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68 stories by "Marina Harss"

Exploring the Majesty and Mystery of Sor Juana in Dance by Marina Harss

Michelle Manzaneles's new work for Ballet Hispánico is, she says, "a way of going personal through another person's story."

SOURCE: The New York Times Subscription at 5:01am on May 26, 2023[SHARE]

Why Is Bronislava Nijinska Still Waiting in the Wings? by Marina Harss

With a new biography and a production of "Les Noces," the time has come to reconsider the choreographer, whose work and reputation have languished since .

SOURCE: The New York Times Subscription at 5:00am on March 14, 2023[SHARE]

An Ad Hoc Ukrainian Ballet Troupe Settles Into Life in The Hague by Marina Harss

The dancers in the United Ukrainian Ballet have found a home in the Netherlands. This week the company makes its U.S. debut in Alexei Ratmansky's "Giselle."

SOURCE: The New York Times Subscription at 10:01am on January 31, 2023[SHARE]

New York City Ballet's Sterling Hyltin Prepares for a Final Bow by Marina Harss

After a season of saying farewell to cherished roles, the City Ballet principal Sterling Hyltin prepares to take her final bow in "The Nutcracker."

SOURCE: The New York Times Subscription at 10:00am on December 2, 2022[SHARE]

Winter Dance Preview by Marina Harss

The return of Alvin Ailey American Dance Theatre, the tap wiz Michelle Dorrance, an unusual ballet by Alexei Ratmansky, and more.

SOURCE: The New Yorker Subscription at 6:00am on November 4, 2022[SHARE]

A New Leader at New York Theater Ballet and a Call for New Audiences by Marina Harss

Dance entered Steven Melendez's life when Diana Byer met him at the shelter where he was living as a child. Now he runs the company she started.

SOURCE: The New York Times Subscription at 12:02pm on October 19, 2022[SHARE]

An Odissi Dancer Charts New Paths at the Met Museum by Marina Harss

Bijayini Satpathy has been remaking herself as an artist with the help of a residency at the Metropolitan Museum of Art.

SOURCE: The New York Times Subscription at 10:00am on September 1, 2022[SHARE]

A Leading Choreographer Joins the War Effort, With Classical Ballet by Marina Harss

Alexei Ratmansky, one of the most important figures in ballet, is supporting Ukraine by staging "Giselle" with a company made up of Ukrainian refugees.

SOURCE: The New York Times Subscription at 9:00am on August 30, 2022[SHARE]

Alexei Ratmansky's Epic Ballet Arrives in a Changed World by Marina Harss

Getting its delayed New York premiere, "Of Love and Rage," at Ballet Theater, is like a time capsule of a more carefree period of Ratmansky's life and art.

SOURCE: The New York Times Subscription at 5:00am on June 14, 2022[SHARE]

The Everyday Avant-Gardist: Paul Taylor's First Principles by Marina Harss

A program of early works at the Joyce Theater shows a different, more experimental side of the choreographer.

SOURCE: The New York Times Subscription at 10:00am on June 9, 2022[SHARE]

Summer Dance Preview by Marina Harss

New ballets at American Ballet Theatre, the return of the Paul Taylor Dance Company, the tap artist Dormeshia, and more.

SOURCE: The New Yorker Subscription at 6:00am on May 6, 2022[SHARE]

An Interrupted Conversation: The Flamenco Festival Returns by Marina Harss

Despite an impressive roster, including Manuel Liñán's "Viva!," this year's edition, the 20th, represents a radically streamlined version of the festival.

SOURCE: The New York Times Subscription at 2:22pm on April 20, 2022[SHARE]

Ukrainian Dancers Find Shelter Abroad as War Rages at Home by Aurelien Breeden and Marina Harss

Opera houses and theaters in European cities are offering to help fleeing or stranded ballet dancers, even as many are still stuck in Ukraine.

SOURCE: The New York Times Subscription at 3:54pm on March 8, 2022[SHARE]

Alexei Ratmansky, With Family in Kyiv, Leaves His Ballet in Moscow by Marina Harss

The New York-based choreographer, who was working on a new ballet for the Bolshoi, said he doubted he would return to Russia to work "if Putin is still president."

SOURCE: The New York Times Subscription at 4:15pm on February 27, 2022[SHARE]

In Miami, Climbing Ballet's Everest: 'Swan Lake' by Marina Harss

It has taken Miami City Ballet six years to get the Alexei Ratmansky production " the biggest and most expensive in the company's history " off the ground.

SOURCE: The New York Times Subscription at 10:00am on February 3, 2022[SHARE]

At City Ballet, Jamar Roberts and Dancers Find a Common Language by Marina Harss

"I was thinking about Balanchine a lot," said Roberts, Ailey's choreographer in residence, who is making his first work for New York City Ballet.

SOURCE: The New York Times Subscription at 10:00am on January 27, 2022[SHARE]

The Joyce Theater Plans to Welcome Back the World by Marina Harss

The spring-summer season is to include groups from abroad, as well as performances the Paul Taylor company, Dormeshia and others.

SOURCE: The New York Times Subscription at 2:00pm on December 17, 2021[SHARE]

An Unassuming Prince Dons the Velvet Cloak at Ballet Theater by Marina Harss

Thomas Forster, promoted to principal dancer during the pandemic, makes his New York debut in "Giselle" as the company returns to Lincoln Center.

SOURCE: The New York Times Subscription at 10:20am on October 20, 2021[SHARE]

Dancing Cheek to Cheek Again: New York's Tango Scene Rebounds by Marina Harss

The pandemic was disastrous for tango. But milongas are thriving around the city now, capped by the return of Queer Tango Weekend.

SOURCE: The New York Times Subscription at 10:00am on October 15, 2021[SHARE]

Fall Dance Preview by Marina Harss

New York City Ballet and American Ballet Theatre return to Lincoln Center, the Joyce hosts Ragamala Dance and Caleb Teicher, and more.

SOURCE: The New Yorker Subscription at 6:00am on August 6, 2021[SHARE]

The Joyce Returns, With a Typically Eclectic Dance Menu by Marina Harss

The season features 18 companies, including some, like Malpaso from Cuba, whose shows were canceled last year.

SOURCE: The New York Times Subscription at 12:00pm on July 27, 2021[SHARE]

Carla Fracci, Expressive Doyenne of Italian Ballet, Dies at 84 by Marina Harss

A major figure in 20th-century dance, she was acclaimed for her directness and emotional naturalness onstage, especially in the title role of "Giselle."

SOURCE: The New York Times Subscription at 6:11pm on May 28, 2021[SHARE]

Summer Dance Preview by Marina Harss

Major companies return with outdoor performances at Jacob's Pillow Dance Festival, Kaatsbaan Cultural Park, Lincoln Center, and more.

SOURCE: The New Yorker Subscription at 7:34am on May 7, 2021[SHARE]

Alexei Ratmansky: From Hibernation to Bubble Bernstein by Marina Harss

One of the busiest choreographers in ballet is back in the studio, thanks to bubble protocols. "For what I do, and for the language I use, the stage is needed," Ratmansky said.

SOURCE: The New York Times Subscription at 10:00am on February 26, 2021[SHARE]

Transcendent Spirits: Lift 40 Voices and Dance by Marina Harss

Streaming highlights: the New York Chorale Society, Ronald K. Brown/Evidence and City Ballet's 'Prodigal Son.'

SOURCE: The New York Times Subscription at 1:35pm on February 16, 2021[SHARE]
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