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Kara Young and Mallori Johnson play twins bent on revenge in the playwright Aleshea Harris’s powerhouse film debut.
The actresses both scored Tony nominations for their hilarious turns in Noël Coward’s 1925 farce. Also catch Ben Platt and Rachel Zegler in “The Last Five Years.”
For Nathan Lane, Taraji P. Henson, Daniel Radcliffe and other actors, it can take wigs, group hugs or banishing ghosts to make the transformation.
The collection at the Library of Congress also added works by Weezer and Vince Gill, and a radio broadcast of a fight between Muhammad Ali and Joe Frazier.
Jade Manns is part of a generation of young dance artists who dig deep inside the body’s inner landscape. Nature leads the way.
Joshua Henry, a Tony nominee for his thrilling performance in “Ragtime,” credits the demanding role with helping him “feel like I have mastered the voice.”
Jada Manns is part of a generation of young dance artists who dig deep inside the body’s inner landscape. Nature leads the way.
Breaking down the choreographic allusions in “Schmigadoon!” and “Cats: The Jellicle Ball,” two gotta-dance, Tony-nominated shows.
Here are some of the brilliant moments our writers can’t shake from this year’s batch of Tony-nominated productions.
Inspired by the popular film series, the play has already run in Britain and in four U.S. cities. It arrives in New York in August after a Boston stop.
A genre of plays has emerged in which the characters and events are real — even when the dialogue isn’t.
Barack Obama, Kim Kardashian and Bowen Yang have all signed on as co-producers of Broadway shows. Our theater reporter Michael Paulson explains why.
Breaking down the choreographic allusions in “Schmigadoon” and “Cats: The Jellicle Ball,” two gotta-dance, Tony-nominated shows.
A stale revival of Adam Bock’s cog-in-the-office-machine dark comedy lacks specificity and bite.
The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
“The midcentury architecture is fascinating. It’s also a place where I’m outside almost every waking hour of the day.”
The writer Pamela Redmond talks about her new play, “Old Woman Naked,” why her kids won’t see it and whether she’d have done the show without GLP-1s.
The star ballerina is also an accomplished choreographer. Her sophomore work for City Ballet is bigger and better than her first.
The star often refuses roles unless he clicks with the filmmaker. That’s how he came to work with Wong Kar-wai, Hou Hsiao-Hsien and now Ildiko Enyedi.
The Ministry of Awe, a new immersive experience in a former bank in Philadelphia, aims to help locate the wondrous in the everyday.
The long-running musical, one of Broadway’s biggest hits, will be closed through at least May 17 after an electrical fire in its lighting booth.
What does it take to play Frank-N-Furter in “The Rocky Horror Show” on Broadway? Fishnets, five-inch heels, and an endless supply of glitter.
Shakespeare’s brooding prince comes off as bored at the Brooklyn Academy of Music. But Bedlam’s lean production of “Othello” is positively thrilling.
The film’s portrait of the work lives of a young journalist and a top editor holds lessons for us. It’s just that the lessons have changed with time.
For her second commission at New York City Ballet, the principal dancer is leveling up. “Symphonie Espagnole,” with a nod to the company’s Balanchine heritage, has a cast of 40.
