1,549 stories by "Peter Marks"
"Uncle Vanya" in a private loft with Bill Irwin, Marin Ireland and David Cromer is the kind of meaty theater playgoers crave, in a summer of New York offerings.
The pop opera about Imelda and Ferdinand Marcos marks its official opening night in a Broadway theater converted into a lavish disco.
The D.C. company's "Angel Number Nine'" is the latest example of a how a resourceful itinerant theater troupe finds new nests.
"Just for Us" star shares stories of life on and off the stage at a pottery studio in Tribeca.
Companies are closing, seasons have been truncated and in New Haven, a revered company is pivoting after giving up its own stage.
The team at GALA Hispanic Theatre, led by Rebecca Medrano, carries on after the death of producing artistic director Hugo Medrano.
"Just for Us" is Alex Edelman's superb one-man Broadway show about confronting antisemitism.
In the new documentary "Rolling Along," Bill Bradley charts his progress, from college hoops to pro courts to Congress to stage
"Once Upon a One More Time," a sassy fairy-tale extravaganza featuring the Britney Spears songbook, is a storybook mess.
"The Gaaga," produced by Boston area's Arlekin Players Theatre, has theatergoers imagine themselves in a bomb shelter in war-torn Mariupol.
The writers strike turned out to be a boon to the Tony Awards' energy and enjoyability
Brandon Uranowitz and Bonnie Milligan are among early winners in writers strike-altered ceremony.
'The Bluest Eye' and 'The Humours of Bandon' add to the artistically diverse offerings at Washington theaters
A writers strike and an off-year financially have made this a season of nervous hits for Broadway and the Tony Awards.
Mosaic Theater Company's "One in Two," by Donja R. Love, is directed with cleverness by Raymond O. Caldwell.
Adam Guettel and Craig Lucas's "Days of Wine and Roses," an off-Broadway musical adaptation of the midcentury teleplay and movie is vibrantly emotional.
Four performers nominated in the Tonys featured actor categories reveal the depth of talent on Broadway, and the career impact of the nomination can be seismic.
Levi Holloway's thriller 'Grey House,' on Broadway starring Laurie Metcalf and directed by Joe Mantello, is a near-miss.
The series hit its stride in a season that embraces musicals of the 1960s and 1970s.
Signature Theatre's revival of "Sweeney Todd, the Demon Barber of Fleet Street" tiptoes around the horror of the peerless Stephen Sondheim-Hugh Wheeler musical.
Director Mira Nair has transformed her beloved 2001 film about Delhi-arranged matrimony into a song-and-dance rom-com.
"Good Bones," James Ijames's seriocomedy about the tensions gentrification can set off in the Black community, gets a world premiere at Studio Theatre.
"Here There Are Blueberries," a documentary drama about a real photo album sent to the Holocaust museum, gives wrenching context to genocide.
Mosaic Theater Company Artistic Director Reginald L. Douglas unveils a 2023-24 roster of new plays for a theater making a name for itself on D.C.'s H Street NE.
Josh Rhodes directs a top-flight cast of Broadway clowns in the Kennedy Center's revival of the hit "Monty Python's Spamalot"
