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72 stories by "Peter Bradshaw"

Broken " review by Peter Bradshaw

The quality of the acting can't salvage a self-conscious family drama about a lonely 11-year-oldSince its debut in the Critics' Week section of last year's Cannes film festival, Rufus Norris…

SOURCE: The Guardian at 4:44pm on March 7, 2013[SHARE]

Les Misérables - video review by Xan Brooks, Peter Bradshaw, Catherine Shoard, Henry Barnes, Elliot Smith, Phil Maynard

In an excerpt from this week's Guardian Film Show Xan Brooks and Catherine Shoard aim their muskets at Tom Hooper's adaptation of the hugely popular musical, while Peter Bradshaw mans the ba…

SOURCE: The Guardian at 7:52am on January 11, 2013[SHARE]

The Guardian Film Show: Les Misérables and Gangster Squad - video review by Xan Brooks, Peter Bradshaw, Catherine Shoard, Henry Barnes, Elliot Smith, Phil Maynard

Xan Brooks, Peter Bradshaw and Catherine Shoard review Les Misérables, Gangster Squad, What Richard Did and Jiro Dreams of SushiXan BrooksPeter BradshawCatherine ShoardHenry BarnesElliot Sm…

SOURCE: The Guardian at 7:11am on January 11, 2013[SHARE]

Les Miserables " review by Peter Bradshaw

Tom Hooper's film is a colossal effort " after 158 minutes, you really have experienced something. It's just not clear whatLike a diabolically potent combination of Lionel Bart and Leni Rief…

SOURCE: The Guardian at 10:01am on January 10, 2013[SHARE]

The Cat on a Hit Tin Roof film may be censored but in some ways it's superior by Peter Bradshaw

At the prompting of Guardian readers, film critic Peter Bradshaw revisits Richard Brooks's 1958 adaptation, which delivers a homosexual hero paralysed with self-hatred Continue reading...

SOURCE: The Guardian at 12:50pm on October 17, 2012[SHARE]

The Cat on a Hit Tin Roof film may be censored " but in some ways it's superior by Peter Bradshaw

At the prompting of Guardian readers, film critic Peter Bradshaw revisits Richard Brooks's 1958 adaptation, which delivers a homosexual hero paralysed with self-hatredI haven't seen Sarah Es…

SOURCE: The Guardian at 12:50pm on October 17, 2012[SHARE]

Anna Karenina " review by Peter Bradshaw

Set in a fantasy theatre world, Tom Stoppard and Joe Wright's bold adaptation " starring Keira Knightley and Jude Law " sacrifices the novel's poignancy for creative flairIn Tolstoy, the the…

SOURCE: The Guardian at 7:43am on September 5, 2012[SHARE]

Why it's the theatre that's given us a Ladykillers to die for by Peter Bradshaw

Graham Linehan's stage adaptation of The Ladykillers succeeds where the Coen brothers failed: it's actually funny, says Peter BradshawGraham Linehan's new stage-adaptation of the classic 195…

SOURCE: The Guardian at 6:34am on December 22, 2011[SHARE]

Culture walkouts: our critics' take by Alexis Petridis, Tim Ashley, Michael Billington, Judith Mackrell, Peter Bradshaw, Brian Logan

People have been walking out of the RSC's risqué new production of Marat/Sade. Are critics ever tempted to follow them? Guardian reviewers reveal the times they just couldn't take any moreA…

SOURCE: The Guardian at 4:30pm on October 24, 2011[SHARE]

Days of Heaven " review by Peter Bradshaw

Terrence Malick's 1978 masterpiece is a fantastically rewarding experience, and it contains ideas and themes that would re-emerge in The Tree of LifeThis was the film that Terrence Malick ma…

SOURCE: The Guardian at 5:10pm on September 1, 2011[SHARE]

Powder " review by Peter Bradshaw

This adaptation of Kevin Sampson's 90s-novel about the Britpop era could have been great, but it's let down by shoddy dialogue and leaden pacingKevin Sampson has adapted his own 1999 novel a…

SOURCE: The Guardian at 5:15pm on August 25, 2011[SHARE]

Dirk Bogarde's Victim shines a light on London's shadowy past by Peter Bradshaw

This gripping thriller, part of the BFI's Bogarde retrospective, daringly smashed through 1961's homosexual taboos, but has weathered best as a study of blackmail and paranoiaAs part of a re…

SOURCE: The Guardian at 5:42am on August 8, 2011[SHARE]

French Cancan " review by Peter Bradshaw

Jean Renoir's 1955 film, now on re-release, shows a palette and compositional sense that appear to be influenced by his fatherThe world of the Moulin Rouge and the cancan conjured up in Jean…

SOURCE: The Guardian at 5:01pm on August 4, 2011[SHARE]

Is The Hour the new Broadcast News? by Romola Garai, Peter Bradshaw

The BBC's new drama The Hour, starring Dominic West and Romola Garai as hacks on a 1950s news show, is oddly familiarIt features an intense, difficult, principled reporter (Ben Whishaw), who…

SOURCE: The Guardian at 6:19am on July 29, 2011[SHARE]

A Spectacle of Dust by Pete Postlethwaite " review by Peter Bradshaw

The autobiography of Pete Postlethwaite, once called 'the best actor in the world' by Steven SpielbergIn the year or so leading up to his death from cancer this year, Pete Postlethwaite had …

SOURCE: The Guardian at 5:05am on June 23, 2011[SHARE]

Guardian young arts critic competition 2011: Our critics' picks by Alexis Petridis, Adrian Searle, Erica Jeal, Jonathan Glancey, Peter Bradshaw, Michael Billington, Judith Mackrell, Sam Wollaston

From an illicit Pixies gig to a Mesopotamian ziggurat, Guardian critics recall their biggest moment of inspiration in their respective fieldsPop: Alexis PetridisCan any gig you see as a crit…

SOURCE: The Guardian at 7:14pm on June 19, 2011[SHARE]

Jerry Seinfeld " review by Peter Bradshaw

O2 Arena, LondonThe great master of observational comedy is back. This was Jerry Seinfeld's first show in the UK in 12 years, and he arrived in the midst of a live comedy boom in full swing:…

SOURCE: The Guardian at 6:57pm on June 3, 2011[SHARE]

Will the nation gurn again for George Formby? by Peter Bradshaw

A resurgence in the popularity of the ukulele could rekindle our bizarre affection for the oddball singer-comedianBritain has apparently gone mad for ukuleles. An extraordinary resurgence in…

SOURCE: The Guardian at 6:52am on June 2, 2011[SHARE]

Houdini and the magic of the movies by Peter Bradshaw

The origins of cinema, a prize-winning book reveals, are closely linked to the conjurors and spiritualists of the early 20th centuryOver the past few months, I have been on a judging panel w…

SOURCE: The Guardian at 11:22am on May 3, 2011[SHARE]

Pina " review by Peter Bradshaw

A heartfelt 3D tribute by Wim Wenders to Pina Bausch, the late modern ballet choreographer. By Peter BradshawWim Wenders's deeply intelligent 3D tribute to the work of the modern dance chore…

SOURCE: The Guardian at 5:00pm on April 21, 2011[SHARE]

Black Swan " review by Peter Bradshaw

Natalie Portman excels in this gripping ballet psychodrama from Darren Aronofsky. Peter Bradshaw applauds a film about fear, love and hatredFantastically deranged at all times, Darren Arono…

SOURCE: The Guardian at 9:59am on January 20, 2011[SHARE]

Good Hair by Peter Bradshaw

Clever and funny, Chris Rock's film about the hairstyles of African-American women makes the cut Continue reading...

SOURCE: The Guardian at 5:30pm on June 24, 2010[SHARE]
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