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292 stories by "STEPHEN HOLDEN"

Barbara Cook Could Make You Feel Grateful to Be Alive by Stephen Holden

The cabaret singer's voice mixed regret with acceptance and consolation. At the end of a song, you'd feel warm " and know that all would be forgiven.

SOURCE: The New York Times Subscription at 1:33pm on August 9, 2017[SHARE]

Review: Merrily (and Ruefully) Recalling an Epic Broadway Flop by Stephen Holden

"Best Worst Thing That Ever Could Have Happened," a documentary by Lonny Price, examines the buildup and collapse of "Merrily We Roll Along" in 1981.

SOURCE: The New York Times Subscription at 5:54pm on November 17, 2016[SHARE]

Review: You Ain't Never Heard a Baritone Like His by Stephen Holden

James Monroe Iglehart, best known for his Tony-winning role as the Genie in "Aladdin," takes audiences on a genial journey in his show at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 2:36pm on November 9, 2016[SHARE]

Review: New York Cabaret Convention Slips In Modern Flourishes by Stephen Holden

It represents the conservative uptown wing of a field whose downtown avant-garde is merging music with performance art, political satire and gender and genre bending.

SOURCE: The New York Times Subscription at 7:08pm on October 19, 2016[SHARE]

Review: Christine Ebersole Has a Soundtrack for Starting New Chapters by Stephen Holden

The singer explores the options of a woman who suddenly finds her nest empty in "After the Ball" at Café Carlyle.

SOURCE: The New York Times Subscription at 5:02pm on October 12, 2016[SHARE]

Review: In 'Acoustically Speaking,' a 'Rent' Duo Returns by Stephen Holden

Adam Pascal and Anthony Rapp, who starred in the original Broadway cast, team up to pay tribute to musical theater's relationship with modern pop.

SOURCE: The New York Times Subscription at 5:04pm on October 11, 2016[SHARE]

Review: In 'Girl Asleep,' Floating Through a Teenage Fantasia by Stephen Holden

Rosemary Myers's hybrid of film and children's theater follows Greta, a young wallflower whose social woes turn surreal when she runs into the woods behind her home.

SOURCE: The New York Times Subscription at 6:04pm on September 29, 2016[SHARE]

Review: Laura Benanti Shows Range With Songs and Stories by Stephen Holden

In her show at Café Carlyle, a self-assured and humorous Ms. Benanti displayed a powerful voice as she took on songs from her idols.

SOURCE: The New York Times Subscription at 7:13pm on September 28, 2016[SHARE]

Review: Betty Buckley Digs Deep for the Autumn in Her Soul by Stephen Holden

In her stunning new show at Joe's Pub, Ms. Buckley gave everything she sang the shape and depth of a personal confession.

SOURCE: The New York Times Subscription at 6:49pm on September 25, 2016[SHARE]

Review: Melissa Errico Laughs, but Can't Let Go, at 54 Below by Stephen Holden

"Funny, I'm a Woman With Children" at Feinstein's/54 Below was full of Ms. Errico's humor, though she was unable to fully let go in some numbers.

SOURCE: The New York Times Subscription at 5:53pm on September 21, 2016[SHARE]

`: Tammy Faye Starlite, Inverted Country-Star Cliché, Strides Back by Stephen Holden

The persona played by Tammy Lang will hold forth with her blend of fake American wholesomeness and scabrous anti-right satire in a new show at Pangea.

SOURCE: The New York Times Subscription at 6:26pm on September 15, 2016[SHARE]

Review: Warmth of the American Songbook, From 2 Keepers of the Flame by Stephen Holden

Michael Feinstein and Marilyn Maye's "Summertime Swing" is an old-fashioned variety show, blending standards, Catskills humor and vaudeville shenanigans.

SOURCE: The New York Times Subscription at 8:33pm on August 24, 2016[SHARE]

Review: 'Kate Plays Christine,' a Blurring of Fact and Fiction in a Suicide Story by Stephen Holden

This movie is a sequel of sorts to Robert Greene's "Actress," which focuses on boundaries between actors playing themselves and fictional characters.

SOURCE: The New York Times Subscription at 10:39pm on August 23, 2016[SHARE]

Review: Tony Danza Reaches for Sinatra With Charisma by Stephen Holden

The actor and singer acknowledges the passing of years in his show "Standards & Stories" at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 4:33pm on July 27, 2016[SHARE]

Review: Rob McClure's 'Smile,' a Glass That's Always Half Full by Stephen Holden

Mr. McClure wittily explored the meaning behind famous song lyrics and performed comedic hand puppetry, but he saved the very best for last.

SOURCE: The New York Times Subscription at 5:56pm on July 3, 2016[SHARE]

Review: Barbara Cook, a Lioness Who Still Has Some Bite Left by Stephen Holden

At 88, Ms. Cook holds forth at Feinstein's/54 Below in both song and word. She channels the wisdom and humanity of the American songbook.

SOURCE: The New York Times Subscription at 6:56pm on June 23, 2016[SHARE]

Barbara Cook on Life Before and After Sobriety by Stephen Holden

The singer discusses her path from Broadway to cabaret to now in an interview about her new memoir and coming performances at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 5:30pm on June 19, 2016[SHARE]

Critic's Notebook: At the Human Rights Watch Film Festival, a Lot of the Humans Are Women by Stephen Holden

Among this year's subjects: an Afghan rapper whose mother tried to sell her and Chinese women seeking justice in the reported rape of six children.

SOURCE: The New York Times Subscription at 5:29pm on June 8, 2016[SHARE]

Review: Matthew Morrison, in Concert, Goes Beyond Genres by Stephen Holden

Mr. Morrison was bold, tender and hard driving as he sang show tunes and other standards at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 5:40pm on May 24, 2016[SHARE]

Review: A Side of Richard Rodgers Not Often Seen by Stephen Holden

"I Have Confidence: Rodgers After Hammerstein," at the 92nd Street Y, introduced Rodgers's more obscure songs, written during the last third of his career.

SOURCE: The New York Times Subscription at 6:18pm on May 23, 2016[SHARE]

Review: Laura Michelle Kelly Brings Her Broadway Voice to Cabaret by Stephen Holden

This actress, known for "Finding Neverland" and "Mary Poppins," performed pop and show tunes and occasional bold choices at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 5:26pm on May 17, 2016[SHARE]

Review: Megan Hilty Goes Beyond Daffy, to Sweetness, Even Regret by Stephen Holden

Ms. Hilty featured songs by Irving Berlin as part of her tribute to Rosemary Clooney at Café Carlyle.

SOURCE: The New York Times Subscription at 5:56pm on May 4, 2016[SHARE]

Review: For Chita Rivera, Life Is Still a Merry-Go-Round by Stephen Holden

At the age of 83, Ms. Rivera makes her debut at Café Carlyle, singing her favorite songs, including tunes by Jacques Brel and Kander and Ebb.

SOURCE: The New York Times Subscription at 6:22pm on April 21, 2016[SHARE]

Review: Donna McKechnie Explores Kander and Ebb by Stephen Holden

Ms. McKechnie, who is more a dancer than a singer, delivered an enlightening survey of that formidable Broadway team's songwriting output.

SOURCE: The New York Times Subscription at 4:55pm on April 21, 2016[SHARE]

Review: Lea Salonga Puts on a Show, No Need for Wailing Pyrotechnics by Stephen Holden

Ms. Salonga mixed standards and contemporary songs, digging deeply into the lyrics in a most satisfying cabaret shows, at Feinstein's/54 Below.

SOURCE: The New York Times Subscription at 6:26pm on April 14, 2016[SHARE]
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