2022 Capital Fringe Review: 'Untitled' by Ellie Pike
A one-woman, undeniably fun comic take on small-town New England life featuring a basketful of characters.
A one-woman, undeniably fun comic take on small-town New England life featuring a basketful of characters.
On a hot-air balloon ride, a couple escapes the pandemic into the past and maybe the future.
An electrifying, high-intensity evening in which each stellar actress is a leading lady in her own right.
Two distinct programs featured three companies that center Black and Brown dancers, choreographers, and artistic directors.
Making his professional debut for Pan Underground, the 19-year-old displays astounding skill in conveying the hope, wonder, fear, and disappointment of a child.
Four pieces showcased ten dancers' drive, indomitable spirit, and unassailable technical abilities.
The highlight of the production is Parker Esse's choreography, executed with sassy precision by a terrific chorus.
Ballet lovers would likely call it respectable, if uneven.
A tribute at Kennedy Center to his tenth anniversary as artistic director of the company and a collection of his dances on a single program.
An exquisite performance shows us that two people sharing space create a universe of possibilities.
A rumination on identity, memory, death, life, and regeneration " a portrait of humanity captive to demons.
At Kennedy Center, a rich triptych of works with historical underpinnings of the African American experience.Â
Can a bakery favorite repair the world?
Two familiar works ease us back into the theater on a high note.
Saving the world from its grim humorless political maneuverings through comedy feels right at this moment.
An evening of choreography titled 'Tear the Edge,' featuring four world premieres, comes to National Cathedral Sunday, July 18.
As the dance world eases back to stages, Bowen McCauley Dance was among the first to dip a toe in to test the waters, dancing together on the Kennedy Center's Terrace Theater stage before a …
There couldn't be a more perfect setting for Irish playwright Deirdre Kinahan's In the Middle of the Fields than the grassy, clovered slope of P Street Beach, a sliver of Rock Creek Park a q…
"For never was there a tale of more woe, than this of Juliet and her Romeo." Who doesn't know the tragic ending of star-crossed lovers Romeo and Juliet? Yet we continue to be besotted by the…
Hot tea is the recommended beverage for viewing Chicago-based playwright Rohnia Malik's Unveiled, available online through January 2021 from Baltimore Theatre Project. The one-woman show int…
Urgent times call for urgent theater. And urgent theater has been Mosaic Theater Company's calling card since its founding " rather unexpectedly " five years ago, by artistic director/playwr…
On the eve of the day we learned that we still can't elect a woman as qualified as Elizabeth Warren president, the Martha Graham Dance Company returned to the Kennedy Center's Eisenhower The…
With her green roots and sneakers that spout "fuck you," Billie Eilish, who swept Sunday night's pop Grammys, sings a new song for a new generation. Her 2020 teen angst recalls hardcore punk…
Mark Morris dances are emphatically watchable, easily digestible, eccentric, and smartly witty. He so proficiently pairs music and dance, costume and set " with a cadre of collaborators " th…
What a pleasure to celebrate the centenary of modern dance master Merce Cunningham with a pair of works that demonstrates his formidable vision for dance, imbued with clarity of form and gen…