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107 stories by "Naveen Kumar"

'Hong Kong Mississippi' Review: The Bluesman Next Door by Naveen Kumar

Wesley Du explores complex intersections of identity in a coming-of-age story about a Chinese American boy who finds escape in Black music.

SOURCE: The New York Times Subscription at 2:12pm on May 4, 2023[SHARE]

'Smart' Review: A.I. in the Living Room by Naveen Kumar

Three women seeking companionship turn to an Alexa-like digital presence in this family drama at Ensemble Studio Theater.

SOURCE: The New York Times Subscription at 4:42pm on April 7, 2023[SHARE]

Review: 'The Good John Proctor' Imagines Girlhood BFFs by Naveen Kumar

The play, directed by Caitlin Sullivan at the Connelly Theater, focuses on two girls in the year leading up to the action depicted in "The Crucible."

SOURCE: The New York Times Subscription at 10:55am on March 20, 2023[SHARE]

Review: In 'Misty,' a Restless Artist Grapples With a Gentrifying City by Naveen Kumar

At the Shed, Arinzé Kene mixes spoken word, music and comedy to tell a story of racial tension and male identity in a changing London.

SOURCE: The New York Times Subscription at 1:14pm on March 10, 2023[SHARE]

Review: In 'The Best We Could,' the Players Follow Directions by Naveen Kumar

The playwright Emily Feldman structures this work like a personal GPS that plots the course of a family.

SOURCE: The New York Times Subscription at 1:28pm on March 6, 2023[SHARE]

'1 + 1' Review: She Just Wants to Be His Plaything by Naveen Kumar

Stale views of gender dynamics power Eric Bogosian's play about an aspiring actress caught in the clutches of a duplicitous man.

SOURCE: The New York Times Subscription at 5:27pm on March 3, 2023[SHARE]

Review: In 'Leo Reich: Literally Who Cares?!,' He's Too Hot to Live by Naveen Kumar

Reich, a comedian and writer, transforms into the avatar of Gen Z disaffection in his taut, biting solo show at Greenwich House Theater.

SOURCE: The New York Times Subscription at 2:58pm on February 21, 2023[SHARE]

'Lucy' Review: There's Something About the Babysitter by Naveen Kumar

A workplace comedy set at home, this cleverly detailed production explores child care as both labor and primal instinct.

SOURCE: The New York Times Subscription at 1:54pm on February 8, 2023[SHARE]

'Memorial' Review: An American Story, Set in Stone by Naveen Kumar

The national controversy surrounding Maya Lin's design for the Vietnam War Memorial is the subject of Livian Yeh's nimble, process-driven play.

SOURCE: The New York Times Subscription at 10:00am on January 26, 2023[SHARE]

'Sugar Daddy' Review: The Grief Comes Out in Laughs by Naveen Kumar

In his show about mourning his boyfriend, the comedian Sam Morrison confronts overwhelming loss with punch lines and panache.

SOURCE: The New York Times Subscription at 2:55pm on January 23, 2023[SHARE]

Review: A Solo 'Great Expectations' That Calls for Endurance by Naveen Kumar

The British comedian Eddie Izzard plays every part in this relatively straightforward adaptation of Charles Dickens's classic story.

SOURCE: The New York Times Subscription at 9:18pm on December 15, 2022[SHARE]

'Some Like It Hot' makes a modern case for a screen gem by Naveen Kumar

Transforming beloved IP into compelling musical theater is an inexact science, but the transformation part is nonnegotiable. As the discard pile of recent VHS-inspired flops can attest, audi…

SOURCE: Broadway News Subscription at 10:02pm on December 11, 2022[SHARE]

Review: In 'La Race,' a Fight Back From the Margins by Naveen Kumar

Bleu Beckford-Burrell's play about a City Council campaign aims to catalog a gamut of social ills and how Black women rise to meet them.

SOURCE: The New York Times Subscription at 3:24pm on December 9, 2022[SHARE]

'The Bandaged Place' Review: A Dance With His Devils by Naveen Kumar

Evocative choreography and warm performances hold together Harrison David Rivers's play about the slippages between desire and trauma.

SOURCE: The New York Times Subscription at 6:06pm on November 17, 2022[SHARE]

'Where We Belong' Review: A Performer Wonders, What's in a Name? by Naveen Kumar

In an autobiographical solo show at the Public Theater, Madeline Sayet grapples with her Indigenous ancestry and the responsibility that comes with her name.

SOURCE: The New York Times Subscription at 4:18pm on November 10, 2022[SHARE]

Review: In 'Where the Mountain Meets the Sea,' Missed Connections by Naveen Kumar

A father and a son recall parallel journeys that reflect shared experiences of otherness in Jeff Augustin's play, performed with music by the Bengsons.

SOURCE: The New York Times Subscription at 4:06pm on November 4, 2022[SHARE]

'A Little Life' Review: A Collage of Unrelenting Torment by Naveen Kumar

Hanya Yanagihara's best-selling novel comes to the BAM stage, and raises the question: How much suffering can the protagonist (and the audience) endure?

SOURCE: The New York Times Subscription at 9:03pm on October 21, 2022[SHARE]

'The Gold Room' Review: Gay Sexuality on Shuffle Mode by Naveen Kumar

Two men circling each other for a hookup talk through fantasies and everyday doubts in this play by Jacob Perkins.

SOURCE: The New York Times Subscription at 4:33pm on October 20, 2022[SHARE]

'Hedda Gabler' and 'The Winter's Tale': 2 Takes That Shout Subtext by Naveen Kumar

Irreverence can be illuminating. But Bedlam's energetic productions of classics by Ibsen and Shakespeare lose insight in the process.

SOURCE: The New York Times Subscription at 4:07pm on October 18, 2022[SHARE]

'Sesame Street: The Musical' Review: Everything's A-OK by Naveen Kumar

Jonathan Rockefeller's Off Broadway production blends the charm and wit of the show's early days with more modern characters.

SOURCE: The New York Times Subscription at 2:07pm on September 27, 2022[SHARE]

'The Nosebleed' Review: Reconciling the Ghosts in the Attic by Naveen Kumar

Aya Ogawa's memoir-like excavation tests the boundaries of love and family obligation through intimate confession.

SOURCE: The New York Times Subscription at 7:37pm on August 4, 2022[SHARE]

Review: In 'The Butcher Boy,' an Anti-Coming of Age Story by Naveen Kumar

The new musical, based on the novel by Patrick McCabe, follows a boy in 1960s Ireland as he recounts a tale of boyhood mischief and alienation.

SOURCE: The New York Times Subscription at 2:48pm on August 2, 2022[SHARE]

'Happy Life' Review: Ghosts in the Studio by Naveen Kumar

The playwright Kathy Ng imagines a world where mortality, eroticism and Hello Kitty collide in a spirited, if sometimes muddled, contemplation of loneliness and loss.

SOURCE: The New York Times Subscription at 10:42am on July 29, 2022[SHARE]

'Mister Miss America' Review: A Fight for the Crown by Naveen Kumar

The first male contestant in his small-town beauty pageant is determined to win hearts, minds and the crown, in this solo play from the writer and performer Neil D'Astolfo.

SOURCE: The New York Times Subscription at 3:12pm on July 12, 2022[SHARE]

'Hooded; or Being Black for Dummies' Review: A Tragic Pageantry by Naveen Kumar

Tearrance Arvelle Chisholm's ambitious and sometimes metaphysical comedy playfully tries to tackle thorny issues at 59E59 Theaters.

SOURCE: The New York Times Subscription at 1:07pm on June 20, 2022[SHARE]
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