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767 stories by "Tim Bano"

Endgame and Rough for Theatre II review at the Old Vic, London " 'wonderful comic performances from Alan Cumming and Daniel Radcliffe' by Tim Bano

Maybe it's a little histrionic to stage a play about existence and extinction right now. Maybe not. If director Richard Jones does

SOURCE: The Stage Registration at 7:38pm on February 4, 2020[SHARE]

Carmen review at the Coliseum, London " 'underpowered revival of a bold production' by Tim Bano

As soldiers piss in phone boxes, smash things up, generally kick and punch objects both animate and not, it becomes clear that

SOURCE: The Stage Registration at 8:43am on January 30, 2020[SHARE]

The Sugar Syndrome review at Orange Tree Theatre, London " 'strong revival of Lucy Prebble's debut play' by Tim Bano

Lucy Prebble's debut play, The Sugar Syndrome, about two people who meet in an online chat room, premiered at London's Royal Court

SOURCE: The Stage Registration at 5:30am on January 29, 2020[SHARE]

Sara Bareilles: 'Theatre people work harder for less money than anybody else' by Tim Bano

The Waitress composer and singer-songwriter, fresh from winning her first Grammy, is taking to the West End stage to star in the

SOURCE: The Stage Registration at 3:00pm on January 27, 2020[SHARE]

The Sunset Limited review at Boulevard Theatre, London " 'great performances enliven Cormac McCarthy's tedious play' by Tim Bano

Although Cormac McCarthy is best known as a novelist, winning the Pulitzer for The Road in 2006, he has also written two

SOURCE: The Stage Registration at 7:08am on January 22, 2020[SHARE]

Remaking a West End landmark " how Cameron Mackintosh transformed the Queen's into the Sondheim Theatre by Tim Bano

After a six-month closure, the home of Les Misérables is back with a new name and lavish decor. Owner Cameron Mackintosh tells

SOURCE: The Stage Registration at 4:48am on January 22, 2020[SHARE]

Les Misérables review at Sondheim Theatre, London " 'still spectacular' by Tim Bano

After so much time and so much tinkering, when it comes to Les Misérables the philosopher's axe springs to mind. Every time

SOURCE: The Stage Registration at 6:14am on January 17, 2020[SHARE]

Rags the Musical review at Park Theatre, London " 'builds to a moving climax' by Tim Bano

Since closing on Broadway in 1986 after four performances, Rags has been stitched and unstitched so many times that this version, which

SOURCE: The Stage Registration at 6:37am on January 15, 2020[SHARE]

Playwright Conor McPherson: Troubled men, ghosts, drinkers " 'sounds a lot like real life to me' by Tim Bano

Playwright Conor McPherson found fame in his 20s with a work about barflies telling ghost stories, went on to write a Bob

SOURCE: The Stage Registration at 3:00am on January 8, 2020[SHARE]

Teenage Dick review at Donmar Warehouse, London " 'a riveting performance by Daniel Monks' by Tim Bano

Instead of staging Richard III as a vehicle for some able-bodied actor to show off how great they are by playing the

SOURCE: The Stage Registration at 5:51am on December 13, 2019[SHARE]

The Ocean at the End of the Lane review at National Theatre, London " 'makes you marvel at what theatre can do' by Tim Bano

Neil Gaiman's 2013 novel is meant to be his most autobiographical. Maybe the monsters and the magic that populate the book are

SOURCE: The Stage Registration at 7:40pm on December 11, 2019[SHARE]

Fairview review at Young Vic, London " 'stunning production of an extraordinary play' by Tim Bano

Jackie Sibblies Drury's Pulitzer-winning play is simultaneously a microcosmic, tightly controlled look at a family through the prism of a middle-class sitcom,

SOURCE: The Stage Registration at 5:00pm on December 5, 2019[SHARE]

The Last Noël review at Wimbledon Library " 'Chris Bush explores the true meaning of Christmas' by Tim Bano

Touring libraries and other non-theatre spaces in South London before a run in Oxford, this sweet play from Merton-based company Attic doesn't

SOURCE: The Stage Registration at 10:35am on November 29, 2019[SHARE]

White Christmas review at Dominion Theatre, London " 'enjoyable, but underwhelming' by Tim Bano

Whatever you've been dreaming of, this isn't quite it. Roughly based on the 1954 Bing Crosby film, the show follows army vets

SOURCE: The Stage Registration at 6:00pm on November 25, 2019[SHARE]

& Juliet review at Shaftesbury Theatre, London " 'the apotheosis of the jukebox musical' by Tim Bano

If you were to attempt to explain the concept of & Juliet to anyone, it would be very easy to make the

SOURCE: The Stage Registration at 6:00pm on November 20, 2019[SHARE]

Dear Evan Hansen review at Noel Coward Theatre, London " 'powerful, moving and superbly performed' by Tim Bano

The best and the worst thing about being a teenager is the fact that it doesn't last forever. Broadway phenomenon Dear Evan Hansen

SOURCE: The Stage Registration at 5:00pm on November 19, 2019[SHARE]

Mary Poppins review at Prince Edward Theatre, London " 'distinctly lacking in magic' by Tim Bano

Mary Poppins returns. No, not the Emily Blunt film, rather Cameron Mackintosh's muddled stage musical, back in the Prince Edward Theatre after

SOURCE: The Stage Registration at 5:00pm on November 13, 2019[SHARE]

Actor Clare Halse: 'I was learning how to graft eight shows a week " in a clown suit' by Tim Bano

The musical theatre star is embracing all things festive and 1950s glamour in White Christmas, which starts its West End run at

SOURCE: The Stage Registration at 3:00am on November 12, 2019[SHARE]

Sydney and the Old Girl review at Park Theatre " 'tedious and unpleasant' by Tim Bano

Eugene O'Hare's debut play The Weatherman prompted mixed reactions when it premiered at London's Park Theatre earlier this year. His follow-up is

SOURCE: The Stage Registration at 5:40am on November 6, 2019[SHARE]

Death of a Salesman review at Piccadilly Theatre, London " 'riveting, devastating, stunning' by Tim Bano

Marianne Elliott and Miranda Cromwell's take on Death of a Salesman captures the greatness of Arthur Miller's play, and at the same

SOURCE: The Stage Registration at 5:59am on November 5, 2019[SHARE]

High Fidelity review at Turbine Theatre, London " 'a bland pop musical lacking in charm' by Tim Bano

It's easy to see why you'd be tempted to turn Nick Hornby's novel about a miserable guy who works in a record

SOURCE: The Stage Registration at 5:48am on November 3, 2019[SHARE]

Ghost Quartet review at Boulevard Theatre, London " 'wonderfully dark and weird musical' by Tim Bano

London's latest venue, the Boulevard Theatre, occupies the site of the former Raymond Revuebar. Under the management of Paul Raymond, the 'King

SOURCE: The Stage Registration at 5:30pm on October 31, 2019[SHARE]

The Antipodes review at the National Theatre, London " 'excruciating and masterful at the same time' by Tim Bano

Annie Baker's back at the National with a show about stories, and she knows how to tell them: not with heroes and

SOURCE: The Stage Registration at 5:45am on October 31, 2019[SHARE]

Inside story: Theatre in prisons and the fight for rehabilitation by Tim Bano

Though Britain's jails are at bursting point, theatremakers are working with current and former prisoners to prepare them to rejoin their communities

SOURCE: The Stage Registration at 5:42am on October 30, 2019[SHARE]

'We want to make a Mischief movie next, that's the dream' by Tim Bano

From pub theatre to a global franchise, Mischief Theatre has perfected the art of making things go wrong in the right way.

SOURCE: The Stage Registration at 3:00am on October 23, 2019[SHARE]
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