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225 stories by "Michael Schulman"

Rita Moreno Has Time Only for the Truth by Michael Schulman

The actress, now eighty-nine, spent decades being typecast and belittled. In a new documentary, she tries to recover her story.

SOURCE: The New Yorker Subscription at 6:53am on June 18, 2021[SHARE]

Summer Theatre Preview by Michael Schulman

Shakespeare in the Park returns with "Merry Wives," Aleshea Harris's "What to Send Up When It Goes Down" at the Brooklyn Botanic Garden, and more.

SOURCE: The New Yorker Subscription at 7:34am on May 7, 2021[SHARE]

Ethan Hawke Waits for Godot, or for the Zoom Screen to Unfreeze by Michael Schulman

After a rehearsal for a virtual production of the play, Hawke and his co-star John Leguizamo ponder how all dialogue now sounds like Beckett.

SOURCE: The New Yorker Subscription at 9:11am on May 3, 2021[SHARE]

The 2019 Tony Awards: "Hadestown" Triumphs, Elaine May Sparkles, and Billy Porter Wins the Red Carpet by Michael Schulman

Michael Schulman reviews the telecast of the Tony Awards, hosted by James Corden, in which Rachel Chavkin, Elaine May, and others gave winning speeches.

SOURCE: The New Yorker Subscription at 9:07am on June 12, 2019[SHARE]

The Broadway Life of Hillary Clinton by Michael Schulman

Michael Schulman reviews Joe Mantello's Broadway production of Lucas Hnath's play "Hillary and Clinton," about the life of the former Presidential candidate Hillary Clinton and the 2008 Pres…

SOURCE: The New Yorker Subscription at 5:06pm on April 25, 2019[SHARE]

Two Broadway Shows Dismantle the American Myth by Michael Schulman

Michael Schulman writes on "Oklahoma!" and "What the Constitution Means to Me," two current theatre productions that have unsettling stories to tell about statehood.

SOURCE: The New Yorker Subscription at 11:47am on April 16, 2019[SHARE]

A Nerd Learns to "Be More Chill" by Michael Schulman

Shoved into a locker as a teen, the actor Will Roland vowed to transform himself"and made it to the nerd-heaven of Broadway, Michael Schulman writes. 

SOURCE: The New Yorker Subscription at 5:00am on April 1, 2019[SHARE]

Spring Theatre Preview by Michael Schulman

Revivals offer enticing actor pairings, including Adam Driver and Keri Russell, in "Burn This," and Annette Bening and Tracy Letts, in Arthur Miller's "All My Sons."

SOURCE: The New Yorker Subscription at 4:00am on March 1, 2019[SHARE]

An Oscars-Night Diary by Michael Schulman

Michael Schulman recaps his night at the 2019 Oscars ceremony, and at the Vanity Fair after-party.

SOURCE: The New Yorker Subscription at 7:15pm on February 25, 2019[SHARE]

A Fraught Oscars Season Limps to the Finish Line by Michael Schulman

Michael Schulman writes on the fraught Oscars season"including controversy surrounding the film "Green Book" and Kevin Hart"and the broadcast, on Sunday night, of the Academy Awards.

SOURCE: The New Yorker Subscription at 5:00am on February 24, 2019[SHARE]

Jane Curtin Is Playing It Straight by Michael Schulman

Michael Schulman interviews the actress Jane Curtin on her sitcom years, the early, turbulent days of "S.N.L.," and the shifting sands of the present.

SOURCE: The New Yorker Subscription at 5:00am on February 17, 2019[SHARE]

The Evolution of Red-Carpet Politics by Michael Schulman

The New Yorker writers Michael Schulman and Naomi Fry discuss the history of the red carpet, from Aeschylus to Joan Rivers, in anticipation of the Academy Awards.

SOURCE: The New Yorker Subscription at 5:00am on February 12, 2019[SHARE]

Heidi Schreck Takes the Constitution to Broadway by Michael Schulman

Michael Schulman on the playwright's combination of memoir and civics lesson in a show for the Trump era.

SOURCE: The New Yorker Subscription at 5:18am on February 11, 2019[SHARE]

When "Spaceman" Came Crashing Down to Earth by Michael Schulman

Michael Schulman on the star of the one-woman show, who learned, after a curtain-call tumble, that having two broken arms is not unlike being an astronaut.

SOURCE: The New Yorker Subscription at 5:00am on February 4, 2019[SHARE]

A Homecoming for "Hamilton" in Puerto Rico by Michael Schulman

Michael Schulman and Rick Negron, who plays a Trumpish King George III in the hit musical "Hamilton," stroll the plazas of Negron's home town.

SOURCE: The New Yorker Subscription at 5:00am on January 21, 2019[SHARE]

What "Hamilton" in San Juan Means to Puerto Rico by Michael Schulman

Michael Schulman on Lin-Manuel Miranda's return to "Hamilton" this month, bringing the play to the Centro de Bellas Artes Luis A. Ferré, in San Juan, Puerto Rico, and its significance to th…

SOURCE: The New Yorker Subscription at 10:09am on January 17, 2019[SHARE]

The 2019 Golden Globes Recap: A Thankful Sandra Oh and a Mighty Glenn Close by Michael Schulman

Michael Schulman reviews the 2019 Golden Globe awards, an odd night in terms of winners, in which Sandra Oh and Glenn Close gave memorable speeches.

SOURCE: The New Yorker Subscription at 8:03am on January 7, 2019[SHARE]

When Your Dinner Comes with a "Sea to Pan" Journey by Michael Schulman

Michael Schulman on a tech entrepreneur's new company, which sells Icelandic fish with a QR code. 

SOURCE: The New Yorker Subscription at 5:00am on January 7, 2019[SHARE]

The Star of "Roma" Takes an Empire State Building Selfie by Michael Schulman

Yalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón's lauded film. 

SOURCE: The New Yorker Subscription at 5:00am on December 31, 2018[SHARE]

Robert De Niro Is Always Doing Something by Michael Schulman

Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.

SOURCE: The New Yorker Subscription at 5:00am on December 30, 2018[SHARE]

The Best Theatre of 2018 by Michael Schulman

Michael Schulman reviews his favorite plays of 2018, including "Angels in America," "The Waverly Gallery," and more.

SOURCE: The New Yorker Subscription at 12:00pm on December 22, 2018[SHARE]

A Lifetime of Dressing Cher by Michael Schulman

Michael Schulman writes on Bob Mackie's costumes for "The Cher Show," a Broadway bio-musical currently running at the Neil Simon Theatre.

SOURCE: The New Yorker Subscription at 1:58pm on December 20, 2018[SHARE]

Ruth Bader Ginsburg's Nephew on Winning the Aunt Lottery by Michael Schulman

As Daniel Stiepleman wrote "On the Basis of Sex," which is centered on the Supreme Court Justice, he came to see the Ginsburgs' marriage as a model for his own, Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on December 17, 2018[SHARE]

How Rob Marshall Made Mary Poppins Sing Again by Michael Schulman

Michael Schulman interviews the director Rob Marshall about his new film, "Mary Poppins Returns," which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dick Va…

SOURCE: The New Yorker Subscription at 12:19pm on December 13, 2018[SHARE]

Kevin Hart Withdrew as Oscars Host, But His Homophobia Is Inexcusable by Michael Schulman

Michael Schulman writes about the comedian Kevin Hart's ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.

SOURCE: The New Yorker Subscription at 10:13am on December 7, 2018[SHARE]
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