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553 stories by "carly Maga - Theatre Critic"

In The Winter's Tale, Shakespeare in the Ruff zeroes in on the corrosive power of unchecked men by Carly Maga - Theatre Critic

Instead of idly waiting for her family to reassemble, Hermione has taken a much more active role in articulating director Sarah Kitz's theme of patriarchal corruption, writes Carly Maga.

SOURCE: Toronto Star at 1:54pm on August 20, 2019[SHARE]

In the Stratford Festival's The Crucible, there is empathy for the young women of Salem by Carly Maga - Theatre Critic

Jonathan Goad's production begins without assuming the girls have fabricated the illnesses that spur speculations of witchcraft for foolish, selfish reasons, writes Carly Maga.

SOURCE: Toronto Star at 1:59pm on August 19, 2019[SHARE]

For Toronto's Lee family, actors Richard and Eponine and director Nina Lee Aquino, work is play by Carly Maga - Theatre Critic

After a busy summer for the whole family, father and daughter will appear in Shakespeare in the Ruff's The Winter's Tale together, writes Carly Maga.

SOURCE: Toronto Star at 7:03pm on August 16, 2019[SHARE]

The Stratford Festival puts a modern sheen on 1928 newspaper comedy The Front Page. by Carly Maga - Theatre Critic

What really makes this Front Page feel fresh is its social, gender, racial and character complications " things that a mainstream audience in 2019 is much more equipped and eager to investig…

SOURCE: Toronto Star at 4:58pm on August 16, 2019[SHARE]

All's Well That Ends Well gets a romantic twist from Dauntless City Theatre, but it fails to convince by Carly Maga - Theatre Critic

Cross-gender and cross-racial casting bring it into 2019, but these interventions can't resolve the fundamentally cynical relationships in Shakespeare's problem play, writes Carly Maga.

SOURCE: Toronto Star at 1:31pm on August 12, 2019[SHARE]

Shaw Festival's Victory strips some of the urgency from Howard Barker's incredible text by Carly Maga - Theatre Critic

The production has one of the most impressive casts in recent memory, but the audience is given no signposts to follow the story, writes Carly Maga.

SOURCE: Toronto Star at 6:08pm on August 9, 2019[SHARE]

Four shows to see at the SummerWorks Performance Festival by Carly Maga - Theatre Critic

SOURCE: Toronto Star at 6:49pm on August 6, 2019[SHARE]

A kindler, gentler season is announced at the Coal Mine Theatre by Carly Maga - Theatre Critic

People want to come to the theatre to feel safe, says co-artistic director Diana Bentley.

SOURCE: Toronto Star at 1:05pm on July 31, 2019[SHARE]

Music adds punch to A Midsummer Night's Dream on Bard's Bus Tour by Carly Maga - Theatre Critic

The music gives Shakespeare's text that extra flair that is a Driftwood Theatre signature, but the commentary on our social-media, phone-obsessed culture feels shoehorned in, writes Carly Ma…

SOURCE: Toronto Star at 11:25am on July 29, 2019[SHARE]

The Cold Record is punchy, punk-rock and passionate " but I won't spoil the secret by Carly Maga - Theatre Critic

SOURCE: Toronto Star at 12:11pm on July 18, 2019[SHARE]

The Second Woman sees actress tackle the same scene 100 times over 24 hours by Carly Maga - Theatre Critic

Laara Sadiq co-star in the marathon event is 100 amateurs, rotated in over the course of a full day at Toronto's Harbourfront Centre.

SOURCE: Toronto Star at 10:51am on July 18, 2019[SHARE]

Shaw's Brigadoon just the latest darker reinterpretation of a classic musical by Carly Maga - Theatre Critic

New staging of Lerner & Loewe show follows more troubling takes on Oklahoma!, My Fair Lady and more.

SOURCE: Toronto Star at 6:00am on July 17, 2019[SHARE]

This Much Ado About Nothing gives Shakespeare a 1990s romcom sensibility by Carly Maga - Theatre Critic

By setting the comedy in Ontario cottage country in 1999, director Liza Balkan helps us digest some story elements that don't fit with 2019 sensibilities, writes Carly Maga.

SOURCE: Toronto Star at 1:20pm on July 13, 2019[SHARE]

The Tape Escape's retro delights are in the details and dilemmas by Carly Maga - Theatre Critic

There may not be much time to contemplate the show's meaning, but there are plenty of fun surprises and challenges in show mounted in old Bloor St. video store.

SOURCE: Toronto Star at 2:27pm on July 12, 2019[SHARE]

Six shows you should see at the Toronto Fringe Festival by Karen Fricker - Theatre Critic,carly Maga - Theatre Critic

On top of the breakout solo shows and new musicals that populate the Fringe circuit, the Star's theatre critics have ventured into more unexpected territory of audio plays, mime and puppetry.

SOURCE: Toronto Star at 7:07pm on July 7, 2019[SHARE]

This year's Toronto Fringe Festival has a Filipino flavour by Carly Maga - Theatre Critic

Annual fest includes the Filipinx shows Through the Bamboo, Tita Jokes and Monica vs. the internet, while Kanto by Tita Flips will serve food at the festival hub.

SOURCE: Toronto Star at 5:59pm on July 2, 2019[SHARE]

Remembering the Winnipeg General honours an important part of history by Carly Maga - Theatre Critic

The 1919 Winnipeg General Strike shut down the entire city's economy with 30,000 workers refusing to work from May 15 to June 26, arguing for recognition of the labour union and for wages to…

SOURCE: Toronto Star at 3:12pm on June 30, 2019[SHARE]

Shaw's Glass Menagerie spies something new in Tennessee Williams classic by Carly Maga - Theatre Critic

In an exciting experiment, Berczes's production wonders what would happen if Tom's introduction wasn't an explanation of the rules of the game, but a man's " and an artist's " attempt to con…

SOURCE: Toronto Star at 7:20pm on June 29, 2019[SHARE]

Here's why the deaf musical The Black Drum is an achievement worth applauding by Carly Maga - Theatre Critic

As a hearing theatregoer, Carly Maga was put off-kilter by the musical, performed entirely in American Sign Language, but The Black Drum has other offerings for nondeaf patrons apart from it…

SOURCE: Toronto Star at 6:09pm on June 21, 2019[SHARE]

Factory Theatre combines past and future in 50th anniversary season by Carly Maga - Theatre Critic

Artistic director Nina Lee Aquino resurrects theatre pieces emblematic of past Factory leaders and connect them with contemporary artists of colour, writes Carly Maga.

SOURCE: Toronto Star at 1:36pm on June 19, 2019[SHARE]

Here's why classic theatre like The Horse and His Boy and The Front Page needs a helping hand by Carly Maga - Theatre Critic

The Shaw and Stratford festivals have been busy adapting the C.S. Lewis story and the Ben Hecht and Charles MacArthur comedy for modern audiences, writes Carly Maga.

SOURCE: Toronto Star at 7:00am on June 19, 2019[SHARE]

Nathan the Wise still works as an argument for religious tolerance by Carly Maga - Theatre Critic

Part of the reason that Gotthold Ephraim Lessing's 1779 play still resonates is that it resists the impulse to make its characters unrealistic moral symbols, writes Carly Maga.

SOURCE: Toronto Star at 5:42pm on June 18, 2019[SHARE]

Stratford's The Neverending Story is a glitter thrill ride that spotlights its own shortcomings by Carly Maga - Theatre Critic

The script assumes an audience will be so familiar with the story from the novel that what unfolds is like a play in the form of a connect-the-dots drawing, writes Carly Maga.

SOURCE: Toronto Star at 10:01pm on June 16, 2019[SHARE]

Mother's Daughter is a compelling exploration of sexuality and power by Carly Maga - Theatre Critic

Playwright and director counter the story's darkness with a strong sense of humour that runs throughout.

SOURCE: Toronto Star at 2:13pm on June 15, 2019[SHARE]

Four Sisters at Luminato plays with time and delivers some hope by Carly Maga - Theatre Critic

The culmination of Susanna Fournier's Empire Trilogy gives up control (narratively, physically, historically) to restore a bit of hope to a dark world, writes Carly Maga.

SOURCE: Toronto Star at 3:30pm on June 14, 2019[SHARE]
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