCED IN AND LASHING OUT A powerful touring revival of August Wilson’s enduring drama The Old Globe Theatre is presenting August Wilson’s 1987 drama Fences, part of his cycle of plays a…

SOURCE: Stage and Cinema at 5:30pm on April 24, 2026[SHARE]

Theater Review: TEEN BEAT LIVE | 80s MOVIE MIXTAPE (CineVita, Inglewood) by Tony Frankel

I LOVE THE NIGHTLIFE A high-energy 80s mixtape that actually leaves you wanting more For The Record has built a reputation on remixing cinematic nostalgia into immersive, high-octane theatri…

SOURCE: Stage and Cinema at 4:37pm on April 24, 2026[SHARE]

Opera Review: DIE KLUGE (THE WISE WOMAN) (Independent Opera Company, Los Angeles) by Nick McCall

A GEM FINDS ITS VOICE A charming, rarely staged Orff opera gets a smart, scrappy revival Did you know that composer Carl Orff wrote more than Carmina Burana? It’s true. While most audience…

SOURCE: Stage and Cinema at 2:36pm on April 24, 2026[SHARE]

WHY VISUAL IDENTITY MATTERS IN THEATRE AND FILM PERFORMANCE by Nia Liat

Visual identity is one of the most powerful tools in theatre and film. Before a character speaks a single line, audiences begin forming impressions based on appearance, styling, and visual c…

SOURCE: Stage and Cinema at 3:05am on April 24, 2026[SHARE]

Theater Review: THE PRICE (Pacific Resident Theatre, Venice) by Tony Frankel

THE COST OF LOOKING BACK With a soaring first act, I’m willing to pay the price for a second that can’t quite keep up Arthur Miller’s The Price has always been a talky, introspective p…

SOURCE: Stage and Cinema at 11:43pm on April 23, 2026[SHARE]

Broadway Review: PROOF (Booth Theatre) by Paulanne Simmons

THE MATH DOESN’T ADD UP A starry revival that struggles to convince All the action in the Broadway revival of David Auburn’s Proof takes place on the porch of Robert and Catherine’s ho…

SOURCE: Stage and Cinema at 7:18pm on April 23, 2026[SHARE]

Event Preview: FUNDRAISER FOR SENATOR JON OSSOFF (Lin-Manuel Miranda Hosts Virtual Fundraiser) by Tony Frankel

BROADWAY GOES POLITICAL A starry virtual event blends music, activism, and marquee names If you’re going to tune into a political fundraiser, it might as well come with a Broadway-caliber …

SOURCE: Stage and Cinema at 6:54pm on April 23, 2026[SHARE]

Theater Review: HOW TO MAKE AN AMERICAN SON (New Conservatory Theatre Center, SF) by Chuck Louden

PRIVILEGE, PRESSURE, AND GROWING UP A timely coming-of-age story about identity, class, and consequence Even in troubled times, California is still seen by many as the land of opportunity—…

SOURCE: Stage and Cinema at 2:55am on April 23, 2026[SHARE]

Off-Broadway Review: THREE WOMEN (Frog & Peach Theatre Company at Theater for the New City) by Rob Lester

THREE LOVES, ONE ROAD A gritty, intriguing country-western musical with more implied than explained COMPOSER-LYRICIST/GUITARIST/PROTAGONISTA musician with three younger ladies to romance,two…

SOURCE: Stage and Cinema at 1:49pm on April 22, 2026[SHARE]

Broadway Review: FALLEN ANGELS (Roundabout Theatre Company at Todd Haimes Theatre) by Paola Bellu

A LITTLE SIN, A LOT OF GIN A fizzy Noël Coward comedy where anticipation —and alcohol—do the heavy lifting There is a particular kind of overupholstered, well-mannered, and suffocating …

SOURCE: Stage and Cinema at 1:03pm on April 22, 2026[SHARE]

Theater Review: “MASTER HAROLD” …AND THE BOYS (Geffen Playhouse) by Tony Frankel

MASTER PRODUCTION During the last half-hour of the exquisitely produced “Master Harold”…and the boys, the Geffen Playhouse becomes theatre as a temple: a transcendental, spiritual, em…

SOURCE: Stage and Cinema at 9:25am on April 21, 2026[SHARE]

Theater Review: EAT ME (South Coast Repertory, Costa Mesa) by Michael M. Landman-karny

A HUNGER THAT DOESN’T QUITE NAME ITSELF A sharp new play still discovering its center Lewis Carroll understood that eating is never just eating. When Alice stands before the small cake and…

SOURCE: Stage and Cinema at 9:22am on April 21, 2026[SHARE]

Off-Broadway Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Theater 2020) by Rob Lester

COMEDY TONIGHT— AND PLENTY OF IT A zippy, low-budget romp that lands big laughs When in ancient Rome,do as the ancient Romans—and moderns—would do:enjoy the kind of humor that never fe…

SOURCE: Stage and Cinema at 7:19am on April 21, 2026[SHARE]

Theater Preview: A MAN OF NO IMPORTANCE (The Bent, Palm Springs Cultural Center) by Tony Frankel

SMALL MUSICAL, BIG HEART An intimate Irish story about courage, community, and the quiet power of living truthfully There’s a certain kind of musical that doesn’t announce itself with sp…

SOURCE: Stage and Cinema at 3:30am on April 21, 2026[SHARE]

THEATER STAGE LIGHTING DESIGN: 6 KEY ELEMENTS NOT TO BE IGNORED by John Todd

As a professional in the field of stage lighting, I firmly believe that the most important core value of theater stage lighting is to empower dramatic storytelling. Stage lighting should not…

SOURCE: Stage and Cinema at 3:03am on April 21, 2026[SHARE]

Theater Review: AMERIKA OR, THE MAN WHO DISAPPEARED (Open Fist Theatre / Circle X Theatre, Atwater Village Theatre) by Ernest Kearney

KAFKA IN AMERICA— AND LOST AT SEA Striking visuals adrift in an overlong adaptation Who isn’t familiar with Franz Kafka (1883–1924), the tormented Czech writer? Or The Metamorphosis, K…

SOURCE: Stage and Cinema at 2:50am on April 21, 2026[SHARE]

Theater Preview: CREATIVE STAGE COLLECTIVE – MUSICAL MAD LIBS! (Symphony Space, NYC) by Rob Lester

MIX, MATCH, AND MAKE IT UP An intergenerational troupe turns audience ideas into live musical theater Here’s a special recipe for success and entertainment. It’s all in the mixing and bl…

SOURCE: Stage and Cinema at 10:16pm on April 20, 2026[SHARE]

Opera Review: FALSTAFF (LA Opera, Dorothy Chandler Pavilion) by Michael M. Landman-karny

THE LAST FOOL A master’s final shrug lands with surprising weight Verdi was seventy-nine when Falstaff premiered at La Scala in 1893. He had not written a comic opera since Un giorno di re…

SOURCE: Stage and Cinema at 8:24pm on April 20, 2026[SHARE]

Theater Review: THE DROWSY CHAPERONE (Coronado Playhouse) by Dan Zeff

NO SNOOZE BUTTON HERE Coronado’s Drowsy Chaperone keeps the laughs coming The Coronado Playhouse is reviving the musical comedy The Drowsy Chaperone, hoping to repeat the popularity of the…

SOURCE: Stage and Cinema at 8:08pm on April 20, 2026[SHARE]

Theater Review: ENGLISH (Wallis Annenberg Center, Beverly Hills) by Ernest Kearney

LOST IN TRANSLATION— AND INTENTION Pulitzer winner that provokes, puzzles, and occasionally frustrates. Is it a scream into a void or a play? English, by Sanaz Toossi, won the 2023 Pulitze…

SOURCE: Stage and Cinema at 9:42pm on April 19, 2026[SHARE]

Theater Review: HELL MOUTH (The Road Theatre Company, North Hollywood) by Michael M. Landman-karny

A HELL OF A MOUTHFUL A play where grief, faith, and ambition collide —and silence carries the weight Jacobson knows that the domestic and the exalted do not occupy different rooms. Hell Mo…

SOURCE: Stage and Cinema at 8:51pm on April 19, 2026[SHARE]

Theater Review: CABARET (Rancho Mirage Amphitheater in Palm Desert) by Jason Mannino

A CHILLING NIGHT UNDER THE STARS A high-energy production that refuses to look away from history’s shadows Desert Theatricals’ production of Kander and Ebb’s Cabaret, currently running…

SOURCE: Stage and Cinema at 2:30am on April 19, 2026[SHARE]

Theater Preview: 43RD ELLIOT NORTON AWARDS: NOMINATIONS & CEREMONY (Boston Theater Critics Association, The Huntington) by Tony Frankel

The Boston Theater Critics Association has announced nominations for the 43rd Annual Elliot Norton Awards, a wide-ranging snapshot of the current theater season in Greater Boston. The ceremo…

SOURCE: Stage and Cinema at 2:50am on April 18, 2026[SHARE]

Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC) by Rob Lester

MIDDLE-AGED PEOPLE IN THE MIDDLE EAST, IN THE MIDDLE OF ADVENTURES Jerry Herman's early musical still charms Through the magic of musical theatre, we're vicariously taking a guided tour thro…

SOURCE: Stage and Cinema at 2:45am on April 18, 2026[SHARE]

Theater Review: THE NOTEBOOK (North American Tour at San Diego Civic Theatre) by Dan Zeff

LOVE, LOSS, AND LYRICS An earnest musical adaptation that leans into memory, even when it leans too hard The touring production of The Notebook arrives at the Civic Theatre with a built-in a…

SOURCE: Stage and Cinema at 10:21pm on April 17, 2026[SHARE]
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